Sentences with phrase «international museums such»

His work is included in the collections of major international museums such as: Art Institute of Chicago, Chicago; Los Angeles Museum of Contemporary Art, Los Angeles; The J. Paul Getty Museum, Los Angeles; the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Museu de Arte Moderna de São Paulo, São Paulo; and the Victoria and Albert Museum, London; among many others.

Solo shows have been devoted to him by some of the leading international museums such as the Museum Kurhaus Kleve (2016); Kunst Halle Sankt Gallen (2015); LACMA - Los Angeles County Museum of Art (2013); Wiener Secession, Vienna (2001); Kölnischer Kunstverein, Cologne (2011 and 2009); Contemporary Art Museum St. Louis (2010); Centro Andaluz de Arte Contemporaeno, Seville and Bergen Kunsthall (2009); Staatliche Kunsthalle Baden - Baden (2008); Carpenter Center for the Visual Arts - Harvard University, Cambridge and Cubitt, London (2004); The Art Institute, Chicago (2001); Museum für Gegenwart, Berlin, Frankfurter Kunstverein, Frankfurt and Art Pace, San Antonio (2000); MAMCO - Musée d'Art Moderne et Contemporain, Geneva (1998); Museum Boijmans - van Beuningen, Rotterdam (1992); The Power Plant, Toronto (1991); The Renaissance Society, Chicago, Los Angeles Municipal Art Gallery and P.S. 1, New York (1989).

Richard Humann was included in the 2003 Venice Biennial, has exhibited in international museums such as the Gabarron Foundation in Murcia, Spain, the Tampere Art Museum, Tampere, Finland, and the Daelim Contemporary Art Museum, Seoul, Korea.

He received a major mid-career survey at the Vancouver Art Gallery and is in the permanent collections of major international museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Stedeljik Museum in Amsterdam.

Not exact matches

The Vatican is not the only institution to come under scrutiny; Protestant churches, international NGOs such as the Red Cross, banks, art museums and international corporations such as Ford and IBM have been called to account for their behavior.

We have worked with institutions such as the British Museum and Victoria & Albert Museum and run wildlife tours in conjunction with conservation agencies such as Fauna & Flora International, Wildlife Conservation Society, the Orangutan Foundation, Dian Fossey Gorilla Fund and the Jane Goodall Institute.

«Certainly anytime we have a situation like that where there's such overwhelming media attention, it's going to leave a memory in the population,» says George Burgess, curator of the International Shark Attack File at the Florida Museum of Natural History, who fielded 30 to 40 media calls a day that summer.

And such damage probably began centuries ago, concludes John Pandolfi of the Smithsonian's National Museum of Natural History in Washington, D.C., and an international group of colleagues.

In addition, the meeting comprised several informal events such as the International Get - Together hosted by Mexico at the Dornier Museum, Friedrichshafen, cultural diversity at the Bavarian Evening and a boat trip along with a Science Picnic to the flower island Mainau.

Dig deep enough at locations such as the US Archives, Yad Vashem, The US Holocaust Museum and many other significant international resources and you will discover plentiful, comprehensive records about the Nazi genocide of the Jews.

Both museums house some of the most important pieces of art in Australian history as well as works from international masters such as Van Gogh and Picasso.

See Danish history and art museums, California missions, high end art and nature galleries, and of course, superb boutique shopping including Danish imports, international dining such as Danish, Italian, Chinese, German, and Japanese, plus more than 19 Santa Barbara County Wine Country wine tasting rooms.

Best Western Plus Batumi is also close to the Batumi International Airport and is an optimal base to explore the city's sights such as the Dancing Fountain, Batumi Archaeological Museum, Art Museum of Batumi and much more.

Minutes from the Tucson International Airport, the hotel is conveniently located near attractions such as Reid Park Zoo, the Tucson Children's museum and David Monthan Air Force Base.

