Sentences with phrase «interviews with visual artists»
The On Art and Artists collection includes interviews with visual artists, photographers and critics.
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VDB provides experimental video art, documentaries made by artists, and interviews with visual artists and critics for a wide range of audiences.
Not exact matches
Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.
«Big Challenges in Little Manhattan: The Visual Effects of Escape from New York» looks behind - the - scenes with some interviews with Dennis Skotak, Director of Photography of Special VFX and Robert Skotak, Unit Supervisor and Matte Artist.
Extras include audio commentary by director Nicholas Meyer; text commentary by Star Trek consultants and visual artists Michael and Denise Okuda; various making - of featurettes; interviews with Shatner, Nimoy, DeForest Kelley (Dr. McCoy) and Montalban; an interactive Library Computer; and storyboards.
NEW 2K scan of the Inter-positive supervised and approved by director of photography Dean Cundey NEW 4.1 created from the original 70MM Six Track Dolby Stereo soundtrack NEW Audio Commentary with director of photography Dean Cundey NEW The Men of Outpost 31 — interviews with Keith David, Thomas Waites, Peter Maloney and more... NEW Assembling and Assimilation — an interview with editor Todd Ramsay NEW Behind the Chameleon — interviews with visual effects artists Peter Kuran and Susan Turner, special make - up effects artist Rob Burman and Brian Wade and more....
I'm also considering other artistic products and if you're a visual artist as well as a writer, then check out Art Inc by Lisa Congdon, and also this interview with Lisa about how she runs her artistic business.
In this interview with the composer for the game, Floex tells about his background as a visual artist who has found his way into the world of music for films and games.
117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
In the last two issues of SFAQ writer and curator John Held, Jr. annotated a series of interviews Paul Karlstrom did with the visual artists of the Beat Generation — our friends at Ever Gold...
Extensively illustrated with three new essays and an interview with the artist, it charts the development of Calame's singular visual language.
Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.
Artist and Poet Etel Adnan on How She Seeks Bliss Through Capturing the World's Visual Beauty In this interview with Dylan Kerr, the celebrated artist gives us the benefit of her many years of creative productArtist and Poet Etel Adnan on How She Seeks Bliss Through Capturing the World's Visual Beauty In this interview with Dylan Kerr, the celebrated artist gives us the benefit of her many years of creative productartist gives us the benefit of her many years of creative productivity.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Alongside this, a sourcebook volume contains interviews with the participating artists, compiled with the source materials and visual ephemera better suited to this two - dimensional format.
-LSB-...] is dedicated to visual arts and posts video interviews with artists, curators and gallery owners.
Featuring new scholarship by art historian Richard Shiff, the book's stunning visual elements are contextualized by such archival materials as Judd's preparatory drawings, as well as an interview with the artist conducted in 1989 by Jochen Poetter.
The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
In her new book, Play with Me: Dolls, Women and Art, journalist Grace Banks brings together profiles and interviews with over 40 artists who are united by their shared use of doll - like - forms to explore and subvert the representation of women in visual culture.
Before the opening of Wave Hill's fall exhibitions this weekend — with a reception in Glyndor Gallery at 2PM on Saturday afternoon — Danni Shen, Curatorial Fellow in Visual Arts, interviewed artist Michelle Stuart about her practice in relation to Wave Hill's new group...
Hito Steyerl: Artists Space For a wild look at what «the expanded field of cinema» might mean in the future, look no further than this brilliantly visual, powerfully political artist who uses scenes of aircraft boneyards in California, an interview with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays about information, power, the movement of capital, logarithms of the mind, and the human body.
He was ultimately able to establish himself as a visual artist with solid connections, becoming a photographer for Andy Warhol's Interview Magazine.
Presented by the Dedalus Foundation and the Richard Pousette - Dart Foundation in association with The Brooklyn Rail, this event will feature readings of poetry, letters, interviews and visual texts from leading independent artists» archives.
Also included is a foreword by Paul C. Ha (Director, List Visual Art Center); essays by Ann Reynolds and Marina Warner; a major new text by Jonas; and an interview with the artist by Ingrid Schaffner.
