Sentences with phrase «international exhibitions including»

Exhibiting since 1996, her work has shown in over 50 international exhibitions including The Australian Centre for Photography Sydney; The Australian Centre for the Moving Image, Melbourne; The Australian Centre of Contemporary Art Melbourne; Fotogalerie Wien; Deichtorhallen Hamburg; Kunsthalle Fridericianum Kassel; Kunstverein Ludwigshafen; ACC Galerie Weimar and the Le Havre Biennale.
He has had numerous international exhibitions including Psycho Buildings, Hayward Gallery, London (2008) and Forms of Resistance, Van Abbemuseum, Eindhoven (2007).
Sze has participated in numerous national and international exhibitions including at the Whitney Museum of American Art and the Carnegie Museum of Art, and in the 48th Venice Bienniale and the 2009 Biennale de Lyon.
Her work has been featured in major international exhibitions including the 2nd Athens Biennal, Athens, Greece (2009); Whitney Biennial, Whitney Museum of American Art, New York (2006); Berlin Biennial for Contemporary Art, Berlin, Germany (2005); Friends of Fluxus Exhibition, collaterial event to the 48th Venice Biennale, Venice, Italy (1999); and Daniel Spoerri, Moulin des Jouissances, collaterial event to the 37th Venice Biennale, Venice, Italy (1976).
Her work has been featured in international exhibitions including the Whitney Biennial, Whitney Museum of American Art, New York (2014); Glasgow International, Glasgow, Scotland (2016); The Hangzhou Triennial of Fiber Art, Hangzhou, China (2016); and the 57th Biennale di Venezia, Venice, Italy (2017).
His work has been showcased in many prestigious international exhibitions including the American Watercolor Society, the National Watercolor Society, The Gold Medal Exhibition of the California Art Club, The American Masters Exhibition at the Salmagundi Club in NYC, and the Shenzhen Watercolor Biennial.
Ward's work has been featured in major international exhibitions including the Nanjing Biennial, China (2010); Prospect.1, New Orleans (2008); the Whitney Biennial, the Whitney Museum of American Art, New York (2006); the Taipei Biennial, Taiwan (2006); the Sharjah International Biennial 7, UAE (2005); and the 8th Havana Biennial (2004).
She received her MFA degree from the University of Texas at Austin Her work has been included in national and international exhibitions including the Harvey B. Gantt Center, Charlotte, NC, Crystal Bridges Museum of American Art, Bentonville, AR; Studio Museum of Harlem NYC, NY; Contemporary Art Museum, Houston, TX; the Zacheta National Gallery of Art, Warsaw, Poland and Haas & Fischer Gallery, Zurich, Switzerland.
His work has been included in major international exhibitions including the Venice Biennale on eleven separate occasions, and four iterations of Documenta and can be found in many public collections, among them Tate Britain, London, Guggenheim Museum, New York, MOMA, New York, Museo d'arte contemporanea, Castello di Rivoli, Turin, MACBA, Barcelona and MuHKa, Antwerp.
Pistoletto's work has been included in numerous important international exhibitions including Documenta 4, 7, 9, and 11 in Kassel (1968, 1982, 1992, and 1997) and the Venice Biennale (1966, 1976, 1978, 1984, 1986, 1993, 1995, 2003, and 2005).
He has shown in major international exhibitions including at the Museum of Modern Art, New York, the Louvre Museum and Tate Modern.
He has curated a number of large international exhibitions including the Biennale of Sydney (1998), Facts of Life: Contemporary Japanese Art (Hayward Gallery, London 2001), Quotidiana (Castello di Rivoli, Turin 1999, Tate Triennial (2003), Shanghai Biennale (2006), Sharjah Biennial (2007), Negotiations (Today Art Museum, Beijing 2010) and the Guangzhou Triennial (2012).
He has curated a number of significant international exhibitions including the Guangzhou Triennial (2012); Negotiations, Today Art Museum, Beijing (2010); Sharjah Biennial (2007); Shanghai Biennale (2006); and Tate Triennial (2003), amongst others.
Massouras has shown in a number of international exhibitions including Royal Academy of Arts, London, Muse at 269, London, 7Eleven Gallery, NY, Christie's, London (with Julian Page Fine Art), Skylight Projects, NY, Pulse 2011, Los Angeles, and Pace, New York.
Long Island City, New York (1981), Hurlburt's work has been included in National and International exhibitions including: The Power Plant, Toronto; Royal Ontario Museum, Toronto; Musee des Beaux - Arts de Montreal; Contemporary Art Gallery, Vancouver; Manchester Museum, Manchester, UK; Wurttembergischer Kunstverein, Stuttgart, Germany; The Institute of Contemporary Art / Boston, 0 USA; Creative Time Inc. / The Municipal Art Society, New York, USA; and MOCA, Cleveland, USA and most recently The New Orleans Museum of Art, USA.
