In 2010 he co-founded Art - Rated, a blog dedicated to articles and
interviews on contemporary art.
Not exact matches
New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only
interview with Walt Disney discussing the film set to an image track, the seven - minute featurette «Iconography» that explores the film's influences
on popular culture,
art, and fashion, «@DisneyAnimation: Designing Disney's First Princess» with four
contemporary animators discussing the design of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style pieces «The Fairest Facts of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»
He has contributed essays, texts,
interviews, and lectures
on contemporary art's culture and its market through various outlets.
Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «
Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des
Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long
on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19
on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art», Architectural Digest, May 1996 Dodie Kazanjian, «
On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19
On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1
on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19
on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The
Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto»,
Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton
Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice»,
art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
art magazine, May / June 1981 Ken Carpenter, «New Abstract
Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art»,
art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto»,
Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long
Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto»,
Arts Magazine, Feb. 1975 James Harithas, Notes
on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19
on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973
The essay is followed by an
interview with the artist by James Rondeau, Curator of Modern and
Contemporary Art at the
Art Institute of Chicago, where the exhibition will be
on view during the Summer of 2007.
Art Basel's official annual publication continues to capture the shows in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors and museum directo
Art Basel's official annual publication continues to capture the shows in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring
interviews, essays
on contemporary art and personal highlights from artists, curators, collectors and museum directo
art and personal highlights from artists, curators, collectors and museum directors.
Brian and Dana
interview representatives, Vincent Uribe and Lauren Leving, from The
Arts of Life
on the occasion of the Circle
Contemporary exhibition titled Community in Color, featuring artists from their studio and selections by curator, Leving...
This elegant, hardcover publication offers the widening audience of
art lovers a compilation of portfolios,
interviews and essays
on contemporary art, and lists all exhibitors participating in the three exhibitions.
By Diane Mack WWNO Listen to Susan Taylor's
interview with Diane Mack here Coming up
on Inside the
Arts, Prospect New Orleans kicks off the international
contemporary art biennial - Prospect 3 this week at venues throughout the city.
2016 Passman, Melissa,
Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art in Focus, (
interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting
on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A»,
interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine
Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew,
Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat
on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space»,
art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
art agenda.com, (web), March 28 Smith, Roberta, «
Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan»,
Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon»,
Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College
Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The
Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism):
Contemporary Impressions, catalog, City of Brea
Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fra
Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Her writing appears in Artforum,
Art in America, Bomb, CURA,
Interview, LA Weekly, and Mousse, among others, and she has written catalogue essays
on for institutions including the New Museum, Moma PS1, Kunsthall Stavanger,
Contemporary Art Museum Raleigh, and the Wattis Institute for
Contemporary Arts.
Reaching tens of thousands across the globe, web projects engage a diverse audience with videos, interactive social media projects and
interviews on various subjects relating to
contemporary art and the current state women in the
arts.
His writing
on contemporary art has appeared in
Interview magazine and in the journal Impasse, Centre d'
Art La Panera.
Timothy Hull - Included in recent group show, Painted Faces — The Mask in
Contemporary Art, at Kinkead
Contemporary - Recently exhibited new work in solo show, The Swarm of Possible Meanings Surrounding the Ancient Pyramids, at Freight + Volume -
Interviewed on Huffington Post
Purchase
on Amazon.com Since it was founded in 1976,
Art Monthly magazine has consistently published
interviews with leading
contemporary artists.
It covers everything from antiquities to
contemporary work, as well as providing in - depth discussion of the latest
art news and debates; exclusive
interviews with the world's greatest collectors and artists; expert information
on the market, authoritative guidance
on collecting, and reviews and previews of exhibitions worldwide.
In an
interview released
on YouTube by the Los Angeles Museum of
Contemporary Art, Basil remembers that, at their first meeting, Conner was dancing holding a briefcase.
