Arning has written on art for journals such as Artforum, Art in America, and Parkett and multitudes of
international museum publications.
Arning has written on art for journals such as Artforum, Art in America, Out, and Parkett, and multitudes of
international museum publications, including texts for retrospectives of Jim Hodges, Keith Haring, Christian Jankowski, and Donald Moffett as well as other writing for books by Elmgreen and Dragset and Lawrence Rinder.
Not exact matches
McCollum's work has been recognized through numerous
international museum exhibitions and
publications.
Currently she is Associate Publisher of Skira Rizzoli, an imprint of Rizzoli
International Publications that specializes in art and
museum books.
Her exhibitions and
publications have five times been voted the best in the United States by the
International Art Critics Association and three times by the Art
Museum Curators Association, and she has twice received the College Art Association's distinguished Alfred H. Barr Jr..
International Deadline: May 30, 2018 — CICA
Museum invites artists worldwide to participate in the Contemporary Art Solo Show Series and the
publication.
Through dynamic exhibitions accompanied by scholarly
publications and accessible educational programs, the
Museum reaches out to local, regional, national and
international audiences of all ages.
She is a contributor to numerous exhibition catalogues and art
publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs
Museum, Brooklyn
Museum of Art,
Museum of Modern Art New York, Para Site
International Conference Hong Kong, The Studio
Museum in Harlem, Whitechapel Gallery, Whitney
Museum of American Art, New York University, Stanford and Northwestern University, among others.
Her writings have been included in many
publications, among them Patti Smith: 9.11 Babelogue, published in conjunction with her exhibition at Hunter College; Cai Guo - Qiang: I Want To Believe, published by the Solomon R. Guggenheim
Museum, New York; entries in the Benezit Dictionary of Asian Artists and The Grove Dictionary of Art, Oxford University Press; Greater New York, the 2003 exhibition organized by PS1 and The
Museum of Modern Art; and Artforum
International.
THE MOHN AWARD │ Jury award honoring artistic excellence Created in conjunction with the inaugural Made in L.A. exhibition in 2012, the $ 100,000 Mohn Award will be granted over two years to an artist from the exhibition and will be accompanied by the
publication of a monograph on the artist's work, including essays and interviews, that will be distributed to key influential
international curators, critics, gallerists,
museums, and collectors.
She has contributed to
publications produced by The Whitney
Museum of American Art, Independent Curators
International, Art21.com, Flux Factory, and Art in General.
Alongside a comprehensive exhibition program, ZONAMACO will also host a program of conferences with
international guests, a section with specialized
publications and editorials, and a wide program of parallel activities with exhibitions at the most outstanding galleries and
museums in the country.
His photographs have appeared in gallery and
museum exhibitions worldwide as well as many
international publications such as The New York Times, Vogue Italia, TIME and Numéro.
Additional sections include: EXPOSURE featuring solo and two - artist presentations represented by galleries eight years and younger, EXPO PROFILE presenting solo booths and focused projects that showcase ambitious installations and tightly focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and
publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and
international non-profit institutions,
museums, and organizations.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and
international contemporary artists Collaborating with a variety of institutions and organizations, such as universities,
museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and
publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Support for scholarly
publications, art
museum exhibitions and catalogues,
international conferences and symposia.
An English - and French - language catalogue will be co-published by Rizzoli
International Publications, Inc. and the Barnes Foundation, Philadelphia, in association with the Dallas
Museum of Art and the Musée national des beaux - arts du Québec.
Simon's photographs and writing have been featured in numerous
international publications and her work has been the subject of monograph exhibitions at institutions including the Tate Modern, London;
Museum für Moderne Kunst, Frankfurt; Kunst - Werke Institute for Contemporary Art and Neue Nationalgalerie, both in Berlin; and the Whitney
Museum of American Art and MoMA PS1, both in New York.
Prior to joining the High
Museum, Schleuning served as Curator at the Wolfsonian - Florida
International University, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution, where she produced exhibitions,
publications, and programs with a focus on highlighting the power and impact of art and design in daily life.
KÖR — Kunst im Offentlichen Raum (Wien) Kunststiftung NRW — Arts Foundation of North Rhine - Westphalia KW Institute — Kunst - Werke Institute for Contemporary Art (Berlin) LACMA — Los Angeles County
Museum of Art LAF — Loan agreement form (for lending / borrowing artworks for exhibitions) LIAF — Lofoten
International Art Festival LE — Limited edition LEF Journal — Left Front of the Arts (a
publication in 1920s Soviet Russia) L.H.O.O.Q. — Marcel Duchamp's 1919 readymade of a Mona Lisa postcard; pronounced in French, it means, «She has a hot ass»
He has written for Artforum (where he had a column in the late 1980s and early 90s), Screen, the New York Times,
International Herald Tribune, the Economist among other newspapers and journals; and contributed essays to catalogues and associated
publications at Documenta (Kassel), the Louvre (Paris), Stedelijk
Museum (Amsterdam), Centre Pompidou (Paris), MoMA PS1 (NY), Tate Modern and Tate Liverpool, Reina Sophia (Madrid), Metropolitan
Museum of Art (NY), The New
Museum (NY), Albertina, Vienna,
Museum of Contemporary Art (LA), LA County
Museum of Art, Sydney Biennial, Venice Biennale, Vienna
Museum of Contemporary Art, Contemporary Art Gallery (Vancouver), Ludwig
Museum (Budapest), Haus der Kunst (Munich), Edinburgh Festival, and Museo Nacional de Bellas Artes de La Habana.
