Sentences with phrase «international press notes»

«Film is a divine art,» German is quoted as saying in the film's international press notes.

Not exact matches

The press also noted that the Canadian International Development Agency (CIDA) donated C$ 500,000 as relief aid to earthquake survivors in central Taiwan and that Canada sent a team of civil engineers with expertise in building in earthquake zones, a medical team and others to assist in the recovery effort.
«The signatories recognize the intention of the International Monetary Fund to sell 403 tons of gold and noted that such sales can be accommodated within the above ceilings,» the ECB said in the press release.
Note on forward - looking statements: This press release contains «forward - looking statements» within the meaning of federal securities laws, including the timing of and benefits resulting from the separation of Marriott International and Marriott Vacations Worldwide, and similar statements concerning anticipated future events and expectations that are not historical facts.
Note on forward - looking statements: This press release contains «forward - looking statements» within the meaning of federal securities laws, including the information concerning possible or assumed future results of operations, business strategies, financing plans, potential growth opportunities, potential operating performance improvements, benefits resulting from the separation of Marriott International and Marriott Vacations Worldwide, and similar statements concerning anticipated future events and expectations that are not historical facts.
Note the careful preparation of content, with photo - focused news updates, which take advantage of Facebook's love of visual content, translated into English for the international press.
Domenic Recchia, Jim Gennaro, Peter Vallone, Paul Vallone, James Lisa, District Leader Mary Ann Dorsa, and Frank Galluscio were just a few of the elects that dropped in to say hello, while an international spectrum of press members scribbled notes and encouraged everyone to smile for the camera.
NASUWT Press Office contacts: Lena Davies 07867 392 746 Ben Padley 07785 463 119 Amanda Williamson 0774 124 6202 Notes to editors The NASUWT's Annual Conference is being held at the International Convention Centre (ICC) in Birmingham from 18 - 21 April.
ENDS NASUWT Press Office contacts: Lena Davies 07867 392 746 Ben Padley 07785 463 119 Notes to editors The NASUWT's Annual Conference is being held at the International Convention Centre (ICC) in Birmingham from April 6 - 9.
A press release signed by his Special Adviser (Media and Publicity), Mr. Yusuph Olaniyonu, noted that Saraki spoke from Washington, D.C. where he is attending the Spring Meeting of the World Bank / International Monetary Fund.
Please note, in international press publications the Cooper S engine is described as benefitting from a slight increase in power output.
Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
The notion made for a good segue into her essay «The Islands of Evasion: Notes on International Art English» (2003), included in Social medium as a response to arguments — from Hito Steyerl, Martha Rosler, and others — regarding the obfuscating language used in e-flux press releases and other explanatory art texts.
While studying at the University of the Arts, one of my writing assignments was to sit and stare at one painting for an hour, take notes and write an essay.180 Farben (180 Colors) is included in the sensational International Pop exhibition at the Philadelphia Museum of Art, I sat with the painting again for a long while, alone at a press preview.
Sara Garden Armstrong is a noted visual and sound artist whose work is included in significant national and international collections, among them the Victoria and Albert Museum, London; MoMA, New York City; Women Artists Archives National Directory (WAAND); Ira Silverberg Papers; Sun and Moon Press Archive; Sackner Archive of Visual and Concrete Poetry.
Houlihan Lokey, Inc., the international investment bank, has priced its initial public offering of 10,500,000 shares of its Class A common stock at a public offering price of $ 21.00 per share, as noted in the below press release issued by the company.
Note: This can be compared to the concluding observations of the Human Rights Committee in relation to Lesotho and Sudan that urge that laws be introduced which immediately make the practice punishable as inconsistent with Article 2 (1) of the Covenant: see Joseph, S., Schultz, J. and Castan, M. (eds), The International Covenant on Civil and Political Rights: Cases, Materials, and Commentary, Oxford, Oxford University Press, 2000, p26.
a b c d e f g h i j k l m n o p q r s t u v w x y z