Sentences with phrase «interviews about making the film»

EXTRAS: There's an audio commentary by director / co - writer / star Don Cheadle and co-writer Steven Baigelman, a collection of interviews about making the film, and a Sundance Q&A with Cheadle and co-stars Ewan McGregor, Emayatzy Corinealdi and Keith Stanfield.

Not exact matches

In an interview about the film with National Geographic, Paul McCartney said: «It's actually quite fun when you look at what you do, what you eat, how you live, and think, «Is this what I'm going to do the rest of my life, or would it be interesting to try to make a change?»

Marsden Wagner, MD, who is interviewed in the film, makes an excellent point about childbirth saying, «It's got to be like it is when you make love with someone.

In the interview, she talks about the challenges and joys of making music for a very modern, epic film.

Additional special features include audio commentary with Ben Affleck and writer Chris Terrio, interviews with the key players in the 1979 Iran hostage crisis including President Jimmy Carter, former CIA agent Tony Mendez, and the houseguests, a featurette on recreating the era for film, a peek inside the Canadian government, a bit about how Istanbul was chosen for shooting the film, and a look back at how the CIA made Hollywood believe in a fictional film.

I could make a film about any person or organization and only interview the people that hate you or it with no inclusion of the good things a person or organization does and present it as a documentary and you know what people would believe you're entirely evil and you know why?

He gets an interview from the mayor of Moore's hometown by disingenuously telling him that he's making a film about the appeal of small town America.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

(4:55), a slight and promotional but fun making - of short, in which Tom Green playfully interviews his cast mates and crew members about the film.

Special Features High - definition digital transfer from the 2004 Film Foundation restoration, with uncompressed monaural soundtrack Archival introduction to the film by director Jean Renoir «Around the River,» a 60 - minute 2008 documentary by Arnaud Mandagaran about the making of the film Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes by Renoir

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

DVD Extras Making Of, Shane Meadows interview, illuminating commentaries involving nearly everyone involved, pretty poor deleted scenes, two text - only essays about the film's themes - very good value for money.

In an interview with Variety, Scarlett Johansson spoke about the potential of Marvel making a Black Widow standalone film, giving her own ideas of what that film could explore.

Extras include an audio commentary by director Mira Nair, interviews with the cast and crew about making the movie, deleted scenes and Nair's documentary short film, «A Fork, a Spoon and a Knight.»

We interview A Cure for Wellness star Mia Goth about her experience making the film, including the infamous «eels in the tub» scene.

Special Features Andrei Tarkovsky's short film adaptation of Ernest Hemingway's «The Killers,» made when he was a student in 1956 Interview from 2002 with writer Stuart M. Kaminsky about both films Piece from 2002 in which actor Stacy Keach reads Hemingway's short story «Screen Directors»» Playhouse radio adaptation from 1949 of the 1946 film, starring Burt Lancaster and Shelley Winters Interview from 2002 with actor Clu Gulager Audio excerpt from director Don Siegel's autobiography, «A Siegel Film,» read by actor and director Hampton Fancher Trailers PLUS: Essays by novelist Jonathan Lethem and critic Geoffrey O'Brien

If you want to learn more about The Good Dinosaur, be sure to check out our full interview with Peter Sohn and also our extensive feature on what made the movie different from the rest of Pixar's films.

Bonus extras include a new interview with actor Sid Haig recorded exclusively for this release; archive interview with producer - director Jack Hill; stills gallery; double - sided fold - out poster; reversible sleeve featuring original and newly commissioned artwork; and limited edition booklet containing behind - the - scenes information about the cast and the making of the film.

In the interview, Boyle talks about the original Trainspotting, his hesitancy to make the sequel too early, and how nostalgia influenced the film's story.

Now that The Dark Knight Rises has made its way through its theatrical run, Christopher Nolan has eased up on being so vague about the film, and has done a fascinating interview with Film Comment where he looks back on...

The film closes with some interviews with the real Doss and his commanding officer, which were pulled from a documentary made about him before he died in 2006.

There's also a brief interview with Cimber, who speculates on why his film continues to resonate with audiences and a brief archival chat with Allen Schnitzer, who repeats several of the points made during the newer featurette, and star Richard Lynch, who talks about the evolution of his craft over a 50 - year span.

There are also hours of bonus material to enjoy, including a pair of new interviews with actor Martin Sheen and writer John Milius that are loaded with anecdotes about their experiences working on the film, as well as a casting featurexte on the supporting actors that made up the PBR Street Gang.

