Sentences with phrase «interventions by contemporary»

In addition, the exhibition will activate the gallery itself into a dynamic manifestation of the magazine with a series of programmed live interventions by contemporary artists.

Not exact matches

But he also thought of himself as the Suffering Servant of God, a Messiah who would conquer not by political power, as many of his contemporaries hoped, or by dramatic and spectacular intervention, as the apocalyptists expected, but by the long, slow process of winning men to faith in God and to the love of God and one another.

Organised by a coalition of academics and civil society organisations under the banner Democracy Matters, Assembly North and Assembly South represent significant interventions in contemporary British politics.

One of the most acclaimed recent chroniclers of the conditions, experience and expressions of Black life, Jafa's work is part of a current of work at the fair examining urgent contemporary questions of justice and identity - including the Chicago - based Theaster Gates, famed for his direct interventions into the city's South Side, whose work is given the solo treatment at the fair by Richard Gray Gallery (A1).

Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist's lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

counterCURRENT is a five - day festival of contemporary art, projects, interventions, journeys, performances, commissions, collaborations, and connections, produced by the Cynthia Woods Mitchell Center for the Arts.

Selected two - person and group exhibitions include: «New York Painting», Kunstumuseum Bonn (2015); «The Forever Now: Contemporary Painting in an Atemporal World», MoMA, New York, curated by Laura Hoptman (2014); «Outside the Lines: Painting: A Love Story», Contemporary Arts Museum, Houston (2014); «Painter Painter», Walker Art Center, Minneapolis (2013); «Matt Connors / Marc Hundley», Herald St, London (2012); «Collaborations & Interventions», Kunsthalle Andrax, Mallorca (2012).

«Von Bismarck's work destabilizes our existing image of the world by making very minimal interventions,» said Ellen Blumenstein, chief curator of Berlin's KW Institute of Contemporary Art of the key driver behind the artist's rise.

Person of the Crowd: The Contemporary Art of Flânerie features works by more than 40 artists in the Barnes Foundation's Roberts Gallery, in street interventions throughout Philadelphia, and on the web.

The exhibition forefronts the challenges of historicizing elusive artworks by presenting works that take photographic and video documentation and human memory as points of departure, reactivating, rearticulating and witnessing the interventions and works through the lens of the contemporary moment.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the figurative tradition; analysis, by making something vast,» the role of race in the history of figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the figurative tradition is refashioned.»

For the exhibition at Pace, Edwards draws together early modern and postmodern works — from Louise Nevelson to Fred Sandback — along with more contemporary interventions by Ellen Gallagher, Glenn Ligon, Rashid Johnson and others.

Stephen Nelson 11 JAN — 28 MAR The Contemporary Art Society is delighted to present a playful intervention by one of our Artist Members, Stephen Nelson, as the inaugural PROJECTS display at our new home.

This exhibition will bring together works by contemporary artists that explore multiple aspects of soil, documenting natural processes and human interventions, and proposing radically innovative solutions that combine leading - edge scientific approaches and fresh artistic and philosophical perspectives.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Recent projects include Nearness, a multisensory performance dealing with virtual communication and physical presence by artist - duo OK Do presented at New Museum's IDEAS CITY festival (2013); and Fashion Interventions, a symposium and exhibition about the interconnections of contemporary art and fashion for Parsons the New School for Design in November 2013.

Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

Through subtle interventions the artists Louis Reith, Matthew Craven and Martina Merlini all shed a new light on historical elements by adopting them in their contemporary art practice.

Take the mostly - under - 30 arts collective Inktank, who were recently asked by The Contemporary to craft a series of interventions and pseudo-fictional protests responding to the space's rooftop screening of the art - house film The Institute.

First, housed within Zabludowicz's main 19th century Corinthian - style Methodist chapel space are recent works by key members of The Still House Group; these paintings and sculptures reflect upon the role of contemporary art in current culture, and are framed by site - specific sculptural interventions which challenge perceptions of the weight and importance of the everyday.

These paintings were created concurrently with the United States intervention into El Salvador and were strongly influenced by contemporary headlines of the death squads and attendant institutionalized torture.

Press Release - Contemporary Art by Alex Israel to Be Installed in Historic Huntington Art Gallery, in Site - Specific «Intervention»

The exhibition forefronts the challenges of historicizing elusive artworks by presenting works that take photographic and video documentation and human memory as points of departure and reactivating, rearticulating, and witnessing the interventions and works through the lens of the contemporary moment.

This year's exhibition features work in a variety of media by 25 graduating artists, including simulated movie posters and product manuals with a social twist by Coby Kennedy, realistic paintings of contemporary characters from Tarot cards by Pablo Montealegre and architectural interventions by Serra Victoria.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US

SAN MARINO, Calif. — The Huntington Library, Art Collections, and Botanical Gardens announced today that it will stage an intervention in its historic Huntington Art Gallery of works by Alex Israel, one of the most recognizable emerging artists on the contemporary art stage.

A contemporary idea of beauty is challenged and dismantled by the artist's use of cheap materials and direct interventions on the surface of works with black markers, acts of apparent sabotage that demystify the highly - constructed visuals of the mass media.

The three artists featured in the exhibition are Cinthia Marcelle who uses video, collage, painting and photography to document the effects of her interventions, which introduce coincidences and connections to everyday situations, Rob Pruitt, who is one of the USA's best known contemporary artists and William Mackrel, a young artist equally fascinated by the sublime and the absurd.

Taking on some eighty years» worth of food - related experiments, Feast introduces a broad range of practices, beginning with the Italian Futurists» «Manifesto for Futurist Cooking,» and tracing the line all the way through to contemporary meals, culinary interventions, and community - building dinners by artists and collectives like Michael Rakowitz, Red76, Rirkrit Tiravanija, Theaster Gates, and others.