She has curated international exhibitions including the performance and print programme for Chart Art Fair in 2015, «The Dark Cube «at the Palais de Tokyo, «E-Vapor-8 «at Site Sheffield and 319 Scholes in New York, «The New Psychdelica «at MU in Eindhoven and numerous exhibitions in European project spaces.
His work has been presented in many international exhibitions including the prestigious Telstra National Aboriginal and Torres Strait Islander Award and the Islands in the Sun exhibition at the National Gallery of Australia.
His work has been included in solo national and international exhibitions including the Museum of Modern Art, Passau, Germany, Amerika Haus, Berlin, Germany, Galerie Muhlenbusch, Dusseldorf, Germany, Raw Space / ARC, Chicago, Illinois, The Museum of South Texas, Corpus Christi, Texas, The Meadows Museum of Art, Dallas and the Longview Museum of Art, Longview, Texas.
His work has been included in numerous international exhibitions including: Rome, Spain, Mexico, Canada, Holland and most recently, the project Marchante!
Gerard Byrne's work has been widely exhibited in significant international exhibitions including: The Turin Triennale; The Gwangju Biennale and The Biennale of Sydney (all 2008); The Lyon Biennale (2007), A Short History of Performance 3, Whitechapel Art Gallery, London; 3rd Tate Triennial, Tate Britain, London (2006); Eindhoven - Istanbul, Van Abbemuseum, Eindhoven, The Netherlands (2005); The American Effect, Whitney Museum of American Art, New York; The Istanbul Biennale, (2003); Manifesta 4, (2002).
She has participated in numerous international exhibitions including Infamous Library, Rampa Gallery, Istanbul (2014); Reverse Corner, Egeran Gallery (2013), Istanbul; 11th Sharjah Biennial, Sharjah (2013); Change Will Be Terrific, Salt Istanbul (2012); 11th Istanbul Biennial, Istanbul (2009).
She has curated over forty international exhibitions including eight dedicated to Giacometti.
Biscotti has taken part in major international exhibitions including the 8th Contour Biennale (2017); the 55th Venice Biennale and 13th Istanbul Biennale (2013), documenta13 (2012), and Manifesta 9 (2012).
During his abstraction phase he participated in several major international exhibitions including the Carnegie International, Pittsburgh (1950), and the Sao Paulo Biennial (1957).
The work of Joe Fig has been a subject of numerous international exhibitions including the shows at Bruce Museum, Bass Museum of Art, Parrish Art Museum, Toledo Museum of Art, Pennsylvania Academy of Fine Arts and New Britain Museum of American Art.
He has curated a number of large international exhibitions including the Biennale of Sydney (1998), Facts of Life: Contemporary Japanese Art (Hayward Gallery, London 2001), Quotidiana (Castello di Rivoli, Turin 1999), Tate Triennial (2003), Shanghai Biennale (2006), Sharjah Biennial (2007), Negotiations (Today Art Museum, Beijing 2010) and the Guangzhou Triennial (2012).
In addition to his institutional curating, he has (co --RRB- curated a number of major international exhibitions including U3 Triennale, Ljubljana (2011); Riwaq Biennale, Ramallah with Reem Fadda (2007 & 2009); Istanbul Biennale with Vasif Kortun (2005); Gwangju Biennale with Hou Hanru (2002).
Her work has been exhibited in several national and international exhibitions including the 6th National Collegiate Handmade Paper Exhibition.
He was invited to participate in international exhibitions including La Biennale di Venezia, Lyon Biennial of Contemporary Art, Shanghai Biennale and Guangzhou Triennial including the Offsite Project at the Royal College of Art in London.
He was invited to participate in international exhibitions including Lyon Biennale of Contemporary Art, Shanghai Biennale and Guangzhou Triennial and the Off Site Project at the Royal College of Art in London.
Her work has been included in national and international exhibitions including the Harvey B. Gantt Center, Charlotte, NC; Crystal Bridges Museum of American Art, Bentonville, AR; Studio Museum of Harlem NYC, NY; Contemporary Art Museum, Houston, TX; the Zacheta National Gallery of Art, Warsaw, Poland and Haas & Fischer Gallery, Zurich, Switzerland.
His work has been in various domestic and international exhibitions including the 2011 Gyeonggi International Ceramix Biennale and the 2015 Architectural Digest Home Design Show.
Her work has been featured in numerous major international exhibitions including the 19th Biennale of Sydney (2014, 1988); the Singapore Biennale (2006); the Venice Biennale (2005, 1982); and the Whitney Biennial, Whitney Museum of American Art, New York (1987, 1985, 1983).
