Sentences with phrase «intimate painting in the show»

Not exact matches

Georgia O'Keeffe's letters as well as her painting art demonstrate a very personal way of perception and show her intimate relation with the wide American landscape in her art and life.

AUTOMOBILE was invited from the U.S. for the intimate gathering in London's Hospital Club, where a new production Bentayga SUV and its much - talked about 2015 Geneva auto show concept — the EXP 10 Speed 6 coupe — were displayed in a well - lit gallery along with paintings and renderings of recent work and physical presentations of materials and techniques used in the production of the company's projects.

Each portrait is the same size, and shows the sitter in the same chair against the same background, «yet Hockney's virtuoso paint handling allows their differing personalities to leap off the canvas with warmth and immediacy -LSB-...] offering an intimate snapshot of the LA art world and the people who have crossed the artist's path over the last years.»

Now, with his new show at Anton Kern, add to this rangy body of work intimate paintings of the people closest to the artist: his family, his friends, and, in a rare bout of self - portraiture, Wood himself.

Algus has earned a certain cachet mounting gently revisionist shows of left - out artists like Paul Feeley, Nicholas Krushenick, and Robert Stanley; here you see Semmel's paintings the way you might have seen them back in» 78, in an intimate space on the fringes of SoHo.

Included in the Leyden Gallery show are mostly recent smaller - scale (for Koorland) script paintings of songs and poems, made this past year or two with an intimate, note - to - self quality, with an occasional older piece, inserted, as Koorland says, for content and colour.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

Judith Linhares» oil paintings of dreamy female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.

The works in the show span the past 15 years, with a good balance between intimate paintings and large installations, well - known names, such as Jim Dine and Fred Tomaselli, and emerging artists.

This painting is one of a set of five decorative works commissioned in 1895, all of which show intimate interior scenes, Vuillard's principal subject.

Despite its half - century historical sweep, in essence «The Painting of Modern Life» felt like an intimate group show, presenting several works by each of the 22 featured painters, sequenced and hung with intelligence and restraint, never forcing the argument but letting the arrangement suggest its own rich conversation.

For her current solo show, «Into The Wind,» Kowch also made a series of small paintings that are intimate in scale but rich in detail and narrative implications.

Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.

With this latest exhibition, Stanley shows three major paintings that show his ability to extend his vision in scale, as well as a group of intimate studies that feature luscious color combinations and deft paint handling.»

The work included in this show ranges from large oil paintings on canvas to intimate round paintings on wood.

The only semi-representational painting in the retrospective, it shows her intimate involvement with the civil rights movement.

In three concurrent museum shows that feature more than a decade's worth of painting, textile, sculpture and video work, Rodney McMillian examines what happens between the sheets; in that intimate space where the sexual, potentially violent co-mingling of bodies reveals the deeper parts of the human psyche and our broader social fabriIn three concurrent museum shows that feature more than a decade's worth of painting, textile, sculpture and video work, Rodney McMillian examines what happens between the sheets; in that intimate space where the sexual, potentially violent co-mingling of bodies reveals the deeper parts of the human psyche and our broader social fabriin that intimate space where the sexual, potentially violent co-mingling of bodies reveals the deeper parts of the human psyche and our broader social fabric.

Talk: «Artist's Eye: Betty Tompkins on Marilyn Minter» at Brooklyn Museum Artist Betty Tompkins, whose graphic paintings of sexual intercourse and female genitalia have been trailblazing in the realm of feminist art, will join Marilyn Minter on the occasion of her Brooklyn Museum solo show «Marilyn Minter: Pretty / Dirty» in the gallery for an intimate discussion covering «the legacy of feminism, photorealism, and criticality,» according to the event website.

Painting Starting in the mid 1980s in an expressionist style, Emin exhibited a number of intimate small - scale watercolours (her 1998 Berlin Watercolour series) in her Turner Prize show in 1999, and also in her 1999 New York exhibition Every Part Of Me's Bleeding.

Also showing will be drawings made after paintings by Rembrandt and Veronese in the National Gallery which record her intimate familiarity with these artists.

Nathlie Provosty created for the show two paintings of intimate scale and one large corner work, each of them sharing the same interest in color, surface, forms, intimacy of material and attention to the edges that define her painting.

«This intimate show of just nine works, one - third of the known surviving paintings in this series, gave me a greater appreciation of this overshadowed artist than the many displays giving pride of place and space to Krasner's large - scale, later works that too often come off as wan wannabe Pollocks.

An intimate show of six new paintings is currently exhibited in the lobby of Bay Street Theatre through July 31.

Focusing primarily on solo presentations of artists, as in one artist per space, the show is well - curated with more than one canny juxtaposition (two personal favorites were Leigh Ledare's 16 mm film Vokzal [2016] of the public around three Moscow train stations with John Divola's elegant «Abandoned Paintings» [2007 — 8] photos, which feature recuperated discarded student paintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black sPaintings» [2007 — 8] photos, which feature recuperated discarded student paintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black spaintings in derelict domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black spaintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black subjects).

A group show that serves as paean to the untrendy organized by guest curator Laurie Nye at Big Picture Los Angeles, «intimate» drawings by Kitty Brophy at Jenny's, and the «wonderfully unruly» paintings of Daniel Crews - Chubb at Roberts Projects in Culver City.

Many of the artists represented in the show and many long represented by the gallery, including Fairfield Porter, Freilicher, Burckhardt and others, worked in a vein of representational painting that was intimate, almost awkward, diffident, yet done with knowledge and experience of the just waning movement of Abstract Expressionism.

The First Actresses: Nell Gwyn to Sarah Siddons shows large paintings of actresses in their celebrated stage roles, intimate and sensual off - stage portraits and mass - produced caricatures and prints, and explores how they contributed to the growing reputation and professional status of leading female performers.