Sentences with phrase «international group shows such»

His works has also been included in international group shows such as Intuition, Palazzo Fortuny, Venezia (2017), the 16th Quadriennale di Roma (2016) and Ennesima, Triennale di Milano, 2015.

As well as his participation in international group shows such as the San José Museum of Art and the Bedford Gallery of the Lesher Center for the Arts, both in California, USA; Queens Community Houses, New York, USA; the Cleve Carney Art Gallery, Chicago, USA; the Visual Arts Center, Richmond, USA; the IV Biennial of Beijing, China; Kunsthalle Nuernberg or Kunsthaus Rhenania, Cologne, Germany.

Sikander has also participated in significant international group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, Italy, (2005).

Not exact matches

The show will also feature an array of free - to - attend Learnshops, spanning the entire packaging market, delivered by a who's who of international industry experts, including an opening interview with Mark Pawsey MP and Chair of the All Party Parliamentary Packaging Group and big names such as Harrods and Britvic.

Published by Birth (sponsored by Lamaze International), the Hutton study shows lower rates of interventions such as cesarean section, episiotomy, and medical pain relief for the home birth group.

In his interview with John McElroy at the North American International Auto Show in Detroit, Michael Horn, President & CEO of the Volkswagen Group of America, says the booming American economy has spoken and confirms where such a CUV would be manufactured and what powertrain options we'd see.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

He has also shown in group exhibitions such as the Shanghai Biennale, China (2012); documenta 13, Kassel, Germany (2012); ILLUMInations, 54th Venice Biennale, Italy (2011); 55th Carnegie International, Pittsburgh, USA (2008) and the Sydney Biennial, Australia (2008).

He has exhibited in solo and group exhibitions in San Francisco, Los Angeles, Portland (OR), Philadelphia, Tucson, Miami, and New York and has shown at international art fairs such as Art Miami and Scope.

Artists from the 50s and 60s who moved to the UK from the commonwealth, conceptual artists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage over time.

Drawing its title from Walter Benjamin's essay On language as Such and on the Language of Man (1916), the show features a diverse international group of seven artists: Carol Bove, Claudia Comte, Michael Dean, Adam Pendleton, Tino Sehgal, Chris Watson, and Hannah Weiner.

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

With his works, he has participated in numerous international group shows, such as the 54th Venice Biennale (2011) and the 5.

He presented his artwork alongside that of Marcel Duchamp and Victor Vasarely in shows such as the seminal Le Mouvement exhibition at the Galerie Denise René in 1955, and later formed reciprocal relationships with members of Paris's international avant - garde, including Yves Klein, Jean Tinguely, and members of the group Zero.

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

His work has been widely exhibited and has been shown in solo exhibitions (such as Scorched Earth at the Hammer Museum (2015), Sea Monsters at the Rose Art Museum (2014)-RRB-, as well as in group shows at LACMA Los Angeles County Museum of Art (2014), Whitney Museum of American Art (2013), the 12th Istanbul Biennial (2011), Seoul Biennial (2010), the Carnegie International (2008), São Paulo Biennial (2006), and Whitney Biennial (2006).

A group show featuring six international artists from Los Angeles presents paintings and video that employ landscape to explore current events such as immigration, environment and technology, among other themes.

His work has been shown in recent international group exhibitions such as Mingei: Are You Here?

His work has been included in group shows at the International Center of Photography, New York; San Francisco Museum of Modern Art; and the National Gallery, London, and is in public collections such as the Tate Modern, London; Victoria and Albert Museum, London; Metropolitan Museum of Art, New York; Yale University Art Gallery, New Haven, Connecticut; the Scottish Arts Council (Creative Scotland); and Pier 24 Photography, San Francisco.

Oppenheim's works are regularly shown in international group exhibitions at venues such as the Museum of Modern Art, NY; Centre George Pompidou; Metropolitan Museum of Art; Venice Biennale (1976, 1980, and 2001); and at Documenta in Kassel (1972, 1977).

PULSE's consistently strong showing of international exhibitors include GALERIE STEFAN ROEPKE of Cologne, Germany, who will be featuring photographic landscapes by Sharon Harper and abstract paintings by Julie Oppermann; Nieves Fernandez Gallery of Madrid, Spain, offering works from artists such as Jordi Alcaraz, Danica Phelps, Jeff Cohen, and more; Purdy Hicks Gallery of London, UK, displaying contemporary photographs and drawings from Susan Derges, Bettina von Zwehl, Claire Kerr, and Andrzej Jackowski; Lawrie Shabibi of Dubai, UAE, presenting mixed - media pieces by local artists Nadia Kaabi - Linke, Sama Alshaibi, Driss Ouadahi, and Shahpour Pouyan; and Zemack Contemporary of Tel Aviv, Israel, exhibiting a group show with Phellippe Pasqua, Ofer Lellouche, Yuval Yairi and others.

Taanila's works have featured at major international group shows, such as the Venice Biennale (2017), Aichi Triennale (2013), Kassel Documenta (2012), Shanghai Biennale (2006), Berlin Biennale (2004), Manifesta (2002) and Istanbul Biennale (2001).

Screwing up the installation would be a rare misstep in a career that began in 1975 at age 13, when Drew had his first exhibit at a bank in Bridgeport, Conn., and has included more than two dozen solo exhibitions, international group shows and inclusion in such prestigious collections as the Metropolitan Museum of Art in New York.

His work has been included in group shows at the International Center of Photography, New York; San Francisco Museum of Modern Art; and the National Gallery, London, and is in public collections such as the Tate Modern, London; Victoria and Albert Museum, London; Metropolitan Museum of Art, New York; Yale University Art Gallery, New Haven, Connecticut; and the Scottish Arts Council (Creative Scotland).

Several of the authors work for large environmental groups such as WWF and Conservation International, which have put a lot of time and effort into showing that «low - impact logging» can co-exist with protecting biodiversity.

Premiums shown for International Swiss Medical are averages of three or four individual age groups and as such the precise premium might be higher or lower.