Sarah Cain moves beyond the traditional notion of painting within the frame by exploring abstraction and spatial
interventions in a wide range of media and found materials.
Not exact matches
Moulène's contribution to documenta X (1997) can be comprehended as a subtle but
wide -
ranging intervention: The artist supplied diverse photographs at that time, which were exhibited on billboards and
in daily newspapers, the
media that — before the flood
of digital images — dominated everyday life.
Using a
wide range of media, from painting, sculpture and installation, to interactive and digital
media he has made
interventions into arts and non arts spaces both
in the UK and internationally.