Sentences with phrase «international group exhibitions such»

She participated in international group exhibitions such as Resonance / Dissonance, Frost Art Museum, Miami (2016) / Die kalte Libido — Haus der Kunst, Munich (2015) / PUNK.

Her work has been included in several international group exhibitions such as the 18th Biennale, Sydney; La Triennale: Intense Proximity, Palais de Tokyo, Paris; On Line, Museum of Modern Art, New York; Liverpool Biennale, Tate Liverpool; Manifesta 7, Trentino - Alto Adige / Südtirol; 7th Gwangju Biennale, Gwangju.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as the innaugural NGV Triennial, Melbourne, Australia (2017), 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

Boudry / Lorenz were also featured in several international group exhibitions such as La Triennale, Milan; Akademie der Künste, Berlin; the 5th Thessaloniki Biennale of Contemporary Art in 2015; and they represented the Swiss Pavillion at the Venice Biennale in 2011.

His work has also been included in international group exhibitions such as Shenzhen Sculpture Biennale, China (2014) and Asia Triennial Manchester, United Kingdom (2011), among others.

Her work has also been included in many national and international group exhibitions such as What Can not be Cured Must be Endured at Rutgers University (2012); Then and Now: The Art of Development at Milwaukee Institute of Art and Design (2011); and the PhotoIreland Festival in Dublin (2011).

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

His work has been shown in recent international group exhibitions such as Mingei: Are You Here?

He has exhibited and realized commissions all around the world, including participation at numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).

Her work has been part of international group exhibitions such as the 8th Berlin Biennale, curated by Juan Andrés Gaitán, 2014; «Clemania» at the FRAC des Pays de la Loire, Carquefou, France, curated by Daniela Pérez, 2014 and, «Crossing Boundaries,» the II Moscow International Biennale for Young Art in Moscow, Russia, 2010.

Over the last decade, De Keyser's paintings were included in international group exhibitions such as: Trouble Spot.

Not exact matches

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Her work has been prominently featured in international biennials and group exhibitions such as the Venice Biennale (2015, 2003, 1993, and 1982); Skulptur Projekte Münster (2007, 1997, and 1987); and Documenta (2002, 1992, and 1982).

Sikander has also participated in significant international group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, Iinternational group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, IInternational Art Exhibition, La Biennale di Venezia, Venice, Italy, (2005).

An exhibition at the Espacio Gallery in London invites an international group of artists to explore the forms that such a country might take and the forces that might shape it.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

His film Da Vinci was featured in The Encyclopedic Palace, 55th International Venice Biennale (2013), and he has participated in group exhibitions such as Sotto la Strada, la spiaggia, Fondazione Sandretto Re Rebaudengo, Turin (2012), and the fifth Prague Biennial (2011).

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

In the early 1990s, Necrorealism reaches international acclaim, and the works by group members take part in the most prominent exhibitions of Perestroika era, such as «In the USSR and Beyond» (1990; Stedelijk Museum, Amsterdam), «Binazionale: Soviet Art around 1990» (1991; Kunsthalle, Düsseldorf; Central House of Artists, Moscow; Israel Museum, Jerusalem), «Kunst Europa» (1991; Kunstverein, Hannover), and others.

She has had 40 + solo and group exhibitions in galleries throughout the U.S. Cavanaugh's art has been featured in publications such as The New York Times Magazine, New American Paintings no. 88, American Art Collector (cover artist), American Artist Watercolor, Watercolor Artist magazine, Southwest Art magazine, International Artist magazine, Art Calendar magazine (cover artist), and The Daniel Smith Art Supply Catalogue.

Join us at Kemper Museum to experience the energetic and interactive musical group Tri-Percussion perform a mix of songs from places around the world such as Ghana, Brazil, and the Caribbean, and take part in an art activity inspired by the three international artists in the exhibition, Worlds Otherwise Hidden.

She has also participated in «VOCA 2010» at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as «Future Pass — From Asia to the World» a Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), in addition to other group exhibitions in Seoul, Grenobleinternational exhibitions such as «Future Pass — From Asia to the World» a Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), in addition to other group exhibitions in Seoul, GrenobleInternational Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), in addition to other group exhibitions in Seoul, Grenoble, and Berlin.

He has also shown in group exhibitions such as the Shanghai Biennale, China (2012); documenta 13, Kassel, Germany (2012); ILLUMInations, 54th Venice Biennale, Italy (2011); 55th Carnegie International, Pittsburgh, USA (2008) and the Sydney Biennial, Australia (2008).