On occasion of the opening of the Visual Arts Centre Helga de Alvear Foundation, on the 4th of June, for the first time in Spain Hans Ulrich Obrist - co-director of Exhibitions and Programmes, and director of International Projects at the Serpentine Gallery in London - held a number of live interviews with some leading international artists whose work is included in the Centre's collection
Peppered with photos or stills from his films, each interview is a record of the artistic vision of the late 20th century and also a wonderful scrapbook and visual document of these noted artists.
Besides gathering visual documentation of LeWitt's wall drawings and his sculptures - or «structures» as he preferred - the publication also includes his complete writings; spreads from his artist's books; plus interviews and essays by virtually every artist and author closely associated with LeWitt, among them Lucy Lippard, Rosalind Krauss, Mel Bochner, Dan Graham and Robert Smithson.
Art Plural Gallery presents an interview with Pascal Dombis, a French visual artist whose unpredictable and dynamic visual forms explore the complexities of visual paradoxes through the use of «excessive» technological process.
The North Texas website is dedicated to visual arts and posts video interviews with artists, curators and gallery owners.
- Creative workshops with professional visual artists including those working in digital media, installation and performance - The range of activities are suitable for pupils from reception to Year 13 - Visits to artists» studios - Gallery visits and tours - The opportunity to explore our meadowland site and discover outdoor sculptures - Interviews with our curators, marketing and technical staff - Support for the Arts Award Scheme
Context is provided by Lucas Zwirner, who accompanied the artist throughout this period and contributed the book's essay, «A Month with Raymond» and further fleshed out by an interview with the artist by Kim Gordon, a visual artist, musician, and founding member of the post-punk experimental rock band Sonic Youth, who discovered Pettibon's work in the early 1980s in Los Angeles.
These include a visual dialogue between filmmaker Kahlil Joseph and photographer Deana Lawson; a tribute to French designer Pierre Paulin created by singular polymath Shawn Maximo (text by Julia Trotta); an interview with fashion designer Nhu Duong (by Christie Chu) accompanied by an original photo shoot by Ilya Lipkin; and more outstanding contributions by artists Darja Bajagić, Georgi & Ketuta Alexi - Meskhishvili, Korakrit Arunanondchai (text by Carol Yinghua Lu), and Julie Verhoeven (interview by Francesca Gavin).
After his very successful Urban Investigations solo show in 2015 you can read about in an interview with the artist, Hendrik Czakainski returns to Urban Spree Galerie to continue his visual narrative on urban environments.
The limited edition collection provides «researchers and jazz lovers unparalleled access into one of the most comprehensive visual records documenting the jazz era,» through two decades of live performances and nearly 100 interviews with jazz and blues artists, among many other assets.
Published concurrently with the exhibition Terence Koh: Love for Eternity at Spain's Museo de Arte Contemporáneo de Castilla y León (MUSAC), this is the artist's first substantial monograph; it includes an in - depth interview with international curator - critic Hans Ulrich Obrist and essays by Bill Arning, Curator of the MIT List Visual Arts Center, MUSAC Chief Curator Agustin Pérez Rubio and artist Cerith Wyn Evans.
His most recent shows include Telepathic Improvisation, a multi-partnered project that marks the first US solo exhibition for the collaborative duo Pauline Boudry / Renate Lorenz, which he co-curated at CAMH with Alhena Katsof; Atlas, Plural, Monumental, a 25 - year survey of sculpture, video and photography, drawing, and interactive artwork by the inimitable Paul Ramírez Jonas; A Traveling Show, in which individual artworks and the display of a decade - old visual correspondence project between Matt Keegan and Kay Rosen spoke to a long - standing friendship and shared interests in humor and language; and THE INTERVIEW: Red, Red Future — a solo exhibition of commissioned works by the artist MPA that traveled to the Whitney Museum of American Art — in which a live performance and sculptures became vehicles through which to imagine the future of the red planet and notions of colonization.
Australia About Blog Artist Profile is a quarterly journal of in - depth and exclusive interviews with contemporary visual artists.