Blu - ray Highlight: The making - of featurette, «The Film That Became a Movement,» does a great job of balancing the usual behind the scenes footage with cast and crew interviews promoting mental health awareness, while the Q&A highlights are worth watching for those who want to know more about the film's production.

The interview is packed with information on the making of the film, but as always, they were being very guarded about spoilers, so don't worry — reading this will not spoil anything that hasn't already been glimpsed in the trailers.

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

The Criterion debut of the film features a new video interviews with Ballhaus and the original featurette «Outsiders» featuring new interviews with actors Margit Carstensen, Eva Mattes, Katrin Schaake, and Hanna Schygulla, plus a new interview with film scholar Jane Shattuc about director Rainer Werner Fassbinder and the film, and the 1992 documentary Role Play: Women on Fassbinder, originally made for German TV and featuring interviews with Carstensen, Schygulla, and actors Irm Hermann and Rosel Zech.

Still, things can't simply be laid at the Academy's door, no matter how many anonymous interviews leak out with voters making incensed tirades about films like Selma.

Though George Miller has spoken many times about the follow up to Fury Road his latest interview reveals he's not going to make any more Mad Max films.

In Part 2 of our video interview, Haggis speaks with us about viewing the film as a puzzle, initially thinking Kunis was wrong for the role, why stories (not directors) should have style, whether he found the answers he was looking for in making the film, and more.

The Special Edition DVD of Fargo comes loaded with many added extras including «Minnesota Nice» - a new documentary featuring interviews with the cast and crew about the behind the scenes making of the film; Interview with the Coen Brothers; and «The Coen Brothers» Family Tree» - an interactive guide, plus much much more.

Why make a film about a television interview that took place over thirty years ago — a film, by the way, based on a STAGE PLAY that was based on the original series of 1977 interviews?

The Wocka Wocka Value Pack edition of «The Muppets» has an amusing featurette about the film with interviews of both the human actors and the Muppets, a blooper reel, some very entertaining deleted scenes (including two more cameo appearances, one of whom will make Robert Rodriguez fans proud), and all of the parody trailers that Disney released leading up to the movie's release (the «Girl with the Dragon Tattoo» one is our favorite).

In an interview with Empire Magazine's podcast, Black Panther executive producer Nate Moore talked about some of the things that didn't make the cut of the film.

«I tried to eliminate some of my aesthetic habits and obsessions,» she says in a press notes interview, «and make it a film about the complexity of experience.»

Criterion's «Director Approved» release includes the French - language documentaries Making of by Raphael Duroy (a 26 - minute portrait with Olivier Assayas, Charles Berling and Juliette Binoche) and Inventory (a 50 - minute doc about the film's unique and personal approach to art) and an original 28 - minute, English - language interview with Assayas discussing his inspirations and aspirations for the film.

At the film's press day, Collider sat down with actress Jennifer Jason Leigh to chat for this 1 - on - 1 interview about why she wanted to sign on for LBJ, how daunting it was to take on Lady Bird Johnson, the prosthetics and make - up that went into transforming her, what she enjoys about working with Rob Reiner, and the newfound respect she has for the woman that she portrayed.

We interview Blumhouse's Truth or Dare stars Lucy Hale and Tyler Posey about their experience making the film and the craziest dares they've done.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

We interview The Great Wall director Zhang Yimou about the cultural challenges he faced making the film and what he hopes audiences take away from it.

In an exclusive interview, the multi-talented RZA talked about the genesis of the project, what appealed to him about his character, how he prepared for the role, his collaboration with Delamarre on his feature directorial debut, working with Belle and the late Walker and what they brought to the film, his bold line of dialogue, what he learned about himself while making the movie, how Walker inspired him, his role in the upcoming martial arts sequel «The Protector 2» with Tony Jaa directed by Prachya Pinkaew, and his new Fox Network TV series, «Gang Related,» that premieres May 22nd.

Now I'm not sure exactly when this current interview took place, though it was clearly before the film was released, but Hamill's comments about the original end of The Force Awakens reveals a slight change in visual effects that was made to preserve Johnson's Luke Skywalker take in The Last Jedi.

At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.

We interview Colossal director Nacho Vigalondo about making his unconventional monster movie and the process of helming an American film.

· New program about the making of the film, featuring interviews with producer Sarah Green, production designer Jack Fisk, and costume designer Jacqueline West

Blu - ray Highlight: The 30 - minute documentary «Between Good and Evil» is an excellent retrospective on making the movie, featuring interviews with various cast and crew, as well as a few Kubrick experts, about everything from the casting process, to filming in East London, to the director's notoriously long shooting schedules and much more.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)