As Sam Adams at CriticWire notes «the problem lies in foisting one ironclad
interpretation upon the film and then praising or damning it for its point of view, without acknowledging that the argument says much more about the person making it than Frozen itself.»
The same could be said for
film critic and historian Leonard Maltin, the man behind the Treasures line, though that's an
interpretation more likely to be differed
upon from viewer to viewer.