Sentences with phrase «international standards of time»

In a flurry of cooperation we can only marvel at today, the world's nations came together in the late 19th century to adopt international standards of time, longitude and metric measurement.

Not exact matches

At that time, they tracked the performance of a broad - based benchmark like the Standard & Poor's 500 index, all U.S. stocks or international stock markets.

Michael Held, Executive Vice President of the Legal Group, and General Counsel (Speaker) Date: Wednesday, May 17 (EDT) / Thursday, May 18, 2017 (China Standard Time) Time: 10:30 PM EDT (10:30 AM China Standard Time) Subject: Lawyers and Risk Management Event: Speech at University of International Business and Economics Organizers: University of International Business and Economics Location: University of International Business and Economics Beijing, China

The article also demonstrated the need for proper certification and testing in the single serve coffee market: The PurPod100 is certified by the Biodegradable Products Institute * (BPI) and meets ASTM International ¹ s Standard D6868 for compostability **, which means that it can disintegrate within an established period of time, produce compost that enables plant growth, and is safe for the environment.

It's been a long time since international football was the highest standard of the game, if it ever truly was.

• Shake up the parental leave system so fathers can spend more time with kids under two years - old • 25,000 more dads per year to sign their child's birth certificate, to reach international standards and halve the number of those who don't • Dads able to stay overnight in hospital with their partner when their baby is born • Modern and relevant antenatal education for both parents • Dads reading with their children in all primary schools • Family professionals — midwives, teachers, health visitors, nursery workers, social workers — confidently engaging with dads as well as mums, and supporting all family types.

The correct role of infant formula companies during World Breastfeeding Week is the same as at any other time of the year: to sell their infant formula in accordance with international marketing standards — and nothing else.

But if Sweetgreen's goal was to raise awareness about school nutrition (and not just garner a lot of publicity for its restaurants, which it did in spades), I fail to see what it accomplished by holding American schools up to an unrealistic international standard — whether the standard is unrealistic because it's inaccurate (Greece) or because the country in question invests far more time, money and effort than the United States in feeding its children (France.)

Indeed, one justice minister admitted that the cuts were made urgently and without time for research, in fundamental contradiction to what international human rights law and standards require, which is a thorough assessment of the likely impact on people and their human rights prior to the introduction of retrogressive austerity measures.

He said most of those elections were not only adjudged to meet international standards but had also produced varied outcomes for different political parties at different times.

Most of these elections have not only been adjudged to meet international standards but have also produced varied outcomes for different political parties at different times.

Reporters on Murdoch's three News International titles, the Sun, the Times and the Sunday Times are furious that News Corporation's management standards committee (MSC) assisted police with information which led to the arrest of nine journalists associated with the Sun in connection with alleged payments to police and other public officials.

The District Council 9 International Union of Painters and Allied Trades should be applauded for testing the paint and revealing that it was 48 - times more toxic than the Environmental Protection Agency's standard.

At the same time, pressure to improve standards came from the International Association of Classification Societies (IACS), which represents 11 major bodies, such as Lloyd's Register, that conduct surveys of ships.

An international team led by Ingrid Felger, from the Swiss Tropical and Public Health Institute in Basel, Switzerland, took advantage of genes that have multiple copies in the parasite genome to reveal parasites present at concentrations that are 10 times lower than the detection limit of current standard assays.

The first link in the chain was a cesium clock, a kind of atomic clock used as the international time standard that defines the second.

The international standard for time is set by atomic clocks — room - sized apparatuses that keep time by measuring the natural vibration of atoms in a vacuum.

These indicate that in the open pit at Rossing, levels of quartz dust have reached 20 or 30 times the international safety standard.

In Puerto Maldonado, a jungle town in Madre de Dios, one of Latin America's most productive gold mining areas, researcher Luis Fernández in 2009 detected mercury levels at a gold shop that were more than 20 times higher than an international worker safety standard.

Dr. Fish also pointed out that the onsite team for this pilot study was composed of 11 Guinean healthcare workers who received, for the first time, relevant training in all aspects of conducting a clinical trial according to international standards.

With more than 10 years of experience, we have our own well - trained full time staff for customer service and profile verifications, all are professionals with hands - on experience to build transparency into the international dating safety and standards.

