Sentences with phrase «international museum retrospectives»

Celebrated in his lifetime, he has been the subject of major international museum retrospectives and is included in most major public collections.

He has been the subject of numerous international museum retrospectives.

Renown brought his rhythmically distributed humble materials to increasingly grand spaces as international museum retrospectives beckoned: the Whitechapel in 1982; Castello di Rivoli, Turin, in 1988; Albertina, Vienna, in 2005; Nationalgalerie, Berlin, in 2007; Tate Modern in 2009 and Museum of Cycladic Art, Athens, in 2012.

Not exact matches

AWFJ has also presented EDA Awards at IDFA, Whistler Film Festival, Sheffiled Doc / Fest, Edinburgh International Film Festival, St Louis International Film Festival, Salem Film Fest, and at the Museum of Modern Art's 25th Anniversary Retrospective for POV.

«Now is the moment to launch him onto an international platform,» said Andy Massad, Christie's deputy chairman of postwar and contemporary art department, said of Wojnarowicz, whose retrospective opens at the Whitney Museum in New York in July.

Working closely with international charities to create public exhibitions and charity fundraising events, exhibitions Simon has curated include WaterAid at the London Canal Museum, Layers at the Southbank Arts Centre, royal sculptor Frances Segelman's Tower of London retrospective for the Stroke Association and intersex activist Ela Xora's Captured Hermaphroditus campaign.

Similar acrylic works were recently exhibited in Donovan's international retrospective at the Louisiana Museum of Modern Art in Denmark and Arp Museum Bahnhof in Germany.

2007 — Representation 2007, Jenkins Johnson Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier Gallery, NYC 2003 — Group Show, Dolby - Chadwick Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman Gallery, Chicago 2001 — Subject Matters, Standard Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago

This retrospective takes place on the heels of the critically acclaimed show Anni Albers: Touching Vision at the Guggenheim Museum Bilbao in Spain and, as both The Wall Street Journal and the Financial Times have noted, is among a slew of international exhibitions focused on the work of Anni Albers and her husband, Josef Albers.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Since his death in 1990, he has been the subject of several international retrospectives including at the Whitney Museum in New York, the Museum of Contemporary Art Australia and the MAC in Lyon, France.

A career retrospective, Positions in the Life World, was exhibited in five European cities and at the New Museum of Contemporary Art, New York, and International Center of Photography, New York, from 1998 to 2000.

Tàpies's work has been exhibited at numerous international institutions, including retrospectives at the Guggenheim Museum in New York in 1995, the Museum of Modern Art in 1992, and the Museo Nacional Centro de Arte Reina Sofia in Madrid in 1990, among many others.

P. Carlsen, «Jeff Koons: On the Occasion of His First Museum Retrospective, A Look at One of the Most Captivating Artist of the 1980s», Contemporanea International Art Magazine, Vol.

Guston taught painting until the late 1950s when he was awarded a Ford Foundation grant and his international reputation was swiftly established with a major retrospective at the Guggenheim Museum in 1962.

Arning has written on art for journals such as Artforum, Art in America, Out, and Parkett, and multitudes of international museum publications, including texts for retrospectives of Jim Hodges, Keith Haring, Christian Jankowski, and Donald Moffett as well as other writing for books by Elmgreen and Dragset and Lawrence Rinder.

Two years later she was given a full - scale retrospective — not at the Museum of Modern Art or the Guggenheim — but at the Whitney Museum of American Art, indicating that she was regarded as a significant artist of the American school, not a figure of international stature.

Ms. Abramovic, a New York - based Serbian artist, became an international star when live performances featuring naked dancers accompanied her 2010 retrospective «The Artist is Present» at the Museum of Modern Art.

About IL LEE Critically acclaimed and widely exhibited, Il Lee's innovative and historically grounded ballpoint pen work has been the subject of a critically acclaimed retrospective at the San Jose Museum of Art and solo exhibitions at the Queens Museum of Art, the Vilcek Foundation, Art Projects International in New York, and most recently at the Crow Collection of Asian Art in Dallas, Texas.

According to museum materials, Barbara Hepworth's retrospective will emphasize her «overlooked prominence in the international art world» and an Agnes Martin exhibition will «cover the full breadth of Martin's practice, reasserting her position as a key figure in the traditionally male - dominated fields of 1950s and 1960s abstraction.»