The gallery organizes extensive solo and group exhibitions, often accompanied by comprehensive
publications, not only in its own premises, but also in collaboration with major
international museums and other non-commercial art institutions.
Her work is represented in
museum collections worldwide and has been the subject of numerous national and
international exhibitions and substantial
publications.
This year - long investigation initiated by the artist Tania Brugueraincludes an online archive, an association of Arte Útil practitioners, an open - call, a
publication, a working laboratory at the Queens
Museum, an artist residency at Immigrant Movement
International and a series of public projects and debates culminating in the transformation of a building at the Van Abbemuseum in the Netherlands into the
Museum of Arte Útil in the fall of 2013.
MOCA GA application rules: # At least one solo show in a gallery or
museum in Atlanta, or of regional, national, or
international renown *, # A minimum of five years of exhibition record, Recognition of quality of work through
publication or review.
Her writing has been featured in
publications by the Hammer
Museum, Los Angeles Nomadic Division (LAND), The Studio
Museum in Harlem, and in the
International Review of African American Art, among others.
The first
publication to address the extensive holdings of contemporary art in the collection of The
Museum of Modern Art, New York, Modern Contemporary covers an
international spectrum of art in a variety of mediums, all made within the final two decades of the 20th century.
It is planned to organize an
international museum tour of the Collection, accompanied by a major
publication.
He has collaborated with
museums and institutions such as the Art Institute of Chicago, Bozar Brussels, Carnegie
International 2018, Cooper Hewitt, Guggenheim, Harvard, Istanbul Design Biennial, M +, MoMA, Performa, The Renaissance Society at the University of Chicago, RISD
Museum, SALT Istanbul, Whitney, and Yale University Art Gallery on significant identity, spatial,
publication, and interactive projects.
His
publications include monographs on the Dutch Nul artists Jan Henderikse (with Renate Wiehager; 2010) and Armando (2015) as well as catalogue texts on the
international ZERO movement for the Stedelijk
Museum, Amsterdam; Martin - Gropius - Bau, Berlin; and the Peggy Guggenheim Collection, Venice, among others.
Awards and honors include
International Biennale in 2006 and the David Houston: Alexandria
Museum of Art (2005), along with various
publications throughout the Northeast and Nashville, including Architectural Digest.
This massive (644 - page)
publication features 43 fully illustrated essays on the
Museum's famous collection, and thereby provides an overview of over 150 years of
international developments in the applied and visual arts, photography, and graphic and industrial design.
This landmark
publication, which is sure to win
international design awards, accompanies Walker's first major American
museum survey.
The catalogue, co-published by The Phillips Collection and Rizzoli
International Publications, contains more than 100 color reproductions and in addition to the above - mentioned essays has an essay on Scully's works on paper by Anne L. Strauss, associate curator, Department of 19th - Century, Modern, and Contemporary Art at The Metropolitan
Museum of Art, New York.
As an art director of CICA
Museum since 2014, she has organized diverse experimental
publication &
international exhibition series including the CICA
international exhibition &
publication on New Media Art, Art Yellow Book, and Artist Statement.
Kelton's work has been featured in numerous exhibitions and
publications and is in the collections of the
Museum of Fine Arts Boston; Bibliothéque nationale de France; Norton
Museum of Art, West Palm Beach, Florida;
International Center of Photography, New York; and New York Public Library.
CICA
Museum have featured numerous new media artists in
international exhibitions and
publications.
Lyon was a writer and editor at the
Museum of Modern Art, New York, for ten years, and subsequently held senior editorial positions at publishers including Abbeville Press, Bulfinch / Little, Brown, The Monacelli Press, Prestel Publishing, and Rizzoli
International Publications.
Celant is the author of more than one hundred
publications, including both books and catalogues and has curated hundreds of exhibitions in the most prominent
international museums and institutions worldwide.
Through a series of projects and actions (workshops, symposia,
publications, exhibitions) CAHF both questions and strengthens the institutional practice of collecting, by accommodating dialogue and collaboration between its 4 partner
museums and an
international community of art professionals.