ISO 8601 Data elements and interchange formats — Information interchange — Representation of dates and times is an international standard covering the In classical Latin even before the time of Christ it was usual for correspondents to indicate when and where their letters were written

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

OLD Abismos de pasion (Luis Buñuel, 1954) Alyy parus Parizha (The Scarlet Sail of Paris, Marlen Khutsiev, 1971) All that Heaven Allows (Douglas Sirk, 1955) Les anges du péché (Angels of Sin, Robert Bresson, 1943) Another Prayer (Sofia Bohdanowicz, 2013) Au quatre coins (Jacques Rivette, 1948) Benilde ou a Virgem Mãe (Benilde, or the Virgin Mother, Manoel de Oliveira, 1975) Brian De Palma at the Metrograph Bruce Conner at Museum of Modern Art Cadaveri eccellenti (Illustrious Corpses, Francesco Rosi, 1976) Ching se (Green Snake, Tsui Hark, 1993) Cold Turkey (Norman Lear, 1971) Danièle Huillet and Jean - Marie Straub at the Museum of Modern Art Dao ma zei (The Horse Thief, Tian Zhuangzhaung, 1986) Le diverssement (Jacques Rivette, 1952) La escuela de Barcelona at the International Film Festival Rotterdam Wieczór (An Evening, Sofia Bohdanowicz, 2013) From the Notebook of... (Robert Beavers, 1971) Hachimiri Madness at the Berlinale The Inside Story (Allan Dwan, 1948) Joe Dante at BAM Karla (Herrmann Zsschoche, 1965) Kiga kaikyô (Straits of Hunger, Tomu Uchida, 1964) The Landlord (Hal Ashby, 1970) Leo McCarey at the Museum of Modern Art Lillian Schwartz at Magenta Plains Dupe od mramora (Marble Ass, Želimir Žilnik, 1995) Masao Adachi at the International Film Festival Rotterdam Part Time Wife (Leo McCarey, 1930) Pere Portabella at the International Film Festival Rotterdam Peter Hutton at the Viennale and Anthology Film Archives Modlitwa (A Prayer, Sofia Bohdanowicz, 2013) Raúl Ruiz at the Film Society of Lincoln Center Robert Aldrich at the Metrograph Robert Frank at BAM Standard Gauge (Morgan Fischer, 1984) Tout une nuit (Chantal Akerman, 1982) Ukikusa monogatari (A Story of Floating Weeds, Yasujiro Ozu, 1934) Le quadrille (Jacques Rivette, 1950) Qing mei zhu ma (Taipei Story, Edward Yang, 1985)

Notable members of the council include: David Laws, the Member of Parliament for Yeovil from 2001 to 2015 and Minister of State for Schools from 2012 to 2015; Baroness Morgan, adviser to the ARK board, chair of Ofsted from 2011 to 2014 and former director of government relations for Tony Blair; Philip Collins, columnist for The Times and former chief speech writer for former Prime Minister Tony Blair; and Matthew d'Ancona, a columnist for the Guardian who also writes for the Evening Standard, International New York Times and GQ.

Further, another respected international assessment of student performance, the Program for International Student Assessment (PISA), found gains of only 0.5 percent of a standard deviation annually for U.S. students over roughly the sameinternational assessment of student performance, the Program for International Student Assessment (PISA), found gains of only 0.5 percent of a standard deviation annually for U.S. students over roughly the sameInternational Student Assessment (PISA), found gains of only 0.5 percent of a standard deviation annually for U.S. students over roughly the same time period.

At that time, another generation of school reformers argued that differentiated curriculums and instruction had sent U.S. schools downward in international rankings on tests; through the 1980s and 1990s, they pressed for uniform curriculum standards, common assessments, and tough accountability rules for schools, teachers, and students.

Citizens stuck in blue states like California now have no recourse to escape the failed test prep approach other than to get their children into private schools — and if they lack the resources to pay for tuition a second time (since they still must pay taxes for the second class teaching their local state schools are dispensing), their children will be doomed to fall behind the international competition, since that is a consequence of the second missed opportunity of the past decade, the Common Core standards that doom American children to fall 2 - 3 years behind their peers in Asia and northern Europe by the time they finish high school.

He is responsible for OST - R's Congressional, International, National Science and Technology Council, technical standards, and ombudsman programs; conducts legislative and policy analyses; and provides specific policy and program support to the Office of Positioning, Navigation and Timing & Spectrum Management.

Publishing Perspectives at the time made a request to ProQuest Bowker's director of identifier services, Beat Barblan, asking him determine how many actual books — how many individual titles — were represented by that 727,125 ISBNs, or International Standard Book Numbers.

