Sentences with phrase «international group exhibitions including»

Fallah has also had solo exhibitions are the Nerman Museum of Art, Overland, KS, Shulamit Nazarian, Los Angeles, CA and Gordon Gallery, Tel Aviv, Israel; in addition to numerous international group exhibitions including We Must Risk Delight: Twenty Artists from Los Angeles, 56th La Biennale di Venezia, Venice, Italy (2015) and the 9th Sharjah Biennial, Sharjah, United Arab Emirates (2009).

Her artwork has been exhibited widely in curated international group exhibitions including the Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials, as well as in Africa Remix (2006) exhibited in Europe, Japan, and South Africa; Africas: The Artist and the City (2001), and Apartheid: The South African Mirror (2007) in Spain; Personal Affects: Power and Poetics in Contemporary South African Art (2004) in the USA; and The Short Century (2002) in Germany and the USA.

Lives in Los Angeles, CA) has had solo exhibitions at The Third Line, Dubai, United Arab Emirates, and the Nerman Museum Of Art, Overland, KS in addition to numerous international group exhibitions including the 56th La Biennale Di Venezia, Venice, Italy and the 9th Sharjah Biennial, Sharjah, United Arab Emirates.

Her work has been included in many international group exhibitions including Subversive Spaces, Whitworth Gallery, Manchester (2009); Fri Porto, Den Frie Center of Contemporary Art, Copenhagen (2009); Compilation IV, Kunsthalle Düsseldorf (2009); Dome Colony, X-Initiative, New York (2009); Green Platform, Centro di Cultura Contemporanea Strozzina, Florence (2009); IMPLANT, UBS Art Gallery, New York (2008); Re-trait, Fondation d'entreprise Ricard, Paris (2007); Soft Sites, Institute of Contemporary Art, Philadelphia (2006); Eigenheim, Goettingen Kunstverein, Germany (2006).

He has participated in numerous international group exhibitions including Documenta IX (1992) and the Venice Biennale (1990).

Nasr has participated in several international group exhibitions including, Thessaloniki Biennale, Greece (2011); Picha Encounters 2010: Lubumbashi Biennial, Democratic Republic of the Congo, Ghosts of Self and State, Monash University Museum of Art (MUMA), Melbourne, Australia (2006); Sharjah Biennial 7 (2005), the Busan Biennale, South Korea (2004); São Paulo Biennial, Brazil (2004) and the Venice Biennale, Italy (2003).

Her work has been included in national and international group exhibitions including the Contemporary Art Museum (Houston, TX), the Studio Museum of Harlem (NYC, NY), the Zacheta National Gallery of Art (Warsaw, Poland), Haas & Fischer Gallery (Zurich, Switzerland), Clementine Gallery (NYC, NY) and Wendy Cooper Gallery (Chicago, IL).

He has been featured in international group exhibitions including the Guangzhou Biennial, China; International Biennial of Sao Paulo, Brazil; Venice Biennale; Gwangju Biennial, Korea; and Shanghai Biennale.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Her work has been included in numerous international group exhibitions including 10 under 40, Istanbul» 74, Istanbul, Turkey (2013); Cadavres Exquis, Museum Granet, Aix - en - Provence, France (2013); Invisible Cities, Mass MoCA, North Adams, Massachusetts (2012); and Reoriented, Havremagasinet, Luleå, Sweden (2012).

His work has been featured in international group exhibitions including at Museum of Modern Art, Antwerp; Palais de Tokyo, Paris; Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain; 29th São Paulo Biennial; 16th Biennale of Sydney; and the 5th Berlin Biennale.

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

Her work has been featured in important international group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, New York (2008).

He has participated in several international group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

Morellet's work has been included in important international group exhibitions including The Responsive Eye at The Museum of Modern Art, New York (1965), Documenta in Kassel, Germany (1964 [with GRAV], 1968, and 1977), and the Venice Biennale (1970, 1990, and 2011).

Her work has been included in national and international group exhibitions including the Contemporary Art Museum (Houston, TX), the Studio Museum of Harlem (NYC, NY), the Zacheta National Gallery of Art (Warsaw, Poland), Haas and Fischer Gallery (Zurich, Switzerland), Clementine Gallery (NYC, NY) and Wendy Cooper Gallery (Chicago, IL).

Her work has been presented at international group exhibitions including the Istanbul Biennial (1995); the Gwangju Biennale (1995); the Lyon Biennial (1993); the 8thBiennale of Sidney (1990); Documenta 8, Kassel, Germany (1987); the Whitney Biennial, Whitney Museum of American Art, New York (1983); and Documenta 6, Kassel, Germany (1977).

