Sentences with phrase «international group shows including»

His work has been exhibited in a number of major international group shows including the 2013 Venice Biennale, 8th Gwangju Biennial (2010), Skulptur Projekte Münster (2007), 4th Berlin Biennial (2006), and the 9th Istanbul Biennial (2005).

Her work has been shown in solo exhibitions at Kiasma, the Museum of Contemporary Art in Helsinki, Finland; the Art Gallery of New South Wales in Sydney, Australia; and ArtPace in San Antonio, Texas; and in international group shows including the Sydney Biennial (2002), the Asia Pacific Triennial (1999), the 5th Istanbul Biennial (1997), and the Venice Biennale (1995).

Not exact matches

Dave has been a featured speaker at a number of high profile industry events, conferences and symposiums, including the National Restaurant Association Show and BAR Show, the Flavor Experience conference, the Nightclub & Bar and VIBE annual trade show / conference, the International Foodservice Manufacturers Association's (IFMA) Forecast and Outlook and Introduction to Foodservice Fundamentals seminars, the Beer Summit, Foodservice Equipment & Supplies State of the Industry seminar, Technomic's Adult Beverage Insights Group and Foodservice Planning Program client meetings, Chicago Foodservice Marketing Club (CFMC) luncheons, corporate national sales meetings, and other industry client functiShow and BAR Show, the Flavor Experience conference, the Nightclub & Bar and VIBE annual trade show / conference, the International Foodservice Manufacturers Association's (IFMA) Forecast and Outlook and Introduction to Foodservice Fundamentals seminars, the Beer Summit, Foodservice Equipment & Supplies State of the Industry seminar, Technomic's Adult Beverage Insights Group and Foodservice Planning Program client meetings, Chicago Foodservice Marketing Club (CFMC) luncheons, corporate national sales meetings, and other industry client functiShow, the Flavor Experience conference, the Nightclub & Bar and VIBE annual trade show / conference, the International Foodservice Manufacturers Association's (IFMA) Forecast and Outlook and Introduction to Foodservice Fundamentals seminars, the Beer Summit, Foodservice Equipment & Supplies State of the Industry seminar, Technomic's Adult Beverage Insights Group and Foodservice Planning Program client meetings, Chicago Foodservice Marketing Club (CFMC) luncheons, corporate national sales meetings, and other industry client functishow / conference, the International Foodservice Manufacturers Association's (IFMA) Forecast and Outlook and Introduction to Foodservice Fundamentals seminars, the Beer Summit, Foodservice Equipment & Supplies State of the Industry seminar, Technomic's Adult Beverage Insights Group and Foodservice Planning Program client meetings, Chicago Foodservice Marketing Club (CFMC) luncheons, corporate national sales meetings, and other industry client functions.

Peter now has over 25 years experience in the wine and hospitality industry, including local and international wine show - judging, independent wine retailing, imported wine wholesaling, restaurant wine list design and training, as well as commercial procurement experience with both hotel groups and airlines.

The show will also feature an array of free - to - attend Learnshops, spanning the entire packaging market, delivered by a who's who of international industry experts, including an opening interview with Mark Pawsey MP and Chair of the All Party Parliamentary Packaging Group and big names such as Harrods and Britvic.

Abrams E, Eliminating vertical transmission, Rights here, right now: Slide presentation at XVIII International AIDS Conference, July 18 - 23, 2010, Vienna, Austria ICAP Infant Feeding in the Context of HIV slide set ICAP Video, Saving two lives: Improving retention, adherence & psychsocial support within PMTCT services, Uploaded by ICAP Columbia on 3 Mar 2011 This video is a component of the «Improving Retention, Adherence and Psychosocial Support within PMTCT Services: A Toolkit for Health Workers,»; reinforces key PMTCT messages; can be shown to a wide range of audiences, including PMTCT clients, family members, and caregivers of HIV - exposed and HIV - infected children; including in clinic waiting rooms, as part of group education sessions, and in the community.

