Barbara Hepworth (1903 - 75) was a leading figure of
the international modern art movement in the 1930s, and one of the most successful sculptors in the world during the 1950s and 1960s.
The first
international modern art movement to come out of America (it is sometimes referred to as The New York School - see also American art), it was a predominantly abstract style of painting which followed an expressionist colour - driven direction, rather than a Cubist idiom, although it also includes a number of other styles, making it more of a general movement.
Not exact matches
By 1911 Cubism attracted a long list of adherents and became the important
international measuring stick against which all the
modern art movements and important avant garde ideas were weighed.
Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important
international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in
international, contemporary
art representing around 60 artists and a number of renowned estates; SUPPAN FINE
ARTS from Vienna, focusing on
international and
modern as well as representatives of
art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and
international artists with a core focus on minimalism and abstraction; among others.
C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College
Art Association CalArts — California Institute for the
Arts CACT — Thessaloniki Center of Contemporary
Art CAFA — China Central Academy of Fine
Arts (Beijing) CAPC — Contemporary
Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals
Art Foundation (Miami) CIMAN —
International Committee for Museums and Collections of
Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des
Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde
movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary
Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process
Influenced by the
Art Deco
movement that began in Paris in the early 1920s and propelled to prominence in 1927 with the success of the
International Exhibition of
Modern Decorative and Industrial
Arts, automakers embraced the sleek new streamlined forms and aircraft - inspired materials, creating memorable automobiles that still thrill all who see them.
Highly engaged with
international art movements such as cubism, abstract expressionism, arte povera, and conceptual
art — but also having studied and lived in Europe and the United States — an older generation of the artists on view pioneered
modern art in Cyprus, through a dialogue within local traditions.
«
Modern art» witnessed many of the great
international art movements, and also gave birth to entirely new forms of creative expression, including: skyscraper architecture (1880s); chromolithographic poster
art (1880s / 90s); animation
art (from the first cartoon film in 1906); collage (from 1912); performance
art (from Dada onwards); assemblages (from 1953); land
art (fl. 1960s).
[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary
Art,
International Center of Photography; The Short Century: Independence and Liberation
Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary
Art Chicago, and P.S. 1 and Museum of
Modern Art, New York; Century City, Tate
Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver
Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker
Art Center, Minneapolis, Henry
Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary
Art, Barcelona, AXA Gallery, New York, Palais des Beaux
Art, Brussels, Lenbachhaus, Munich, Johannesburg
Art Gallery, Johannesburg, Witte de With, Rotterdam.
About the Abstract Expressionist
movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American
art or in that sense to any national
art, but that there was such a thing as
modern art: that it was essentially
international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)
He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary
Art,
International Center of Photography; The Short Century: Independence and Liberation
Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary
Art Chicago, and P.S. 1 and Museum of
Modern Art, New York; Century City, Tate
Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver
Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker
Art Center, Minneapolis, Henry
Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary
Art, Barcelona, AXA Gallery, New York, Palais des Beaux
Art, Brussels, Lenbach Haus, Munich, Johannesburg
Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit,
Art Institute of Chicago.
Her works about transformation, questions of translation, resistance,
movement (both forced and voluntary), exchange, and silenced historical narratives have been exhibited in major
international group exhibitions since 1994, including at the Museum of
Modern Art, San Francisco Museum of
Modern Art, and Fondazione Sandretto Re Rebaudengo.
Visitors will have the opportunity to explore the cultural and artistic riches of a country whose contributions to
art not only have enriched the most important
international artistic
movements, but also have influenced the currents of the
modern age through a vision that incorporated inherently Mexican elements.
COBRA was one of the more
international of
modern art movements: the name derived from the initials of the members» home cities: Copenhagen (Co), Brussels (Br), Amsterdam (A).
The Ab Ex NY App utilizes the technological capabilities of the iPad to foster enjoyment and understanding of major works of
art from the Abstract Expressionist
movement, which catapulted New York City to the center of the
international art world in the 1950s and had a lasting influence on the history of
modern art.
Moore was a member of a group of young artists who in 1933 formed Unit One in a deliberate attempt to make the indifferent English public aware of the
international modern movement in
art and architecture.
Arevalo Gallery has been established for the promotion of 20th Century Latin American and
International art, and to gain a greater understanding of the relationships between modern art movements and their influence on Contemporary A
art, and to gain a greater understanding of the relationships between
modern art movements and their influence on Contemporary A
art movements and their influence on Contemporary
ArtArt.
That's because 2017 marks the 100th anniversary of De Stijl — the Dutch
art movement that had an
international impact on
modern art and architecture — and perhaps no single building epitomizes The Style more than the Rietveld - Schroder house.