Situated close to local attractions such as Ben Thanh Market, the Museum of Fine Arts and Mariamman Temple, and major shopping centres including Parkson Paragon, Crescent Shopping Mall and Annam Gourmet Market, Capri by Fraser, Ho Chi Minh City / Vietnam is also surrounded by restaurants and cafes serving up delectable local and international cuisine.

Located just off I - 40, the Hampton Inn & Suites Greensboro / Coliseum Area is only minutes from downtown Greensboro and within walking distance of a number of restaurants and popular attractions, such as the Four Seasons Mall, International Civil Rights Museum and Emerald Pointe Water Park.

Riverside Majestic Hotel, where we treat you with majesty, is strategically located in the heart of Kuchingâ $ ™ s business, entertainment, dining and shopping district just 20 minutes drive from the Kuching International Airport.With a designated 18th floor for meeting suites, it is the ideal place for business meetings and leisure.Overlooking the Sarawak River, the hotel commands a panoramic view of the city and the Kuching Waterfront across, where fitness enthusiasts enjoy their morning jogs and evening strolls along the 1.7 km scenic stretch.Exploring Kuching along this trail will lead to tourists attractions nearby such as the Chinese Museum, Tua Pek Kong Chinese Temple, Fort Margherita and souvenir bargaining hot spot, the Main Bazaar.

Even though emerging contemporary Chinese art by new artists is getting a lot of international attention from collectors, U.S. museums have been slow to showcase it, preferring the more established names such as Ai Weiwei.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Her work has been exhibited at such national and international venues as the Guggenheim Museum, the Art Institute of Chicago, the Whitney Museum of American Art, the Museum of Modern Art, the Institute of Contemporary Art / Boston, the Tate Liverpool, and the Bilbao Fine Arts Museum.

Ulf Puder has had numerous international solo shows and is part of major public and private collections, such as The Museum für Moderne Kunst, in Frankfurt, Germany, and Hildebrand Collection in Leipzig.

The artist's work is included in the collections of international institutions such as the Tate Modern, London; the Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles; the Solomon R. Guggenheim Museum, New York; Musée national d'art moderne, Centre Georges Pompidou, Paris; the Hamburger Bahnhof, Berlin; the Peggy Guggenheim Collection, Venice; and the Museum Ludwig, Cologne.

Martin, born in San Francisco in 1973 and based in London since 2002, has had solo exhibitions in international venues such as the New Museum, New York, Museum of Contemporary Art, Chicago, Kunsthalle Zürich, and the Stedelijk Museum, Amsterdam.

Today, the New Museum serves diverse and expanding audiences, including artists, students, and residents of the Lower East Side, as well as a growing international audience through new initiatives, such as the Museum as Hub and 2011's Festival of Ideas for a New City, which continue to foster dialogues between artists and their public.

Hepner's work has been exhibited widely in such venues as the Mt. Rokko International Photography Festival (Kobe, Japan), SITE Santa Fe (Santa Fe, NM), the San Diego Art Institute (San Diego, CA), the National Museum of Nuclear Science and History (Albuquerque, NM), Institut for Alles Mögliche (Berlin, Germany), and the Newspace Center for Photography (Portland, OR).

His work exists in many prominent international collections, such as the Museum of Contemporary Art (MOCA), Los Angeles; The Metropolitan Museum of Art, New York; National Portrait Gallery, London; and Tate, London.

Sikander has also participated in significant international group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, Iinternational group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, IInternational Art Exhibition, La Biennale di Venezia, Venice, Italy, (2005).

The artist photographs are part of international museum collections such as the Tate Modern in London and the Metropolitan Museum of Art in Newmuseum collections such as the Tate Modern in London and the Metropolitan Museum of Art in NewMuseum of Art in New York.