Hits right now include Sexion d'Assaut's (a group which remains signed to an independent label) song, Africain, which speaks to the African and African Diaspora experience of youth unemployment, voicelessness in the international debates (they reference the G8), dreams of going to Europe and America, the western media portrayal of Africa as a dangerous place, and the humiliation of racial profiling (rough English translation: «I will show my papers, OK, stop stressing; do not talk to me like I am another species»).

Several unions and community groups are expected to show up in force, including the United Federation of Teachers, Transport Workers Union Local 100 and the Service Employees International Union Local 1199, along with NY Communities for Change, Strong Economy for All and the Working Families Party.

Recent projects encompass commissions, artist residencies, and educational programs, and include the acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art installations by Andy Goldsworthy currently on view in the Presidio.

Over 40 exhibitors are joining the Irish Travel Trade Show for the first time this year including Affordable AirPlus International, Cathy Pacific, China Airlines, CRT Midi - Pyrenees, Grenada Board of Tourism, Jet2 Holidays, Macau Tourism, Perpignan Tourism, the Philippines, Qantas Airlines, Sabs Travel Technologies, Thailand, Travel Technology Systems, Visit Orlando, VisitFlanders, Ama Waterways, Princess Cruises, Croatia Air Lines, GTI Travel Group, Rovas Luxury Rail Tours, Toulouse Tourism and Montpellier Tourism.

The artist has also participated in various group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2007).

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Sixteen national and international artists, including four people from Virginia, were juried into this group show.

Throughout the 1960s he exhibited regularly, and his work was included in numerous national and international group shows, the most important of which were the São Paulo Biennial and the Fogg Museum of Art's «Three American Painters,» both held in 1965.

Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

In July 1970 Studio International organised within a special section of 48 pages of the journal, and under the aegis of Charles Harrison, a most original showing of the work of 37 artists divided into six varying groups, by six critics, including Harrison and Lucy Lippard.

To date, SP Weather Reports have been exhibited in 7 exhibitions including 1 solo show; group exhibitions include Shifting Communities at the Bronx River Art Center in 2011, the 2009 Queens International at the Queens Museum of Art, the International Print Center New York and the University of Pennsylvania Meyerson Hall Gallery.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Her Major group shows include: Saitama Triennale (2016); «The Living Years», Walker Art Center, Minneapolis (2012); YOKOHAMA TRIENNALE 2011, The Yokohama Museum of Art / NYK Waterfront Warehouse, Yokohama (2011); «The Light: MATSUMOTO Yoko / NOGUCHI Rika», The National Art Center, Tokyo (2009); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (2008); Sharjah Biennial 8, Sharjah Art Museum / Expocentre Sharjah (2007); «The Door into Summer — The Age of Micropop», Contemporary Art Center, Art Tower Mito, Ibaraki (2007); PHOTOESPAÑA 2006, Museo San Roman, Toledo (2006); «Commonscapes: Photography Today, Views of the Everyday», The Miyagi Museum of Art, Sendai, Japan (2004); «Moving Pictures», Solomon R. Guggenheim Museum, New York (2002) / Guggenheim Museum Bilbao, Spain (2003); «Photography Today 2 --[sa'it] site / sight», The National Museum of Modern Art, Tokyo (2002); «Facts of Life: Contemporary Japanese Art», Hayward Gallery, London (2001) and «The Standard», Naoshima Contemporary Art Museum (currently Benesse Art Site Naoshima), Kagawa (2001).

Group exhibitions include the 2002 Whitney Biennial in New York, The Jerusalem Show VII: Fractures (Qalandiya International Biennial), D - 0 Ark Underground Biennale of Contemporary Art, Sarajevo - Konjic, and IK - 00 Spaces of Confinement in Venice.