She has written hundreds of articles, reviews,
interviews, essays and monographs
on contemporary and modern
art and artists and frequently reports
on international exhibitions.
She now writes
on modern and
contemporary art and conducts
interviews with artists in their studios.
As part of ACA Public, a new publishing initiative exploring the multifaceted nature of the public realm, Askeaton
Contemporary Arts have reissued Carson's original artist book of documents and letters, alongside an
interview with him and new recollections revealed by Bernie McAnaney, Carson's guardian
on that day.
This
interview was taken
on the occasion of Liversidge's first one - person museum exhibition in the United States, at the Aldrich
Contemporary Art Museum in Ridgefield, Connecticut, and his exhibition Twofold at the Sean Kelly Gallery in New York.
artspeak nyc is a
contemporary art platform focused
on New York's
art shows which are currently
on display,
interviews and studio visits.
In this video
interview, Sergei Khripun talks about the history and program of the gallery, the focus
on Russian artists, the importance of
art fairs for the gallery, the collectors, the situation of
contemporary art in Russia and ARCO Madrid.
Read our
interview to find how the role of a big museum PR is performed, what's her view
on Lisbon's
contemporary art scene and how a change of projects is yet to scare Namalimba.
2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of
Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atl
Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video»
Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings
on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take
on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atl
art films, The
Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atl
Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost,
Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atl
Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean»
on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views
on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.
In each issue you'll find features,
interviews and reviews
on gallery and museum exhibitions, theater productions, people in the
arts, classical music,
contemporary dance, ballet, opera and more.
In recent years the American
contemporary artist Alex Israel (b. 1982, Los Angeles, USA) has attracted considerable attention
on the international
art scene, for his paintings and sculptures and for his infamous
interview show As It Lays.
The New York Times
interviewed artist Nick Cave (Fiber» 89) about his next exhibition Until, a massive, immersive installation focusing
on race and gun violence to be shown at the Massachusetts Museum of
Contemporary Art.
Art21, the New York — based nonprofit best known for its documentaries about
contemporary artists, has announced three new initiatives — the organization's first - ever gala, the premiere of the ninth season of its
Art in the Twenty - First Century television series
on PBS, and the publication of a book of artist
interviews titled Being an Artist.
On the occasion of Miltos Manetas» solo show at MAXXI, Rome we
interviewed the artist to learn more about his
art and practice, mostly related to social networks, selfie, fashion and the imaginary of the
contemporary age.
Based in Beijing ever since, she has been an instrumental actor in the
contemporary Chinese scene through extensive critical writings,
interviews and exhibitions to promote and articulate
art and artists at the forefront of creative developments here — and when few others were
on the ground to witness them.
Stockman has been a passionate collector of
contemporary art since 1990 and has served on various committees at MOMA, the Metropolitan Museum of Art, the Aspen Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to choo
art since 1990 and has served
on various committees at MOMA, the Metropolitan Museum of
Art, the Aspen Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to choo
Art, the Aspen
Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to choo
Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly
interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to choose.
Marc Quinn
on artwriting (2000) Back in 2000 in
interview, Marc Quinn, the British artist known for using unusual
art materials like ice, blood and excrement, shared his thoughts about his experience with
contemporary artwriting — and the positioning of his iconic work, Self, made from nine...
She has writes regularly for
Art Monthly, Frieze,
Art - Agenda, Ibraaz, Universes in Universe — Worlds of
Art, Portal 9, Harper's Bazaar
Art and
Contemporary And, and has contributed essays to Hatje Cantz's
On One Side of the Same Water: Artistic Practice between Tirana and Tangier (Germany, 2012) and an
interview with John Akomfrah for The Right Dissonance (London, 2011) a collection of
interviews between emerging curators and artists.