She is the Editor - in - Chief of KALEIDOSCOPE Magazine's
international edition and co-edits F.A.Q., a periodical image - only magazine with artist Maurizio Cattelan, as well as Feb (Mag), the
publication of the Underground
Museum in Los Angeles.
Smith's
publications have been on display at the Metropolitan and the Victoria & Albert
museums, and are in
international collections including the MoMA, Whitney, Tate, Cooper Hewitt, and The National Gallery of Art, among many others.
BRUNO DAVID GALLERY BDG Website BRUNO DAVID PROJECTS BDP Website BRUNO DAVID GALLERY STORE BDG Store COLUMBIA FOUNDATION FOR THE ARTS CFA Website GOOD ART NEWS (Gallery Blog) Good Art News ART
MUSEUMS IN SAINT LOUIS Pulitzer Arts Foundation Pulitzer Arts Foundation Contemporary Art
Museum St. Louis Contemporary Art
Museum St. Louis (CAM) Mildred Lane Kemper Art
Museum Mildred Lane Kemper Art
Museum Laumeier Sculpture Park Laumeier Sculpture Park Saint Louis Art
Museum (SLAM) Saint Louis Art
Museum Museum of Contemporary Religious Art (MOCRA)
Museum of Contemporary Religious Art Saint Louis University
Museum of Art (SLUMA) Saint Louis University
Museum of Art
International Photograhy
Museum (IPHF)
International Photograhy
Museum Missouri History
Museum Missouri History
Museum NON-PROFIT ART SPACES DUET STL DUET The Luminary The Luminary Sheldon Art Galleries Sheldon Art Galleries St. Louis Artists» Guild Artists Guild Kranzberg Arts Center Kranzberg Arts Center ART SAINT LOUIS Art St. Louis Des Lee Gallery Des Lee Gallery Gallery 210 University of Missouri Gallery 210 The Gallery at RAC Jill A. McGuire Gallery Foundry Art Centre Foundry Art Centre Public Media Commons Public Media Commons MONACO Monaco Arcade Contemporary Projects Arcade Gallery Millstone Gallery COCA Millstone Gallery FLOOD PLAIN Gallery Flood Plain ART CALENDARS - BLOGS -
PUBLICATIONS Saint Louis Gallery Guide STL Guide RAC Arts (Arts Calendar) RAC Arts Calendar St. Louis Public Radio (Arts) St. Louis Public Radio St. Louis Regional Arts Commission (RAC) St. Louis Regional Arts Commission KDHX 88.1 FM (Arts Calendar) KDHX 88.1 FM PBS - Sunday Arts PBS / Sunday Arts Gallery Openings in St. Louis (Blog) Gallery Openings PBS Nine Network KETC St. Louis Riverfront Times (Arts Calendar) Riverfront Times Good Art News Good Art News Missouri Arts Council Missouri Arts Council Where Magazine Where Traveler Magazine (St. Louis) DECEMBER Magazine December TEMPORARY ART REVIEW Temporary Art Review
The first full - colour
publication on the
Museum's Collection presents more than 180 artworks selected to give a sample of the quality, range and
international nature of the works acquired by the
Museum since its foundation in 1991.
1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County
Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre
International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona
Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts
Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent
Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press,
Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo
Museum of Fine Arts, San Angelo, TX; Tyler
Museum of Art, TX; Aspen Art
Museum, Aspen, CO..
She has works in the permanent collection of the High
Museum, in various corporate and public collections, and has appeared in
publications including the
International Drawing Annual and New American Paintings.
Luce is currently artist / curator of
international project «Esparto» (2016 --RRB-, with touring exhibition, symposium and trilingual
publication; has recently returned from the US opening of her Rabbit Island residency exhibition with performance lecture at DeVos Art
Museum, Michigan (2016 - 17); and her Bideford Black commission (shown Devon 2015, Lincoln 2016) has been selected for the upcoming touring performance exhibition «Documents, Alternatives» (UK / Australia 2017 - 18).
To fulfill this mission, the
Museum continues to build its collections through purchase and gifts, and develops programs of exhibitions,
publications, scholarly research, public education, and the performing arts that engage our diverse local and
international audiences.
His work has been exhibited in Marfa Contemporary, Marfa, USA, Museo Universitario de Arte Contemporaneo MUAC, Mexico City; Caixa Forum, Madrid; MoMA PSl, New York; Kunstwerke, Berlin; San Diego
Museum of Art; Museo de Arte Reina Sofia, Madrid; MAK, Vienna, Fundaci6n / Colecci6n JUMEX, Mexico City; Bass
Museum of Art, Miami; Museu do Arte Moderna, Sao Paulo; The Moore Space, Miami; NICC, Antwerp, among others; and has been featured in
international publications such as Cream 3, ed.
The Situationist
International (1957 - 1972)(the catalogue for the eponymous exhibition at Centraal
Museum, Utrecht, and
Museum Tinguely, Basel) is the first
publication to evaluate the creative contributions of the SI.