Selected group exhibitions include British Art Show 8, UK, 2015 - 2017; Reference Works: Guangzhou, Guanghzhou, China 2014; Relatively Absolute, Wysing Arts Centre, Cambridgeshire 2013; Community Without Propinquity, MK Gallery, Milton Keynes, 2011, and East International, Norwich, 2009.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

The result of a collaboration with an international group of artists, it will include a cooking show by Will Benedict, a nature show by Korakrit Arunanondchai, a video by Mckenzie Wark, a visual essay by Aria Dean, a talk show by Hannah Black, a docu - short on «seasteading» in Tahiti by Daniel Keller, a report on «reparation hardware» by Ilana Harris Babou, a cartoon by Amalia Ulman, a docu - short on «economic utopias» by Christopher Kulendran Thomas, a Nollywood fictional drama exploring the influence of technology and digital culture in South Africa by the artist collective CUSS Group, and a contribution by the Women's History Mugroup of artists, it will include a cooking show by Will Benedict, a nature show by Korakrit Arunanondchai, a video by Mckenzie Wark, a visual essay by Aria Dean, a talk show by Hannah Black, a docu - short on «seasteading» in Tahiti by Daniel Keller, a report on «reparation hardware» by Ilana Harris Babou, a cartoon by Amalia Ulman, a docu - short on «economic utopias» by Christopher Kulendran Thomas, a Nollywood fictional drama exploring the influence of technology and digital culture in South Africa by the artist collective CUSS Group, and a contribution by the Women's History MuGroup, and a contribution by the Women's History Museum.

The show featured proposals for Lower Manhattan from an international group of 60 invited architects, including some of the most influential minds in contemporary architecture.

Between 1969 and 1974, Benglis was given fifteen solo shows and included in dozens of international group exhibitions.

Most recently, Swallow was in a group show at the Tate, «Remix», as well as included in the 1st Quadrennial of Contemporary Art, Ghent, Belgium, among other national and international exhibitions.

His work has been in numerous group shows, including: Ille Arts, Amagansett, NY; The Curator Gallery Artists of the Year show, NYC; Scope Miami, Art Fair; Ariel Meyerowitz Gallery, NY; Open Space Gallery, London; The Museum of International Photography, NYC; and Heather Gaudio Fine Art, New Canaan, CT..

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

Group exhibitions include perFORMa at Fold Gallery, London (2015); The Uplawmoor Show at Glasgow International (2014) and The London Open at Whitechapel Gallery, London (2012).

His paintings have been seen in multiple national solo museum exhibitions including at Laguna Art Museum and have been shown in international group exhibitions from Berlin to Istanbul's Topkapi Museum.

His participation in international group shows has included: Prospect 4, New Orleans, LA, USA (2017); «Restless Earth», La Triennale di Milano, Milan, Italy (2017); «Unfinished Conversations», Museum of Modern Art, New York City, NY, USA (2017); «The Place is Here», Nottingham Contemporary, Nottingham, UK (2017); «The 1980s: Today's Beginnings?»

Byrne was recently included in «The Dark Monarch», Tate St.Ives (touring to Eastbourne) as well as in group shows at Mark Foxx, Los Angeles (2007) and International 3, Manchester (touring to Hatton Gallery, Newcastle upon Tyne).

His participation in international group shows has included: «British Art Show 8», Leeds Art Gallery, Leeds, and touring throughout the UK (2015 - 2016); «All the World's Futures», 56th Venice Biennale, Italy (2015); «History is Now: 7 Artists Take On Britain», Hayward Gallery, London, UK (2015); «Africa Now: Political Patterns», SeMA, Seoul, South Korea (2014); Sharjah Biennial 11, Sharjah, United Arab Emirates (2013); Liverpool Biennial, UK (2012) and Taipei Biennial, Taiwan (2012).

His distinguished career has included many honors, influential teaching posts, international group shows and solo exhibitions in Britain, Eastern Europe, Brazil, Austria and Scandinavia.

Having exhibited throughout New York City, North America and Internationally, recent exhibitions include a dual group show at the International Center of Photography and at Photoville in New York City, titled «The Future Perfect,» this Fall 2016.

From 2000 - 2004 he was Director of the Rooseum Center for Contemporary Art, Malmö where he made solo exhibitions with Surasi Kusolwong, Nedko Solakov and Superflex a.o. and group shows including «Baltic Babel» and «Intentional Communities» From 1998 - 2002 he organised the international art academic research project called «protoacademy» at Edinburgh College of Art.

