Sentences with phrase «international group exhibition held»

Effervescent Condition, curated by Fang - Tze Hsu (MA 2010) was the School of the Art Institute of Chicago's (SAIC) contribution to The Power of Copying, a large - scale, international group exhibition held at the Xuzhou Museum of Art in Xuzhou, China.

Effervescent Condition, curated by Fang - Tze Hsu (MA 2010) was the School of the Art Institute of Chicago's (SAIC) contribution to The Power of Copying, a large - scale, international group exhibition held...

Not exact matches

Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

In 1929, the German exhibition Film und Foto, a paramount avant - garde exhibition held between the two World Wars, featured a group of photographs by the young artist, bringing him international recognition.

Shikeith's public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA, the Aperture Foundation, and the Vera List Center in New York City; Pittsburgh's Kelly - Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland, among others.

GRAMMATRON will be the focal point and inspiration of an international symposium to be held by the British Computer Arts Society in London in September with an accompanying group exhibition, both co-sponsored by the Electronic Literature Organization and the University of Colorado where he is a faculty member.

She has held solo exhibitions at Daniel Cooney Fine Art and Abrons Arts Center in NYC, and has participated in group exhibitions at the Hyères International Festival of Photography and Fashion, France, the Center for Photography at Woodstock, New York and M+B Gallery, Los Angeles.

His international exhibition record of solo shows, group shows and art fairs is extensive, and his paintings are held in many collections.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

In 2010, we held our first international group exhibition at the renowned Copro Gallery in Santa Monica.

She continued her collaboration with director Koyo Kouoh, working with her on several projects, such as Body Talk - Feminism, Sexuality and the Body in the Work of African Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion of the global stream of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).

His international reputation was quickly established with solo and group exhibitions held in the UK and in countries throughout the world.

A continuation of the group exhibition held at the Bozar, Brussels, in 2017, which includes Estonian artists» works supplemented by international examples.

She has participated in several international group exhibitions that include Drawn from Life, Green Cardamom (2009 — 10) and Abbot Hall Art Gallery, Kendall, UK (2011); Split, Darb 1718 Contemporary, Cairo (2010); Aftermath, 25th Alexandria Biennale (2009); 9th Sharjah Biennial (2009); Art Connexions: Arab Contemporary Artists (2008) and Archives des banalities tunisoises (2009) both held at Galerie El Marsa, Tunis (the second was a solo show).

-- Indigenous Visual Arts, international itinerant group exhibition in Minas Gerais State, comprising artists from Bolivia, Brazil, Colombia, Ecuador and Peru, held by the Federal University of Minas Gerais — UFMG, with an edition in Brasília (the Federal University of Brasília — UnB).

-- Indigenous Visual Arts, international group exhibition, comprising artists from Bolivia, Brazil, Colombia, Ecuador and Peru held by Galpao Paraiso Gallery, Minas Gerais State.

He has exhibited in many group exhibitions across China, as well as in Puerto Rico and the UK including CIRCA 10, Puerto Rico (2010); 10 Years, LuXun, Academy of Fine Arts, Shenyang, China (2009); Simon Franks and Rob Suss Collection show, London, UK (2008); Hong Kong International Art Fair, Hong Kong Convention & Exhibition Center, Hong Kong (2008); Subtlety, Platform China, Beijing, China (2008); Looking for Me, Minsheng Center for Contemporary Art, Shanghai, China (2008); Making Time, Waiting for the answer, DoART, Beijing, China (2007); Beyond Image — Chinese New Painting, Shanghai Art Museum, Shanghai, China (2007); Removing the Ladder, Platform China Contemporary Art Institute, Beijing, China (2006); Hold on and Break Through, China National Museum, Beijing, China (2006).

A truly international show, bringing together artists from Europe, USA, Australia and New Zealand it will also stand as the second of a series of annual group exhibitions held by the HICA art - space which seek each year to extend the discussion around the space and its concerns with ideas of» concrete» as opposed to «abstract» artworks.

Recent group and solo exhibitions were held at Gallery Joe, Philadelphia, (2016), Galería Casas Riegner, Bogotá, Colombia (2012); Josée Bienvenu Gallery, New York (2012); and artBO International Art Fair, Bogotá, Colombia (2012).

Originally part of a group exhibition held at the International Center of Photography, New York in 1999, this work involves sixty - four photographs of the Jewish Diaspora from 1914 to the present.