Not exact matches
She was acclaimed
worldwide, as we can see in her participation in
international exhibitions that year, most notably the Venice Biennial, along with
solo shows at the Stable Gallery in New York nearly every year.
His work has been included in numerous
exhibitions worldwide, including Santa Monica Museum of Art (
solo show), California, 2002; Prague Biennial I, Czech Republic, and the Studio Museum, Harlem, New York in 2003; Musà © e
International des Arts Modestes, Paris, France, and White Box, New York in 2004; Antiguo Museo de Arte Moderno, Guadalajara, Mexico, and the 51st Venice Biennale, Venice Italy, 2005, the Whitney Biennial, New York, 2008 and Phantom Sightings: Art after the Chicano Movement, at the Los Angeles County Museum of Art (traveled to Mexico City, San Antonio, Phoenix, Guadalajara and New York, 2008 — 2010).
Her work has been the subject of numerous
solo and group
exhibitions at prominent institutions
worldwide, including the 56th
International Art
Exhibition at the Venice Biennale (2015); The Metropolitan Museum of Art, New York (2013); Palais de Tokyo, Paris (2012); MoMA PS1, New York (2012 and 2005); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum (2011); Whitney Museum of Art, New York (2010); the 7th Gwangju Biennale, Korea (2008); and the Royal Academy of Arts, London (2006).
Through her
solo exhibitions as well as her work as Founder and Director of the first annual
international photography festival, Addis Foto Fest, in Ethiopia, Aida is an active participant and organizer in the burgeoning local arts scene that has begun to attract increased
worldwide attention.
Since his notorious 1958
exhibition in the stairwell of New York's MoMA, Byars has been the subject of numerous
international gallery and museum
exhibitions that established his reputation as early as 1972, when he was included in Documenta V. Over the next two decades he had several
solo exhibitions worldwide, including IVAM Centre del Carme, Valencia; Castello di Rivoli / Museo d'Arte Contemporanea, Turin; The Henry Moore Institute, Leeds; Fundaçao de Serralves, Porto; The Arts Club of Chicago; Kestner Gesellschaft, Hannover; and Van Abbemuseum, Eindhoven.
During the past year, there have been several important
solo exhibitions of his work
worldwide: Seeing Things at The Nasher Sculpture Center, Dallas; Figure In / Figure Out at The Louvre, Paris; Museum Küppersmühle für Moderne Kunst, Duisburg, Germany; Tony Cragg in 4 D from Flux to Stability at The
International Gallery of Modern Art, Venice; It is, Isn't It at the Church of San Cristoforo, Lucca, Italy; and Tony Cragg: Sculptures and Drawings at The Scottish National Gallery of Modern Art, Edinburgh.
Rostarr has had
solo exhibitions in Tokyo, Paris, Milan, New York, Los Angeles, Miami, Puerto Rico, to name a few, and has participated in group shows on both a national and
international level, also extensively as part of the esteemed Beautiful Losers show which has toured museums and contemporary art centers
worldwide.
Since then, his works have been featured in numerous
international solo and group
exhibitions, and they are included in various important collections
worldwide.
API's highly acclaimed and widely reviewed
exhibitions and roster of
international artists have been prominently featured
worldwide in
solo and group
exhibitions at major art museums and cultural institutions in Asia, the Middle East, Europe and the United States.
His work was shown at
international Photography festivals from Rome to Singapore, as well as in numerous
solo and group
exhibitions in many galleries and museums
worldwide.
His projects have been shown in festivals and
solo, group and retrospective
exhibitions worldwide at important events and
international institutions, including the 2010 São Paulo Biennial, Documenta X and XXII in Kassel, Tate Modern in London, MACBA in Barcelona, Museum Ludwig in Cologne and the Jeu de Paume in Paris.