Not exact matches
The exhibition contains original evidence, archival material,
photographic documentation, film footage, forensic instruments and specimens, and is rich with artworks offering both unsettling and
intimate responses to traumatic events.
Mario Merz also tended to work systemically with numbers, using the Fibonacci series in his
photographic documentation, «Untitled (A Real Sum is a Sum of People)» from 1971 in which he sequentially observed black - and - white photographs of people seated incrementally in the
intimate space of a restaurant, possibly in Milan.