TAIWANESE
CONTEMPORARY ART ARTIST INTERVIEW You may have read our recently published post on a retrospective exhibition of works by Taiwanese contemporary abstract artist Tsong Pu, which wrapped up this month at the Taipei Fine Arts Mu
CONTEMPORARY ART ARTIST
INTERVIEW You may have read our recently published post
on a retrospective exhibition of works by Taiwanese
contemporary abstract artist Tsong Pu, which wrapped up this month at the Taipei Fine Arts Mu
contemporary abstract artist Tsong Pu, which wrapped up this month at the Taipei Fine
Arts Museum (TFAM).
Monographs and publications
on his work include A People
on the Cover (Ridinghouse Press, 2015); Come Out (Ridinghouse Press, 2014); Glenn Ligon: AMERICA (Whitney Museum of American
Art, 2011); Yourself in the World: Selected Writings and
Interviews (Yale University Press, 2011); Some Changes (The Power Plant, 2005); Stranger (The Studio Museum in Harlem, 2001); Coloring: New Work by Glenn Ligon (Walker
Art Center, 2001); and Unbecoming (Institute of
Contemporary Art Philadelphia, 1998).
This publication includes an
interview with Foundland by independent curator and critic Nat Muller, expert
on contemporary art from the Middle East, editorial correspondent for Ibraaz and member of the editorial board of Broadsheet Magazine (Adelaide).
Interview with John Miller
on the occasion of his solo exhibition at the ICA / Institute of
Contemporary Art, Miami with Blouin Artinfo's Hunter Braithwaite.
We expect more coverage of all of Morgan's shows across the country soon, including an
interview from Colorado Public Radio (CPR) later this month, alongside renowned painter Daniel Sprick, reflecting
on their unique approaches to portraiture in
contemporary art.
On the occasion of this exhibition, Ms. Vancelette will conduct
interviews and a panel discussion forum investigating the term «Actionism» in
contemporary practice of
art studios today.
John Miller speaks with longtime friend and fellow California Institute of the
Arts graduate, the artist Christopher Williams
on the eve of his major survey show I Stand, I Fall, at the ICA / Institute of
Contemporary Art, Miami in
Interview.
Then, in an
interview Tuesday at the Museum of
Contemporary Art's announcement of Jeffrey Deitch as its new director, Broad unexpectedly revealed the third site: a 10 - acre parcel
on the campus of West L.A. College in Culver City.
Current Forehead and Brain, Albright - Knox
Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern
Art, New York March 18 — August 19, 2018 - Kiss the architect
on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and
Contemporary Photography, Museum of
Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her come a gang and a run, Document, Chicago Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø
Interview with Alfredo Cramerotti Text by Tom McDonough
Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV / Bio
To prepare ourselves for these upcoming exhibitions, we revist a 1989
interview excerpted from Phaidon's Speaking of
Art: Four Decades of
Art in Conversation (2010), in which British conceptual artist and critic William Furlong speaks with Ilya Kabokov
on his work The Untalented Artist and Other Characters at the Institute of
Contemporary Arts in London.
It includes
interviews with the artists, an in - depth exploration of the connections between science fiction, political and media narratives and
contemporary art, as well as a major essay
on the BBC television series Quatermass.
Formerly the managing editor of Flash
Art and a roving independent curator, Michele Robecchi has now turned his energies to editing Phaidon's extensive (and growing)
Contemporary Artist Series catalog, featuring
interviews, essays, and more
on the most important artists working today.
Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle
on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein:
On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A
Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3:
Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield:
On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the
Art Students League by Dr. Jillian Russo 282 Index 286
We published Pigeons
on the Grass, Alas:
Contemporary Curators Talk About the Field, a compendium of newly commissioned
interviews with 41 visual
arts curators.
Through provocative
interviews and riveting discussions, senior New York Times journalists explored myriad topics, from the impact of economic events
on the
arts to the outlook for galleries in the age of the mega-dealer, as well as the future of museums and the undiminished fascination with
contemporary art.
In June, the
contemporary art podcast Bad at Sports (and regular columnists
on this site) featured an
interview with artist Mark Dion.