She has worked on international exhibitions including Food (Geneva, 2012), The Mediterranean Approach (Venice / Marseille / Sao Paolo, 2011), The Inadequate (project by Dora Garcìa for the 54th Venice Biennale), Collateral (Milan / Sao Paolo, 2008), Joan Jonas — My Theater (Trento, 2007).
She has curated international exhibitions including «Responsive Eyes» (Jacob's Island, London 2012) «The New Psychdelica» (MU, Eindhoven 2011) and «Syncopation» (Grimmuseum, Berlin 2010).
She has exhibited her work in over 50 national and international exhibitions including Harvard University, Griffin Museum of Photography, and the Danforth Museum.
He has also organized several international exhibitions including Otherwise Black (2014) for the 1st edition International Biennale of Contemporary Art in Martinique (BIAC).
Jérôme Sans is an icon in the world of contemporary creativity, who among other feats, co-founded the acclaimed Palais de Tokyo in Paris, was the first groundbreaking director who developed the model for Ullens Center for Contemporary Art in Beijing, and has curated major international exhibitions including the Taipei Biennale, Lyon Biennale, Nuit Blanche Paris and Milan Triennale.
He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.
Together they have published nine monographs and have had numerous international exhibitions including The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery and are currently showing at Mathaf Arab Museum of Modern Art.
Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.
Together they have had numerous international exhibitions including The Museum of Modern Art, Tate Britain, Tate Liverpool, The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery, Mathaf Arab Museum of Modern Art and Museo Jumex.
His unique work has been shown in a variety of international exhibitions including cities such as Berlin, New York, Paris, London, Brussels, and others.
Her work has been shown in over fifty national and international exhibitions including exhibits at the Museum of Arts and Design, New York City, Museum Angewandte Kunst, Frankfurt, Germany, Massachusetts College of Art, Boston, and upcoming in the summer of 2012, the Renwick Gallery / Smithsonian American Art Museum in Washington DC.
He has been featured in many international exhibitions including the Bienal de Sao Paulo in 2016, An Aleatory History of the Stick at Art in General in New York in 2015, and Useless, curated by Pablo Leon de la Barra, at the PINTA Art Fair in London in 2010, among others.
He has participated in numerous international exhibitions including The Istanbul Biennial, Sonsbeek» 93, and The Whitney Biennial, and his work has been included in exhibitions at the Ludwig Museum, Cologne; MuMoK, Vienna; Migros Museum, Zurich; and the Hayward Gallery, London, among others.
Her work has been included in numerous national and international exhibitions including Zarouhie Abdalian / MATRIX 249 at the Berkeley Art Museum (2013), the 9th Shanghai Biennial (2012), the 3rd Moscow International Biennale for Young Art (2012), and the 12th Istanbul Biennial (2011).
Selected international exhibitions including those forthcoming consist of: Ars and Flora, Bogota, Columbia, 2016, Los Angeles County Exhibitions, Los Angeles, 2016, Bar Projects, Barcelona, Spain *, Barbara Seiler Gallery, Zurich *, 2016, ZKM, Karlsruhe, 2016, LAXART, Los Angeles, 2015, Manifesta 10, Parallel Program, Saint Petersburg, Russia 2014; Red Cat Theater, 2014 Otis College of Art Ben Maltz Gallery, 2014 Townhouse Gallery, Cairo, 2013 *, Fons Welters Gallery Amsterdam 2011 *; MAK Center, Vienna, 2011, MUSAC, Leon, Spain, 2010, Kunsthaus Zurich, 2006; NBGK, Berlin, 2006; Kunsthaus Graz, 2006; Los Angeles County Museum, 2006; Astrup Fearnley Museum of Modern Art, Oslo, 2004; Studio Museum of Harlem, 2003; California Museum of Photography, Riverside, 2002 *; Edward Mitterand Gallery, 2002 *; Storefront for Art and Architecture, 2002 *; The Laguna Art Museum, Laguna Beach, 2001 *; The Whitney Museum of American Art, 2001; Artists Space, 2001, Institute of Contemporary Art, Philadelphia, 1995; Villa Arson, Nice, France, 1994;P.
Kim has participated in many other international exhibitions including the 7th and 3rd Gwangju Biennale, Korea in 2000 and 2008.
She has participated in many international exhibitions including: The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum, New York (2017); Resistance Performed — Aesthetic Strategies under Repressive Regimes in Latin America, at the Migros Museum, Zurich, Switzerland (2016); La No - Historia, Biennial of Mercosul, Porto Alegre, Brazil (2011 — 2015), the 12th Istanbul Biennial, Turkey (2011); the 8th Mercosul Biennial in Porto Alegre, Brazil; the 31st Sao Paulo Biennial, Brazil (2014); The Artistic Experience of History, State University of Rio de Janeiro, Brazil (2013); and Dislocation at the Kunst Museum of Bern, Switzerland (2009), among others.
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