A majority of our artists have
international gallery representation and a broad collector base.
Not exact matches
2007 —
Representation 2007, Jenkins Johnson
Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick
Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer
Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier
Gallery, NYC 2003 — Group Show, Dolby - Chadwick
Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle
Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco
International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier
Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman
Gallery, Chicago 2001 — Subject Matters, Standard
Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier
Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago
As part of the ZONAMACO SUR section, the fair will invite
international curators who select artists to propose individual projects under the
representation of a
gallery.
The
gallery program consists of rotating solo exhibitions, participation in
international art fairs and curated group shows of artists without
gallery representation.
Yet in conjunction with the country's recent economic boom, the
international art market has begun to sit up and pay attention: Brazilian
galleries have multiplied, institutional attention has intensified and a whole generation of younger artists, along with overlooked figures from a previous generation, has come to wider attention and secured
representation, critical coverage and collectors from abroad.
The
gallery's program includes: Estates of historically significant Canadian artists, most notably many of the Painters 11 group who established Canada's
international reputation for modern abstraction in the 1950s including many of the Painters 11's immediate post-contemporaries who emerged predominantly in Toronto during the 1960s and 1970s, especially those hailing from the legendary Isaacs and Carmen Lamanna
galleries; established senior artists working in a wide range of media; recognized mid-career artists from Canada and Europe; and emerging
international talents, particularly those exploring the boundaries of media,
representation and interpretation within contemporary art making.
Established in 2001, the Bruce Silverstein
Gallery's principal focus is the
representation of an
international roster of contemporary artists as well as established artists of great influence.
The
gallery is pleased to announce its
representation of
international artist Marjan Teeuwen.
The
gallery has helped foster the careers of some of the most influential artists working today, including Luc Tuymans and Neo Rauch, who had their U.S. debut exhibitions at the
gallery (in 1994 and 2000, respectively), and has maintained long - term
representation of a wide - ranging,
international group of artists.
The importance of Rona Pondick's original and inventive work led to her early and continued inclusion in scores of museum shows, and decades - long
representation by leading
international galleries including Thaddaeus Ropac and Sonnabend
Gallery.
The
Gallery focuses on a dialogue between the cultures of East a West while filling the need for better
representation of
international art in Hong Kong.»
It is not clear, however, to what degree the Pace
representation will affect the de Kooning estate's longstanding ties to other
international galleries, which held even after Gagosian began representing the artist.
Hauser & Wirth is a major
international gallery with a very strong
representation of L.A. artists, so that's one kind of programming.
In partnership with the National
Gallery of Canada's exhibition: Sakahàn:
International Indigenous Art
Gallery 101 Presents: Strange
Representations A group exhibition, performance, roundtable and potluck Curated by Ulysses...
Michael has gained
international recognition and
gallery representation in Atlanta, Miami, New York, San Francisco, Vienna and Seoul.
Postmasters
Gallery in NY have been leading lights in the
international art market over the last decade in the commercial
representation of artists actively engaged in new media explorations.
Featuring
representation from hundreds of
international galleries, the fair offered rare and unique objects ranging from 20th century Masters to the most cutting - edge and emerging contemporary artists.
Mark has
international representation by Perugi Art Contemporenea, Italy, Hunter and Cook
Gallery in Toronto and Jean Du Mauritz
Gallery in Vancouver.
In a recent The Art Newspaper piece about
international galleries moving to Los Angeles, Jori Finkel points out that two years ago, before Hauser Wirth & Schimmel became a permanent fixture in the area, artists like Bradford and McCarthy did not have
gallery representation in Los Angeles.
He has shown extensively, gained
international recognition and has
gallery representation in Atlanta, Miami, New York, San Francisco, Vienna and Seoul.
In partnership with the National
Gallery of Canada's exhibition: Sakahàn:
International Indigenous Art
Gallery 101 Presents: Strange
Representations A group exhibition,...
Siah Armajani (independent) Hai Bo (Pace / MacGill
Gallery) Saul Chernick (independent) Zach Harris (independent; just had a solo show at David Kordansky) Oliver Herring (independent) Ren Jian (independent) Byron Kim (James Cohan
Gallery) Iñigo Manglano - Ovalle (Christopher Grimes
Gallery, etc.) Ann Pibal (Rhona Hoffman (Chicago)-RRB- Tobias Putrih (
International representation) David Reed (now at Peter Blum, Galerie Schmidt Maczollek, Hausler Contemporary) Gao Shiqiang (1918 Art Space and others) Betty Woodman (Salon 94)
He has gained
international recognition and
gallery representation in Atlanta, Miami, New York, San Francisco, Vienna and Seoul.
The promising painter already has
gallery representation in Chicago (at Shane Campbell Gallery), and is soaring to success at international art
gallery representation in Chicago (at Shane Campbell
Gallery), and is soaring to success at international art
Gallery), and is soaring to success at
international art fairs.
Artists like these 10 members of The Artsy Vanguard — a new, annual list of the 50 most influential talents shaping the future of contemporary art practice — are finally getting their due, with museum retrospectives,
representation by major
international galleries, and surging collector interest.
Focus, curated by Gabriel Ritter, Curator and Head of Contemporary Art at the Minneapolis Institute of Art, featured 28
international galleries with solo or dual - artist presentations, which examine how technology has both mediated
representation of the physical body and imagined its emancipation in contemporary art.
Being committed to discovering, examining, and contextualizing known and unknown artworks by modern masters as well as innovative artists of today, the Bruce Silverstein
Gallery strives to provide a venue for dialogue across all art forms; its principle focus is the
representation of an
international roster of contemporary artists as well as established artists of great influence.
David Richard
Gallery is pleased to announce representation of international artist, Mokha Laget and present her first solo exhibition with the gallery, In Shape, In
Gallery is pleased to announce
representation of
international artist, Mokha Laget and present her first solo exhibition with the
gallery, In Shape, In
gallery, In Shape, In Color.
Since opening its doors in 1993, the
gallery has helped foster the careers of some of the most influential artists working today, including Luc Tuymans and Neo Rauch, and has maintained long - term
representation of a wide range of
international artists.
In 2003, Lambert established his
international representation by founding a new
gallery in Chelsea, New York City.
The
gallery has helped foster the careers of some of the most influential artists working today, including Luc Tuymans and Neo Rauch, who had their US debut exhibitions at the
gallery (in 1994 and 2000, respectively), and has maintained long - term
representation of a wide - ranging,
international group of artists.
Established in 2001, the Bruce Silverstein
Gallery's principle focus is the
representation of an
international roster of contemporary artists as well as established artists of great influence.
Since then, the
gallery has built a successful
international reputation with a focus on the
representation of contemporary artists and estates.
Important group shows include: 2014, First
International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia curated by Berta Sichel, Trees as Art, Peabody Essex Museum, MA, Stationary Realms, University of Arkansas, The Fifth Season, James Cohan
Gallery, Re-presenting
Representation VIII, Arnot Art Museum, NY and BEYOND EARTH ART: Contemporary Artists and the Environment, Herbert F. Johnson Museum of Art, Cornell University, NY; 2013, Unfolding Tales: Selection from the Collection, Brooklyn Museum of Art; 2010, 185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, NY.