Sentences with phrase «international field of contemporary art»

After graduation you will be able to situate your artistic practice in the international field of contemporary art.

Not exact matches

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York
At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiart) presents mainly new acquisitions in the field of international contemporary art for the first tiart for the first time.
A comprehensive survey of current publications in the fields of visual and applied arts; includes the indexes ARTbibliographies Modern (covering modern and contemporary art), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Tarts; includes the indexes ARTbibliographies Modern (covering modern and contemporary art), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Teart), Design and Applied Arts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full TArts Index (for all aspects of design and crafts) and the International Bibliography of Art (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full TeArt (covering scholarship on Western art history), together with a complementary collection of current full - text journals, Arts and Humanities Full Teart history), together with a complementary collection of current full - text journals, Arts and Humanities Full TArts and Humanities Full Text.
The International expands the field of contemporary art wider than I have ever experienced it before.
Focusing on post-medieval European and American art, the collection is outstanding in the fields of Italian and Northern Renaissance, Baroque, and nineteenth - century French art, the history of photography, and international contemporary art, as well as theory and visual culture.
Large Field Array was recently acquired by The Zabludowicz Collection, a London - based collection of international contemporary art.
As the leader in its field, Public Art Fund brings dynamic contemporary art to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environmeArt Fund brings dynamic contemporary art to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environmeart to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environmeart and the urban environment.
The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.
Groundwork has four strands: a season of international contemporary art opening in May 2018, field trips, residential workshops and an ambitious learning programme.
Organized by independent curator, Jane Hart with 30 + years experience in the international contemporary fine art field, having worked with such acclaimed artists as Doug Aitken, Uta Barth, John Baldessari, Mike Kelley, Christian Marclay, Diana Thater and Pae White; and just recognized (for the second time) as Curator of the Year by the New Times.
Askeaton Contemporary Arts and Lismore Castle Arts present «The Expanded Field», with international and Irish artists investigating the multifaceted nature of the Munster region.
Thus, it provides an important analysis of a visually exhausted and exploited terrain that has been overproduced by media images for decades, by Human Rights discourses as well as by the field of international contemporary art, the arena where
The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.
2016 Contemporary Prints from Crow's Shadow, Hoffman Gallery, Oregon College of Art and Craft, Portland, OR A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR Statements on Nature: A survey of Printmaking Today, Schaefer International Gallery, Maui Arts & Cultural Center, Kahului, HI BLINDSIGHT, Samuel Freeman Gallery, Los Angeles, CA Paper: Burned, Cut, Folded, Stitched, Bryant Street Gallery, Contemporary Prints from Crow's Shadow, Hoffman Gallery, Oregon College of Art and Craft, Portland, OR A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR Statements on Nature: A survey of Printmaking Today, Schaefer International Gallery, Maui Arts & Cultural Center, Kahului, HI BLINDSIGHT, Samuel Freeman Gallery, Los Angeles, CA Paper: Burned, Cut, Folded, Stitched, Bryant Street Gallery, San Jose,Art and Craft, Portland, OR A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR Statements on Nature: A survey of Printmaking Today, Schaefer International Gallery, Maui Arts & Cultural Center, Kahului, HI BLINDSIGHT, Samuel Freeman Gallery, Los Angeles, CA Paper: Burned, Cut, Folded, Stitched, Bryant Street Gallery, CONTEMPORARY ART, Portland, OR Statements on Nature: A survey of Printmaking Today, Schaefer International Gallery, Maui Arts & Cultural Center, Kahului, HI BLINDSIGHT, Samuel Freeman Gallery, Los Angeles, CA Paper: Burned, Cut, Folded, Stitched, Bryant Street Gallery, San Jose,ART, Portland, OR Statements on Nature: A survey of Printmaking Today, Schaefer International Gallery, Maui Arts & Cultural Center, Kahului, HI BLINDSIGHT, Samuel Freeman Gallery, Los Angeles, CA Paper: Burned, Cut, Folded, Stitched, Bryant Street Gallery, San Jose, CA
Fresh Art International Beginning with research, networking, and field recordings, independent curator Cathy Byrd works with a team of creatives to script, direct, produce, publish, and promote a range of perspectives on contemporary aArt International Beginning with research, networking, and field recordings, independent curator Cathy Byrd works with a team of creatives to script, direct, produce, publish, and promote a range of perspectives on contemporary artart.
Hicham Berrada is participatiing in the 5th Moscow International Biennale for Young Art which ranks among the largest and most ambitious projects in the field of contemporary art in summer 20Art which ranks among the largest and most ambitious projects in the field of contemporary art in summer 20art in summer 2016.
Mori has received numerous international awards, including the prestigious Menzioni d'Onore (Honorary Mentions) at the 47th Venice Biennale in 1997 (for the work Nirvana) and the 8th Annual Award as a Promising Artist and Scholar in the Field of Contemporary Japanese Art in 2001 from the Japan Cultural Arts Foundation.
Stephen Friedman Gallery was established in 1995 and is now recognised amongst the leading international galleries in the field of contemporary art.