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

She catapulted to international art stardom in the mid 1960s when New York's Museum of Modern Art included her alongside such talents as Josef Albers and Ellsworth Kelly in its 1965 exhibition «The Responsive Eye» and the fashion designer (and museum founder) Larry Aldrich printed knockoffs of her images on fabric for a popular dress colleMuseum of Modern Art included her alongside such talents as Josef Albers and Ellsworth Kelly in its 1965 exhibition «The Responsive Eye» and the fashion designer (and museum founder) Larry Aldrich printed knockoffs of her images on fabric for a popular dress collemuseum founder) Larry Aldrich printed knockoffs of her images on fabric for a popular dress collection.

Mayer's video works and performances have been premiered at international galleries and museums such as the Guggenheim Museum, MoMA, MoCA: NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival.

Arning has written on art for journals such as Artforum, Art in America, Out, and Parkett, and multitudes of international museum publications, including texts for retrospectives of Jim Hodges, Keith Haring, Christian Jankowski, and Donald Moffett as well as other writing for books by Elmgreen and Dragset and Lawrence Rinder.

18th Street plays an important role as a center for extended research and support for international artists, and as such, we have partnered with major institutions like the Los Angeles County Museum of Art on collaborative programs.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

His work has been exhibited at such international institutions and festivals as The Bruce Museum of Arts and Sciences (CT), Yuan Art Museum (Beijing), MOCA Tucson (AZ), MAC Lima (Peru), and Islamic Arts Festival (Sharjah), among others.

Bidjocka has featured on landmark international exhibitions such as Black President (New Museum, New York, 2003); Zeitwenden (Museum of Modern Art, Bonn, 1999) and Africa Remix (Düsseldorf, London, Paris, Tokyo and Johannesburg, 2005 - 2007).

His photographs have appeared in gallery and museum exhibitions worldwide as well as many international publications such as The New York Times, Vogue Italia, TIME and Numéro.

She has exhibited nationally and internationally at venues such as MoMA PS1, Long Island City, NY; the Drawing Center, New York, NY; Sculpture Center, Long Island City, NY; Weatherspoon Art Museum, Greensboro, NC; Kunst - Werke, Berlin; and Dogbite International Festival of Film Art, Balchik, Bulgaria.

In addition the museum presents international loan exhibitions such as Je Suis le Cahier: The Sketchbooks of Picasso (1988), German Expressionism After the Great War: The Second Generation (1989), and Picasso and the Age of Iron (1993).

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.

Other participations such as: The Pera Museum, Istanbul; Aga Khan Museum, Toronto, Canada; Rapid Pulse International Performance Art Festival, Chicago, USA; Gwangju Museum of Art, South Korea; National Gallery of Victoria, Melbourne, Australia; The New Museum, New York, USA; MACRO-Museum, Rome, Louisiana Museum; Copenhagen, Station Museum, Houston; The Jerusalem show VII, Jerusalem; Hauser & Wirth Gallery, London; Mori Art Museum, Tokyo; Singapore Art Museum; Museum of Anthropology, Vancouver; Mead Gallery, UK; Palais de Tokyo; Arab World Institute, Paris; MOCCA, Toronto; Arts - Talks and Sensations, Abu Dhabi; MATHAF - Doha; Espace at Louis Vuitton.

She has held major solo exhibitions in renowned international museums — such as the Tate, Serpentine, Guggenheim Bilbao, Whitney Museum of American Art.

His work has also been included in exhibitions throughout Europe and the United States, such as Making Worlds, the Italian Pavilion at the 53rd Biennale di Venezia (2009); Jean - Luc Blanc, Opera Rock, CAPC, Bordeaux (2009); Italics: Italian Art between Tradition & Revolution 1968 --- 2008, Palazzo Grassi, Venice (2008); RAW - Among the Ruins, Marres, Centre for Contemporary Culture, Maastricht (2007); After Cezanne, The Museum of Contemporary Art, Los Angeles (2005); and International Paper, UCLA Hammer Museum, Los Angeles (2003).

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenmuseum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and DocumenMuseum of Art in 2013 and Documenta 13.