He has participated in group exhibitions such as the Carnegie International (2013), the 13th, 14th and 17th Sydney Biennales, Australia (2002, 2006, 2010), the Whitney Biennial, New York, USA (2006) and the Biennale d'Art contemporain de Lyon, France (2003).

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

He also participated in group exhibitions in international institutions such as the Jewish Museum (New York, USA), the Pinchuk Art Centre (Kyiv, Ukraine), the Mori Art Museum (Tokyo, Japan)... He took over the 2010 edition of Monumenta in Paris (France) and represented France at the Venice Biennale in 2011.

He has exhibited in solo and group exhibitions in San Francisco, Los Angeles, Portland (OR), Philadelphia, Tucson, Miami, and New York and has shown at international art fairs such as Art Miami and Scope.

His work has been included in group exhibitions, such as «Pattern: Follow the Rules,» at the Eli and Edythe Broad Art Museum, Lansing, MI; «east EX east,» Brand New Gallery, Milan, Italy; the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY; in «Paul Clay» at Salon 94, New York, NY; Museum of Fine Art Houston, Houston, TX; the Institute of Contemporary Art Boston, MA; the San Francisco Art Institute, San Francisco, CA; «International Paper,» UCLA Hammer Museum, Los Angeles, CA; and in the Drawing Biennial at the Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC.

Shikeith's public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA, the Aperture Foundation, and the Vera List Center in New York City; Pittsburgh's Kelly - Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland, among others.

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

He presented his artwork alongside that of Marcel Duchamp and Victor Vasarely in shows such as the seminal Le Mouvement exhibition at the Galerie Denise René in 1955, and later formed reciprocal relationships with members of Paris's international avant - garde, including Yves Klein, Jean Tinguely, and members of the group Zero.

His work has been widely exhibited and has been shown in solo exhibitions (such as Scorched Earth at the Hammer Museum (2015), Sea Monsters at the Rose Art Museum (2014)-RRB-, as well as in group shows at LACMA Los Angeles County Museum of Art (2014), Whitney Museum of American Art (2013), the 12th Istanbul Biennial (2011), Seoul Biennial (2010), the Carnegie International (2008), São Paulo Biennial (2006), and Whitney Biennial (2006).

His work has been exhibited in several group and solo exhibitions in venues such as Southwest Arts Center; International Center for Photography in NY; Dalton Gallery, Agnes Scott College; and the Arts Festival of Atlanta.

Weerasethakul has presented his work widely in international art and film contexts, including the Sharjah Biennial 11 in the UAE (2013), where he and fellow Kick The Machine artist Chai Siri received the Sharjah Biennial Prize, dOCUMENTA 13 in Kassel, Germany (2012), Liverpool Biennial (2006), Busan Biennale (2004), the Istanbul Biennial (2001), and in solo and group exhibitions at art spaces such as Haus der Kunst in Munich, Germany; Hangar Bicocca, Milan, Italy; Walker Art Center, Minneapolis; New Museum, New York; Irish Museum of Modern Art, Dublin; and Musée d'Art Modern de la Ville de Paris.

She continued her collaboration with director Koyo Kouoh, working with her on several projects, such as Body Talk - Feminism, Sexuality and the Body in the Work of African Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion of the global stream of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).

Oppenheim's works are regularly shown in international group exhibitions at venues such as the Museum of Modern Art, NY; Centre George Pompidou; Metropolitan Museum of Art; Venice Biennale (1976, 1980, and 2001); and at Documenta in Kassel (1972, 1977).

Her work has been included in important group exhibitions and biennials such as the 20th Biennale of Sydney (2016); 10th Gwangju Biennale, Gwangju, Korea (2014); 10th International Istanbul Biennial (2007); Taipei Biennial (2006).

Her work has been prominently featured in international biennials and group exhibitions such as documenta (1982, 1992, and 2002); Skulptur Projekte Münster (1987, 1997, and 2007); and the Venice Biennale (1982, 1993, 2003, 2007, and 2015), where she represented Germany in 2007.

He has exhibited in numerous solo and group exhibitions at institutions such as the Smithsonian, National Museum of African Art, Washington, the New Museum of Contemporary Art, New York and the Hood Museum of Art, Dartmouth, and his works are housed in international public and private collections.