His participation in international group exhibitions include the Kunsthaus Zürich Orangerie Herrenhausen, Hannover (1989); The Jewish Museum, NY (1989), Whitebox, New York (2013); Palazzo Reale, Milan (2006); Martin - Gropius - Bau, Berlin (2005); El Espacio Aglutinador, Havana, Cuba (1998); The Israel Museum, Jerusalem (2012); Tel Aviv Museum of Art (2016); Museum on the Seam, Jerusalem (2010), Dehallen Belfort, Bruges Belgium (2006), and CCA Andratx, Mallorca (2010).

International group exhibitions include: MFA Boston; Design Museum, London; National Gallery of Victoria, Melbourne, Australia; Ueno Royal Museum, Tokyo; and Milwaukee Art Museum, Wisconsin.

Major international group exhibitions include the exhibitions Cryptic: The Use of Allegory in Contemporary Art with a Master Class from Goya, CAM, St. Louis (2011); and the Shape of Things to Come: New Sculpture, The Saatchi Gallery, London (May 2011).

Recent notable international group exhibitions include South Africa: the Art of a Nation at the British Museum, London; After Eden / Après Eden — The Walther Collection, La Maison Rouge in Paris; Boundary Objects, Kunsthaus in Dresden, Unfinished Conversations, at the Beirut Art Centre, Lebanon; Public Intimacy, Yerba Buena Center for the Arts in San Francisco and Prism: Drawing from 1990 - 2011, at the Museum of Contemporary Art in Oslo.

Bernard Frize, Suite Segond 100 No 3, 1980 Household paint on canvas 51 x 64 inches January 14 — March 10, 2012 The Indiscipline of Painting is an international group exhibition including works by forty - nine artists from the 1960s to now.

Mary Heilmann, Primalon Ballroom, 2002 October 8, 2011 — January 3, 2012 The Indiscipline of Painting is an international group exhibition including works by forty - nine artists from the 1960s to now.

Not exact matches

Recent projects encompass commissions, artist residencies, and educational programs, and include the acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art installations by Andy Goldsworthy currently on view in the Presidio.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

The artist has also participated in various group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2007).

Over the last decade, De Keyser's paintings were included in international group exhibitions such as: Trouble Spot.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).

catalogues of international solo and group exhibitions and international biennials, including the Paris Biennale, Mercosul Biennial (Brazil), and the Slovenian Triennial of Contemporary Art;

Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

His work has been featured in group exhibitions including Bird's - Eye View, Grand Army Plaza New York; Tensionism, Kenny Schacters Rove, New York; Shine, Amnesty International and Downtown Arts Festival, New York; One Planet Under a Groove: Hip Hop and Contemporary Art, Bronx Museum of the Arts, New York, and Bead Body and Soul (Art and Light in the Yoruba Universe), UCLA Fowler Museum, California.

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

Notable group exhibitions include UNTITLED & Zach Feuer Gallery, New York (2013); the Indianapolis Museum of Art, Indianapolis (2012); Marianne Boesky Gallery, New York (2011); and Karma International, Zurich (2010).

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

Her work has been included in many group exhibitions, including modern modern, Chelsea Art Museum, New York, NY (2009); Rendez - Vous Nowhere, Montehermoso Cultural Center, Vitoria - Gasteiz, Spain (2008); Art Sheffield 08: Yes, No & Other Options, UK (2008); Love in a void (with Jutta Koether), Academy of Fine Arts, Vienna, Austria (2006); 9th International Istanbul Biennial, Turkey (2006); and The Undiscovered Country, Hammer Museum, Los Angeles, CA (2004).

Since 2003, Qiu Xiaofei participated in major group exhibitions in museums and international institutions, including the Kunst Museum, Bern, Switzerland; Center for Art and Media Karlsruhe, Germany; Tate Liverpool, Liverpool, England; Museum Boijmans Van Beuningen, Rotterdam, and the Groninger Museum, Groningen ， the Netherlands.

To date, SP Weather Reports have been exhibited in 7 exhibitions including 1 solo show; group exhibitions include Shifting Communities at the Bronx River Art Center in 2011, the 2009 Queens International at the Queens Museum of Art, the International Print Center New York and the University of Pennsylvania Meyerson Hall Gallery.

The exhibition offers a unique, hands - on experience which encourages viewers to browse or peruse an eclectic selection of contemporary works by an international group of artists including John Baldessari, Nan Goldin, Jenny Holzer, Sol LeWitt, Rosemarie Trockel, and William Wegman among many others.

The exhibition includes video works, sound works, drawings, books, and installations by Ursula Biemann, (b. 1955, Switzerland) and Paulo Tavares (b. 1980, Brazil), Carolina Caycedo (b. 1978, the UK), the international group Futurefarmers, Marjetica Potrč (b. 1953, Slovenia), Samuel Roturier (b. 1982, France), Erik Sjödin (f. 1979, Sweden), Leena Valkeapää (b. 1964, Finland) and Oula - Antti Valkeapää (b. 1970, Finland), and Elin Már Øyen Vister (b. 1976, Norway).