Black and White, Mostly — Hiram Butler Gallery, Houston, TX The Grant and Peggy Reuber Collection of International Works on Paper — McIntosh Gallery, London, ON Local History: Enrico Castellani, Donald Judd, Frank Stella — Dominique Lévy Gallery, New York City, NY Local History: Castellani, Judd, Stella — Dominique Lévy Gallery — London, London In Living Color: Andy Warhol and Contemporary Printmaking — Joslyn Art Museum, Omaha, NE Taking A Stand Against War — Lehmbruck Museum, Duisburg Alois Breyer, El Lissitzky, Frank Stella: Wooden Synagogues — Tel Aviv Museum of Art, Tel Aviv Love Story — Sammlung Anne & Wolfgang Titze — Schweizergarten, Vienna Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection — The de Young Museum, San Francisco, CA Openness And Clarity: Color Field Works From The 1960S And 1970S — Honor Fraser, Los Angeles, CA Summer Group Exhibition: Part I — Van Doren Waxter, New York City, NY The Shaped Canvas, Revisited — Luxembourg & Dayan, New York City, NY Calculated Abstractions — Hard - Edge Prints — UB Art Galleries — University of Buffalo, Buffalo, NY Solidaridad Y Resistencia.
At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart as well as paintings, drawings and photography.
Winning pieces will be honored by three distinguished guest jurors, Claudia Maté, Jonathan Monaghan and Morehshin Allahyari, all chosen for their pioneering work within the fields of new media, contemporary art and digital motion graphics on an international level.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
Moscow International Biennale for Young Art is a large - scale project realized on the Moscow art scene in the field of contemporary aArt is a large - scale project realized on the Moscow art scene in the field of contemporary aart scene in the field of contemporary artart.
The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.
As the inaugural director, he quickly positioned CAM to be a leader in the field of contemporary art, garnering national and international recognition for its exhibitions.
Traveled to International Print Center New York; Contemporary Art Museum, University of South Florida, Tampa, FL; Ezra and Cecile Zilkha Gallery, Wesleyan University, CT. (catalogue) Plinth Guest Artist Project (Liz Collins Energy Field), The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY Queering the Bibliobject, The Center for Book Arts, New York Harlem Postcards Fall / Winter 2016 — 2017, Studio Museum in Harlem, New York Bad Faith, James Fuentes Gallery, New York November's Bone, Halsey McKay Gallery, New York 2015 Your smarter than me.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
After a distinguished 29 - year career at the Guggenheim, where she served as director from 2005, Lisa Dennison joined Sotheby's in September 2007, focusing on international business development — a role that draws on her considerable strengths as an internationally recognized figure in the fields of modern and contemporary art.
The choice of the Contemporary Art Society as adviser was motivated not only by their undisputed expertise in the field of international contemporary art, but also by the way the Contemporary Art Society functions as a non-profit oContemporary Art Society as adviser was motivated not only by their undisputed expertise in the field of international contemporary art, but also by the way the Contemporary Art Society functions as a non-profit organisatiArt Society as adviser was motivated not only by their undisputed expertise in the field of international contemporary art, but also by the way the Contemporary Art Society functions as a non-profit ocontemporary art, but also by the way the Contemporary Art Society functions as a non-profit organisatiart, but also by the way the Contemporary Art Society functions as a non-profit oContemporary Art Society functions as a non-profit organisatiArt Society functions as a non-profit organisation.
2014 Speaking of People: Ebony, Jet, and Contemporary Art, Studio Museum in Harlem, New York, NY Post Pop: East Meets West, Saatchi Gallery, London, UK Beyond the Classical: Imagining the Ideal Across Time, National Academy Museum, New York, NY Burn with Desire: Glamour in Photography and Film, Ryerson Image Center, Toronto, Canada Rauschenberg: Collecting & Connecting, Nasher Museum of Art, Duke University, Durham, NC GIRL curated by Pharrel Williams, Galerie Perrotin, Paris, France Pop Departures, Seattle Museum of Art, Seattle, WA Bash II, Kleinert / James Gallery, Woodstock, NY Expanding the Field of Painting, ICA Boston, Boston, MA Reflect, Cut, Construct, Wallach Art Gallery, Columbia University, New York, NY Aljira at 30, Dream and Reality, New Jersey State Museum, Trenton, NJ Aspects of the Self: Portraits of Our Times, Center for the Arts, Virginia Tech, Blacksburg, VA Domestic Unrest, Pippy Houldsworth Gallery, London, England Aftershock: The Impact of Radical Art, Edelman Arts, New York, NY 30 Americans, Contemporary Arts Center, New Orleans, LA The International Biennial of Contemporary Art of Cartegena de Indias, Cartagena de Indias, Colombia Shakti, Brand New Gallery, Milan, Italy
«We the undersigned individuals of the international contemporary art field call for the immediate and total overturning of the Executive Order signed by the 45th President of the United States on January 27, 2017, banning entry to any non-US citizens from Iran, Iraq, Libya, Somalia, Sudan, Syria, and Yemen,» the letter reads.
Mori has received numerous international awards, including the prestigious Menzione d'onore at the 47th Venice Biennale in 1997 (for «Nirvana») and the 8th Annual Award as a promising Artist and Scholar in the Field of Contemporary Japanese Art in 2001 from the Japan Cultural Arts Foundation.
In 2011, we implemented two year school program, which was designed on the basis of several years» research on various curatorial programs, analysis of curatorial practices, consultations with relevant national and international experts, and an evaluation of the past program and consideration of effective models of education in the field of contemporary visual arts and theories.
With Independent Curators International (ICI) and ARTonAIR.org, independent curator Leeza Ahmady conducts interviews with artists, curators, critics and experts working across the broad field of contemporary art.
After a distinguished 29 year career at the Guggenheim, where she served as director from 2005, Lisa Dennison joined Sotheby's in September 2007, focusing on international business development — a role that draws on her considerable strengths as an internationally recognized figure in the fields of Modern and Contemporary Art.
The Carla and George Stellweg Collection was assembled by Carla Stellweg, a curator, art historian, and writer in the field of Latin American & Latino International Contemporary Aart historian, and writer in the field of Latin American & Latino International Contemporary ArtArt.
You must have an higher education in the art field or a similar disciplinary background, institutional and management experience within the field of contemporary art and a broad international network.
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