He has also organized numerous art exhibitions, including the first retrospective of the work of Frida Kahlo at the Whitechapel Gallery (1982), The Situationist International at the Centre Pompidou (1989), and Global Conceptualism at the Queens Museum (1999).

He also participated in many international exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta His first comprehensive retrospective in the United States was mounted by the Museum of Fine Arts, Housinternational exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta His first comprehensive retrospective in the United States was mounted by the Museum of Fine Arts, HousInternational, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta His first comprehensive retrospective in the United States was mounted by the Museum of Fine Arts, Houston, in 1966.

Thirty years later, the San Francisco Museum of Modern Art organized the first international traveling retrospective of her photographs.

At the age of 27, McLean was the youngest artist to have been awarded a retrospective at the Tate in 1972, and he has enjoyed international recognition with solo shows at major museums and galleries including the Whitechapel Gallery, ICA and MOMA Oxford.

«The international art and fashion icon's first museum retrospective in the United States features multiple never - before - seen works and massive paintings - some stretching over 60 - feet long - in addition to his famous sculptures and anime - inspired characters and illustrations.

Maurer, whose work has finally received the deserved attention of the international art world was included in the recent exhibition Adventures of the Black Square at the Whitechapel Gallery, London and her 2014/2015 retrospective at Museum Ritter has highlighted the diversity of her highly regarded oeuvre.

Bas» work has been exhibited in many international solo and group exhibitions including the 2007 retrospective at the Rubell Family Collection in Miami, FL, which then traveled to the Brooklyn Museum of Art the following year.

200029th International Film Festival, Rotterdam, Netherlands The Whitney Museum, New York, NY The International Film Series, Boulder, CO (retrospective) 3rd Annual Super8 Film Festival, Pleasure Dome, Toronto, CA Home Movies from Hell, SF Cinemateque, (retrospective) San Francisco, CA Not Every Picture Tells a Story, Sundance Channel International Short Film and Video Series, Cinematexas, Austin, TX

A 2009 retrospective at the Tang Teaching Museum and Art Gallery at Skidmore College; inclusion in the 2006 Whitney Biennial; acquisition by prestigious institutions such as MoMA, Tate Modern, and the Smithsonian; as well as countless international museum and gallery exhibitions over the past 30 years speak to the longevity and consistent relevancy of theMuseum and Art Gallery at Skidmore College; inclusion in the 2006 Whitney Biennial; acquisition by prestigious institutions such as MoMA, Tate Modern, and the Smithsonian; as well as countless international museum and gallery exhibitions over the past 30 years speak to the longevity and consistent relevancy of themuseum and gallery exhibitions over the past 30 years speak to the longevity and consistent relevancy of the work.

Critically acclaimed and widely exhibited, his ballpoint pen work has been the subject of a retrospective at the San Jose Museum of Art and solo exhibitions at the Queens Museum of Art, the Vilcek Foundation and Art Projects International in New York.

In 2010 Benglis was the subject of an international retrospective, which traveled to The Irish Museum of Modern Art, Dublin; The Van Abbemuseum, Eindhoven; Le Consortium, Dijon; New Museum, New York; and the Museum of Contemporary Art, Los Angeles.

His midcareer retrospective, Trevor Paglen: Sites Unseen, opens this summer at the Smithsonian American Art Museum before traveling to numerous international institutions including the MCA San Diego, the Kunsthalle Wien, Austria, and the Museo Tamayo, Mexico City.

Yayoi Kusama Retrospective International Tour Curated by Francis Morris and organised by Tate Modern in collaboration with the participating venues Museo Reina Sofia, Madrid May - September 2011 Centre Pompidou, París October 2011 - January 2012 Tate Modern, London February - June 2012 Whitney Museum, New York July - September 2012

Her work has recently been featured in exhibitions at the International Center of Photography, New York (2014), Brand New Gallery, Milan (2014), Retrospective Gallery, Hudson, NY (2014), Tang Museum of Art, Saratoga Springs, NY (2013), and Studio Museum of Harlem, New York (2013).

Retrospectives were organized in 1978 by the International Center of Photography in New York, and in 1984 by the Museum of fine Arts in Houston.

Her work has been shown in many international galleries and museums including the California Museum of Science and Industry in Los Angeles, the Tel Aviv Museum of Art (where she was given a retrospective exhibition in 2006), the Museum of 20th Century Art in Vienna, among many others.