He was previously the Curator of Visual Arts at Project in Dublin between 2000 and 2005 where his programme focused on commissioning solo projects from contemporary Irish and international artists as well as occasional group exhibitions such as Communism in 2005 and Enthusiasm for Frieze Projects in 2006.

He has also participated in group exhibitions at such international venues as the Zachęta — Narodowa Galeria Sztuki, Warsaw; Bienal do Mercosul, Porto Alegre; Positions, Art Basel Miami Beach; the Stedelijk Museum Bureau Amsterdam; SESC Pompeia, São Paulo; Kunsthalle Göppingen (Germany); and Galleria Francesca Minini, Milan.

His work has been included in group exhibitions such as Damage Control: Art and Destruction Since 1950, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2013); The Living Years: Art after 1989, Walker Art Center, Minneapolis, MN (2012); 2008 California Biennial, Orange County Museum of Art, CA (2008); 16th Biennale of Sydney: Forms that Turn, Sydney, Australia (2008); 8 Bienal de Arte de Panamá, Panama (2008); Freedom, Hague Sculpture Center, the Netherlands (2008); Unmonumental: The Object in the 21st Century, New Museum of Contemporary Art, New York, NY (2007); 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY (2004); and the Dreams and Conflicts: The Dictatorship of the Viewer, 50th International Exhibition of Visual Arts of the Biennale di Venezia, Italy (2003).

She has also participated in «VOCA 2010» at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as «Future Pass — From Asia to the World» Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), and other group exhibitions in Seoul, Grenobleinternational exhibitions such as «Future Pass — From Asia to the World» Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), and other group exhibitions in Seoul, GrenobleInternational Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), and other group exhibitions in Seoul, Grenoble, and Berlin.

Her work has been included in group exhibitions, such as Children's Films, Contemporary Art Gallery, Vancouver and International Project Space, Birmingham (2012); Phantasmagoria, Presentation House Gallery, Vancouver (2012); The Problem of Nothing, Hayaka ARTI, Istanbul (2011) and Geschmacksverstärker, MMK Zollamt, Frankfurt (2010).

Bedia's work has been exhibited in numerous U.S. and international solo and group exhibitions, and is included in such museum collections as the Museum of Modern Art, NY, Whitney Museum of American Art, Guggenheim Museum and Tate Modern, London.

He has also taken part in group exhibitions in international venues such as the Cuenca Biennial (2016), 20th Biennale of Sydney (2016) Stedelijk, MAXXI, Rome, Italy (2014), Istanbul Modern, Istanbul, Turkey (2014), 5th Marrakech Biennial, Marrakech, Morocco (2014), Palais de Tokyo, Paris, France (2014), MAK, Vienna, Austria (2013), 11th Sharjah Biennial, Sharjah, United Arab Emirates (2013), 7th Asia Pacific Triennial of Contemporary Art (APT), Queensland Art Gallery, Stanley Place, Brisbane, Australia (2012), CCA Wattis, San Francisco, USA (2012), dOCUMENTA (13), Kassel, Germany (2012), SALT, Istanbul, Turkey (2012), New Museum Triennial, with Ala Younis and group, New Museum, NY, USA (2012), 12th Istanbul Biennial, Istanbul, Turkey (2011), Arter, Istanbul, Turkey (2011), Tate Modern, London, UK (2011).

Futhermore, he psrticipated in several group exhibitions and international events such Viceversa — Italian Pavillion at the 55th Venice Biennale, Documenta XII (2012), T.R.A.C.K.S., SMAK Gent (2012), «Fare Mondi / / Making Worlds», 53.

Inspired by their great affinity for the exhibition theme and for the PinchukArtCentre as a leading institution in contemporary art, all of the artists decided to create some special pieces, partly in the form of new productions such as those by, amongst others, Anish Kapoor, AES+F, Cindy Sherman, Matthew Barney and Elmgreen & Dragset; of a special reappraisal of existing works by Paul McCarthy, Richard Prince, Boris Mikhailov and Takashi Murakami; or the selection of rare or recent work groups that have never been displayed as part of a major international exhibition before.

He has participated in many international group and solo exhibitions at such institutions as Museum Beeldenaan Zee, The Hague, The Netherlands; Today Art Museum, Beijing, China; Museum of Contemporary Art, Taipei, Taiwan; Metropolitan Museum of Manila, Manila, The Philippines; as well as the 2010 World Expo, Shanghai, China.