Sentences with phrase «interventionist art»

Pope.L, a Chicago - based artist who has been making public interventionist art for over twenty years, comes to Detroit artist - run gallery What Pipeline with Flint Water Project, on view September 7 through October 21, 2017.

He teaches gallery and exhibition studies, interventionist art and serves as Gallery Coordinator at UTD where he has curated many exhibitions.

Public interventionist art has been a signature of Pope.L's practice for two decades.

Chicago - based artist Pope.L, who has been making public interventionist art for over twenty years, comes to Detroit artist - run gallery What Pipeline with

This unique collaborative initiative between Queens College Art Department (CUNY: City University of New York) and the Queens Museum of Art — integrates social, tactical, immaterial, and interventionist art forms in tandem with the museum's ongoing, in - depth activities in socially - based art and grassroots community engagement under the expert guidance of a group of artists, administrators, educators engaged with local issues specific to Queens.

, one of the first queer interventionist art projects.

Not exact matches

In such a situation the parent, working with an ART interventionist, begins to imitate the child's actions and communications.

For example, a small school might hire a part - time teacher as a reading interventionist, partner with a community organization to provide art or music lessons in exchange for weekend space, or ask a math teacher to teach coding in addition to algebra.

CHICAGO — «It's a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition «The Minor Arts» opened there this month in Washington.

Although linked with his London predecessors of the YBA generation, Montgomery stands out by drawing from examples of public interventionist strategies and brings a poetic voice to the discourse of text art.

Sunthesizing conceptual, land - art, and interventionist strategies, Ericson and Ziegler developed a distinctly American community - based art outside the orbit of New York.

A married art duo known jointly as Design99 — are among the most contemporary generation in a longstanding interventionist tradition of Detroit «house art,» which stretches back into the 1960s.

Join artist, designer and activist Tanya Aguiñiga and Shannon R. Stratton, MAD's William and Mildred Ladson Chief Curator, for a conversation exploring the ongoing community - art and interventionist activities of the...

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Previously, he worked as Curator at MASS MoCA, where he completed numerous large - scale exhibitions, including The Interventionists: Art in the Social Sphere (2004), with a catalogue distributed by MIT Press.

«Art, Activism, and the Interventionist's Gesture,» invited panelist, Elizabeth Foundation for the Arts Studio Center, New York City, February 24, 2009

I am an interventionist public artist who uses architectural installations, graphic design and performance art to activate invisible public spaces.

Jonathan T.D. Neil considers whether Bruno Latour can help with fake news; J.J. Charlesworth gets tired and emotional about emotionalism in art and politics; Maria Lind reports on the state of art - making in a tense and anxious Egypt; Christian Viveros - Fauné considers the legacy of art interventionists General Idea; and, thinking about dead language, Heather Phillipson wants to wake up in a time and place that's not yet written

One of the first queer interventionist public art projects, DAM!

Thompson was formerly a curator at MASS MoCA, where his exhibitions included The Interventionists: Art in the Social Sphere and Ahistoric Occasion: Artists Making History.

Selected Exhibitions On the Edge and Breaking into Business, Trondheim Kunstall, Trondheim Alex Villar, Hansberg / Woolf, Glasgow de-tour at uks, UKS, Oslo Upward Mobility, the New Museum, New York Not a Place, Galerie Joanna Kamm, Berlin Other Ways, Galeri Tommy Lund, Copenhagen Temporary Occupations and Other Languages, Halle für Kunst, Luneburg Mediations Biennale, Poznan Experimental Geography, Museum London, Ontario Custom Car Commandos, Art in General, New York Subversive Spaces: Surrealism and Contemporary Art, The Whitworth Art Gallery, Manchester Video Now: Artists Working in the Spirit of Bruce Nauman, The Menil Collection, Houston The Interventionists, MASS MoCA, North Adams Panorama: Desarranjos, Museu de Arte Moderna, São Paulo Walking in the City: Spatial Practices in Art, from the Mid-1960s to the Present, Fridericianum, Kassel

Art Critic and Cultural Interventionist Niilofur Farrukh is the CEO of KB17.

Dispatches from the front: On May 30, after the opening of «The Interventionists: Art in the Social Sphere» at Mass MOCA, in North Adams, Massachusetts, some fifty artists gathered outside the...

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

(Dyke Action Machine), an interventionist public art project that inserts lesbian images into recognizable contexts.