They have also exhibited widely in international group shows, including the Carnegie International (1999), Korean Biennial (2000), Istanbul Biennial (2001), Moving Pictures, Guggenheim Museum, Bilbao (2003), Remind, Kunsthaus Bregenz, Austria (2003), Out of Time, Museum of Modern Art, New York (2006), Suspending Time, Calouste Gulbenkian Foundation, Lisbon, Portugal (2010 - 11), Tempo Suspenso, CGAC, Santiago de Compostela (2010 - 11), Sharjah Biennial (2011), The Toxic Camera, The Whitworth Art Gallery, Manchester (2012), Ruin Lust, Tate Britain, London (2014) and Conflict, Time and Photography, Tate Modern, Linternational group shows, including the Carnegie International (1999), Korean Biennial (2000), Istanbul Biennial (2001), Moving Pictures, Guggenheim Museum, Bilbao (2003), Remind, Kunsthaus Bregenz, Austria (2003), Out of Time, Museum of Modern Art, New York (2006), Suspending Time, Calouste Gulbenkian Foundation, Lisbon, Portugal (2010 - 11), Tempo Suspenso, CGAC, Santiago de Compostela (2010 - 11), Sharjah Biennial (2011), The Toxic Camera, The Whitworth Art Gallery, Manchester (2012), Ruin Lust, Tate Britain, London (2014) and Conflict, Time and Photography, Tate Modern, LInternational (1999), Korean Biennial (2000), Istanbul Biennial (2001), Moving Pictures, Guggenheim Museum, Bilbao (2003), Remind, Kunsthaus Bregenz, Austria (2003), Out of Time, Museum of Modern Art, New York (2006), Suspending Time, Calouste Gulbenkian Foundation, Lisbon, Portugal (2010 - 11), Tempo Suspenso, CGAC, Santiago de Compostela (2010 - 11), Sharjah Biennial (2011), The Toxic Camera, The Whitworth Art Gallery, Manchester (2012), Ruin Lust, Tate Britain, London (2014) and Conflict, Time and Photography, Tate Modern, London (2014).

In addition to shows and projects by the gallery's LA - based artists, exhibitions at Hauser Wirth & Schimmel will include a mix of important historical, thematic group exhibitions; exhibitions that introduce LA to the gallery's international artists; and one - person shows and special projects by artists new to LA and the gallery.

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

She has participated in many group shows, including Material Culture at the Hayward Gallery in London; and the 22nd International Biennial of Sao Paulo in Brazil.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of São Paulo (1994).

She has participated in a number of group shows and international festivals, including Skin Trilogy at the Malaysian National Art Gallery; TransCulture at the 1995 Venice Biennale, Italy; the 5th Istanbul Biennial, Turkey; and the 1994 Adelaide Biennial, Australia.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

Galleries presenting dynamic two - artist and group presentations include: Esther Schipper (Berlin, main) with a group show centered around Swap (2011), an interactive performance by Roman Ondak; Lisson Gallery (London, main) with a two - artist show by leading international artists Anish Kapoor and Lee Ufan, coinciding with the opening of Kapoor's Descension at Brooklyn Bridge Park; and Herald St's (London, main) group stand including Michael Dean, a Turner Prize finalist and the recent subject of a Nasher Sculpture Center exhibition, on the eve of the artist's participation in the fifth Skulptur Projekte Münster.

5 - 9 pm International Friendship Exhibition Opening A group show of 19 local artists, including: Zachary Balber, Jim Drain, Asif Farooq, Andrew Horton, Cody Hudson, Karen Starosta - Gilinski *, Jessie Laino, Beatriz Monteavaro, Andrew Nigon, O, Miami, Kenton Parker, Gavin Perry, Bayne Peterson, Magnus Sodamin, Autumn Casey *, Cole Sternberg, Alex Sweet *, Reed Van Brunschot, and Michael Vasquez.

Group shows include Thyssen - Bornemisza Museum of Art, Madrid, Spain, The International Center of Photography, New York, Corcoran Museum of Art, Washington, D.C., and The New Museum of Contemporary Art, New York.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.