Prior to 2011, e-book borrowers were able to check out several formats of e-books from their local libraries — including ePub, the free, «universal» e-book standard set by the International Digital Publishing Forum (IDPF) since 2007, used by Kobo, Barnes & Noble, Sony, and Google Books.50 However, e-book borrowers could not check out books on Amazon's Kindle, the predominant e-reader at the time.51 In 2011, however, Amazon partnered with OverDrive, and in September 2011 library patrons who own Kindles were able to borrow Kindle books from public and school libraries in the United States.52

For a fairly standard case of an non-resident alien international student living full time in the US - your capital gains are US sourced.

Best guess is that they'll be held on to just in case of an international trend back towards the gold standard, although that is unlikely on any time frame we would care about.

It leads to a lot of severe medical conditions and it should be a matter of time before the authorities and international canine organisations become stricter about breeding standards.

At the time of research in July 2017 an international standard clinic was under construction on the western side of the island between Mushroom Bay and Dream Beach (not far from Warisan Villa).

The reviews are put together by anonymous inspectors who use time - tested methods to ensure international standards of excellence.

This marked a transition to the widespread use of her original name in other markets, therefore making it an international standard and the first (and only) time Japan heard the North American name of the princess (in the Shindou Edition and its remake), though most of the in - game text refers to her as «Toadstool».

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Joining the Getty and the arts organizations across the region for Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American art in dialogue with Los Angeles, the Marciano Art Foundation welcomes the opportunity to highlight Latin American artists in the Marciano Collection, reinforcing the Foundation's focus on revealing an active global dialogue and drawing connections amongst a diverse group of international and Los Angeles - based artists.

They offer an impressive survey of some of the most important international artistic positions in the four decades between 1960 and 2000, but at the same time reflect the history of the Galerie Paul Maenz, whose self - perception as an avant - garde showcase set new standards in West Germany.

At the same time, the small - minded presidency of George W. Bush, during which the status of the United States as an international political standard - bearer has atrophied, is reflected in American artists» increasing disenchantment with universal themes and greater fascination with the mundane, the non-visual, the personal, and the transitory.

To emphasize the increased recognition of Los Angeles as an international art capital along with the anticipation of the shows and events taking place during the Getty's Pacific Standard Time initiative, the directive of Art Platform — Los Angeles 2011 will be to contextualize works by the many critically acclaimed artists working in and from Los Angeles.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Her early coverage in 2011 of the Getty's ambitious $ 10 - million Pacific Standard Time initiative and the many collaborating museum exhibitions helped to shape much of the national and international coverage that followed.

Pacific Standard Time: LA / LA, the behemoth exhibition series that brought much of the international art world's attention to Latin American and Latinx art this past fall, will close its run this Sunday, January 28.

As part of «Pacific Standard Time: LA / LA», an ambitious exploration of Latin American and Latino Art in dialogue with Los Angeles that spans across more than 70 cultural institutions throughout Southern California, this groundbreaking exhibition will address an art historical vacuum that has omitted these women from the international record, reappraising their contributions to global contemporary art.

2011 R. Newell, «Rachel Howard: Folie À Deux», The Flaneur, 15 December S. Sherwin, «Artist of the week 167: Rachel Howard, The Guardian, 8 December A. McNay, «Rachel Howard: Folie À Deux», Studio International, 17 November J. Cahill, «Rachel Howard at Blain Southern», Artslant, 4 November S. Jacobson, «Rachel Howard» s Folie À Deux», Dazed Digital, 22 October B. Luke, «In the Frame: The Best of Frieze Week», Evening Standard, 13 October Unauthored, «The Frieze tweet 40», Time Out, 13 — 19 October Unauthored, «My Frieze Week in Pictures», The Observer online, 16 October S. Hastings, «Don» t Miss», Evening Standard Magazine, 14 October Unauthored, «Rachel knocks spots of Hirst», The Evening Standard, 12 October Unauthored, «A problem shared», Mayfair Times, October Front Cover of «How to Spend it» Financial Times, 4 June R. Caragliano, «La tele della passione grondao sofferenza» Review, La Repubblica, 16 April P. Esposito, «La Via Dolorosa dei diritti umani» Il Mattino, 16 April M. Mosca, «Cristo torna a moriré ad Abu Ghraib», Roma, 15 April

«The exhibitions, and the events that will accompany them as part of Pacific Standard Time will demonstrate the pivotal role played by Southern California in national and international artistic movements since the middle of the 20th century,» said Deborah Marrow, director of the Getty Foundation.