Residential / Special Projects 2015 — Art Dubai (solo Project) Galería Sabrina Amrani, Dubai, Arab Emirates 2014 — Librespacio, Plaza Arcos — NoMinimo Galeria, Guayaquil, Ecuador 2013 — The Drawing Center Viewing Program, New York, NY, USA — Rodeo, Video projection on building façade, Geneva, Switzerland (curated by Karine Tissot)-- Art Lima (solo project), Galería Marilia Razuk, Lima, Peru (curated by Octavio Zaya)-- Zona Maco (solo project), Galería Max Estrella, Mexico City, Mexico 2012 — Arezzo Wave Love Festival, Arezzo, Italy — Art Rotterdam (solo project), Furini Arte Contemporanea, Rotterdam, Netherlands — ARCO Solo Objects, Arco International Art Fair, Madrid, Spain (curated by Manuel Blanco) 2011 — The Noise of Bubbles, Red Bull Music Academy, Matadero, Ma drid, Spain (curated by Javier Duero)-- Pinta Art Fair (solo project), Max Estrella Gallery, London, UK 2010 — Latitud 19º, Interventions in the Plaza Santo Domingo, Mexico City, Mexico — Volta Uncovered, Volta Art Fair, Furini Gallery, Basel, Switzerland (curated by Amanda Coulson)-- SOS 4.8, Contemporary Art Festival, Murcia, Spain (curated by Fernando Castro Florez)-- Petersburg, HBC, Berlin, Germany 2009 — Futura, International Residential Program, Prague, Czech Republic

In parallel we are opening the permanent exhibition to interventions by four contemporary artists.

«By specifically targeting artists without any exclusive NYC gallery representation, CLIO ART FAIR focuses attention on the kinds of contemporary art and interventions that are being created by independent artists the world over.&raquBy specifically targeting artists without any exclusive NYC gallery representation, CLIO ART FAIR focuses attention on the kinds of contemporary art and interventions that are being created by independent artists the world over.&raquby independent artists the world over.»

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

This weekend also offers visitors their last chance to see «The Marvelous Museum,» an «intervention» in the art department's permanent collection galleries by Pennsylvania resident Mark Dion, an international figure in contemporary art.

2009 The Malady of Writing, MACBA, Barcelona, ES Zeno Reminder (in collaboration with Mariana Castillo Deball), Performa 09, New York, US Exhibition at Labor Gallery, Mexico, MX Planet of Signs» — curated by Guillaume Desanges at Le Plateau, Paris, FR A Fantasy for Allan Kaprow — curated by Mai Abu ElDahab and Philippe Pirrote, at CIC, Cairo, EG KAAP (the little biennale) curated by Mark Kremer, Fort Ruigenhoek, Utrecht, NL The Happy interval, Gallery Tulips & Roses, Vilnius, LT 2008 Nameless Science, curated by Henk Slager at Apex art, New York, US Fuga di un Piano (in collaboration with Mariana Castillo Deball), Manifesta 7, IT The Flight of the Dodo, Project Arts Centre, Dublin, IE Arte BA - art fair, with 713 Gallery, Buenos Aires, AR MiArt - art fair, 713 Gallery, Milan, IT 2007 Panorama de las artes visuales en Córdoba», Museo Caraffa, Cordoba, AR A for Alibi, De Appel Center for Contemporary Art, Amsterdam, NL Shelter 07, public space intervention, Hardewijk, NL Levity at The Drawing Center, New York, US 2006 Alguns Llibres D'Artista (a few artists books) Roma Publications at ProjecteSD, Barcelona, ES Longitude, part of the group show fumus fugiens at Smart project space, Amsterdam, NL 2005 A Poetics of Place, Utrecht's former county - court, Utrecht, NL 2004 Rendering, Mirta de Mare ruimte voor actuele kunst, Rotterdam, NL 2003 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL 2002 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL

He was also included in «Reverberation», curated by Andre Woodward at the Huntington Arts Center, «Object Orange» Spontaneous Interventions: Design Actions for the Common Good, U.S. Pavilion Venice Architecture Biennial, Venice, Italy; and has exhibited at the Museum of Contemporary Photography, Chicago; FELTspace, Adelaide, South Australia; Pavilion am Milchof, Berlin, Germany; Free Museum Of Dallas, Dallas, Texas; Occidental College, Los Angeles, California and numerous other galleries and institutions.

Started in October of 2009 by The Phillips Collection in Washington D.C., the initiative explores, «intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions» by commissioning a young artist to create a work inspired by a classic piece in their collection.

«CLIO ART FAIR focuses attention on the kinds of contemporary art and interventions that are being created by independent artists the world over.»

Andratx Center for Contemporary Art (CCA Andratx) presents Collaborations & Interventions a group show curated by Friederike Nymphius, on view 7 April — 23 September 2012.

The recommendations are designed to meet the challenges of contemporary civil caseloads by taking advantage of modern technologies and highly trained court staff to provide effective oversight and timely intervention to move civil cases to resolution.

Some books written on the subject include Empirically Based Play Interventions for Children, edited by Linda A. Reddy, Tara M. Files - Hall, and Charles E. Schaefer (2005); Helping Abused and Traumatized Children, by Eliana Gil (2006); and Contemporary Play Therapy: Theory, Research, and Practice, edited by Charles E. Schaefer and Heidi Gerard Kaduson (2008).

The SCERTS Model is heavily influenced by family systems theory and is consistent with family — centered intervention practices (e.g., Mahoney & Perales, 2005) as well as research on PBS as reported in the contemporary ABA literature (Fox et al., 2000).

These principles are informed by contemporary research in trauma intervention, neurodevelopment, mindfulness, mind - body approaches, positive psychology and related fields.