Already famous for his combines (the subject of a recent, well - regarded retrospective at the Metropolitan Museum of Art) and the 1958 - 60 transfer drawings on the theme of Dante's Inferno, Rauschenberg wanted to start fresh and try to make paintings, simply to paint, without employing the attached objects that had put him in the international spotlight.

Others examine major well - known figures, from stock characters of 1960s Modernism including Minimalist Sol LeWitt and ardent feminist Carolee Schneemann to the international figure Ai Weiwei and his fiercely restrained living conditions under house arrest in Beijing (whose work is currently the subject of a major retrospective at the Brooklyn Museum).

In the following decades he continued to receive increasingly significant sculpture commissions, following a major retrospective at the Museum of Modern Art in New York in 1946 and after winning the International Sculpture Prize at the Venice Biennale in 1948.

Piero Manzoni's work has been the subject of numerous solo and group exhibitions, including international retrospectives at the Museum d'Art Moderne de la Ville de Paris (1991), the Serpentine Gallery, London (1998), and the Museum d'Arte Contemporanea Donnaregina, Naples (2007).

Many of the represented artists had their first solo gallery exhibitions at Casey Kaplan, and have become part of an international dialogue — participating in international biennales, achieving mid-career retrospectives at museums, exhibiting at Documentas, and winning a Turner Prize.

Two years later, he received the Guggenheim International Award for Painting that was followed by retrospectives of his work at the Tate Gallery [8] in London and the Museum of Modern Art [9] in New York.

For Die Neue Sammlung — The International Design Museum in Munich, Alessandro Mendini curated a retrospective of the last 30 years of Italian design.

Recent notable solo exhibitions include: Museum der Wünsche, MUMOK - Museum moderner Kunst Stiftung Ludwig Wien (2011); A Complicated Relation - Part 1, Kalmar Konstmuseum (2011); Resources, National Museum of Contemporary Art, Bucharest (2007); International Center for Contemporary Art, Bucharest (2003) and Retrospective Geta Bratescu, National Museum of Art, Bucharest (1999).

Retrospectives of her work have been held at several museums including the San Francisco Museum of Modern Art, the Metropolitan Museum of Art, International Center for Photography and the Centre National la Photographie in Paris.

His work has been the subject of retrospectives at Tate Modern, Anthology Film Archives in New York, the Austrian Film Museum in Vienna, and at the Oberhausen Film Festival; and has been shown at shown at the Louvre, Palais de Tokyo, the Cinémathèque française in Paris, Museum für Moderne Kunst in Frankfurt, International Film Festival Rotterdam, Sundance Film Festival, Museum of Modern Art, Carnegie Museum, Columbus Museum of Art, Wexner Center for the Arts, Museum of Contemporary Art Detroit, Walker Art Center, St. Louis Art Museum, San Francisco Museum of Modern Art, and Los Angeles» Museum of Contemporary Art.

Early Color was followed by a series of monographs and international exhibitions highlighting the depth and scope of his work in photography and painting, beginning with «In Living Color» (2006), his first major retrospective at the Milwaukee Museum of Art.

Lit: Ronald Alley, «Patrick Heron: the development of a painter», in Studio International, CLXXIV, July — August 1967, pp. 18 — 25; Alan Bowness, «On Patrick Heron's Striped Paintings», in catalogue of retrospective exhibition, Museum of Modern Art, Oxford, May - June 1968.

His career included numerous international solo and group exhibits, as well as a major retrospective held at the Guggenheim Museum, New York in 1995.

Major surveys and retrospectives of the artist's work have been held in international institutions: in 1972, Jan J. Schoonhoven traveled from the Städtisches Museum, Mönchengladbach, Germany, to the Westfälischer Kunstverein, Münster, and the Museum van Bommel van Dam, Venlo, the Netherlands; in 1985 — 86, Jan Schoonhoven Retrospektiv: Tekeningen en reliëfs traveled from the Gemeentemuseum Den Haag, The Hague, to the Kunsthalle Nürnberg, Nuremberg, and finally to the Badischer Kunstverein, Karlsruhe, Germany; and in 1995 — 96, Jan J. Schoonhoven — retrospektiv traveled from Museum Folkwang, Essen, to the Bonnefantenmuseum, Maastricht, and the Aargauer Kunsthaus, Aarau, Switzerland.