Sentences with phrase «into ica»

Introducing the concept of strategic resource into the ICA process muddies the foreign investment waters.

The audio - visual piece, created specifically in response to Fowler's residency at the ICA, will consist of new work generated from his research into the ICA archive.

Hunter led a round - table presentation that focused on her research into the ICA archives and shared insights from her «Agnes Martin Diaries.»

The acquisition of Hidden Relief brings an important artist with Boston roots into the ICA / Boston's collection and greatly enhances the museum's holdings of large - scale works.

In addition to the 1.00 % (lower or higher) annual charge for AUM and the 5.75 % front end sales charge for getting into ICA and the 0.75 % ER and 12B1 fees, how exactly can most active funds overcome this hurdle?

Not exact matches

Interestingly, these brain regions have not been consistently classified into one component by ICA.

A previous ICA finding has combined these two systems into the same component [6] while others have separated them into separate components for the left and right hemispheres [5], [7].

Without an explicit model, ICA is able to separate time course data into a collection of independent signals, or components, with each component representing a network following a similar temporal pattern.

Bohnstedt didn't have any prior museum education experience and was impressed with how the ICA had built a community space and also incorporated technology into its exhibition creating ways to bring art into lives and explore it.

If an advisor puts them into a assets under management fee - based portfolio, they are probably going to underperform the person who just went to Edward Jones and paid the load for ICA.

I think we can agree that if a person is going to get put into a managed fund, ICA is about the best way to go.

This work significantly augments the ICA / Boston's painting collection while also building on strategies of artists such as Sherrie Levine and Cady Noland that introduce notions of the painterly, the decorative, and the use of digital circulation of images into their work.

«The more I see these women, the more I love them,» Bronstein said, before I slipped into the 2016 Turner Prize exhibition and found ICA curator Matt Williams

Part of the Institute of Contemporary Art (ICA) at the University of Pennsylvania's 50th anniversary exhibition series, and inspired by the archive of the 1980 — 81 exhibition series Street Sights, this project invited five photographers to share glimpses into their everyday lives, studio work, and travels with followers of ICA's Instagram.

«We are delighted to open the ICA and welcome the Richmond, VCU, and art world communities into the building,» said Joseph H. Seipel, interim director of the ICA.

Her vision and leadership will be invaluable as we enter into this next critical chapter of our museum's history,» said Irma Braman, Co-Chair of ICA Miami's Board of Trustees.

I primarily went to the ICA to see Democratic Intuition by the Botswana - born, New York - based painter Meleko Mokgosi, which I'll go into greater detail about in another post.

In November last year (2013) Shanghai based Chinese artist Zhang Enli immersed his audience into the luscious colours and gestural strokes of his Space Painting installation at the Institute of Contemporary Arts (ICA) in London.

This July, Anthony Campuzano will transform ICA's second floor gallery into a free form art school and working artists» studio, both free and open to the public.

Self - Portrait with Esme contributes to the ICA / Boston's strong collection of portraits of women by women, including important examples by Marlene Dumas, Alice Neel, Dana Schutz, and Lisa Yuskavage, and extends an inquiry into the subjectivity of identity by artists such as LaToya Ruby Frazier and Cindy Sherman.

A recent retrospective of this Chicago Imagist associate at the ICA Boston has generated new interest in her diagram - like paintings, which often show anonymous women struggling to get into, or out of, restrictive clothing and undergarments.

Ding, who has made several pieces involving live music including transforming a Shangai art gallery into a nightclub, said the ICA project was as much about watching the audience as the improvising bands.

«You whipped the ICA into a state of gorgeousness,» the Art Newspaper critic told Muir, unaware that the next morning would bring news of his appointment to the position that Frances Morris vacated at Tate Modern earlier this year, when she took over as director.

The show itself is spilt into two separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new Exhibition Director.

The ICA at MECA provides a unique resource to the MECA community, offering insight into the practices of the professional field and first hand experiences with renowned visiting artists.

The ICA's exhibition provides four avenues into this complex and sometimes intimidating work by dividing along a quartet of themes: «Jason Rhoades, American Artist,» «Systems,» «Jason the Mason,» and «Taboo.»

They bring rigorous global perspectives and wide - ranging institutional experience into dialogue with innovative approaches to interdisciplinary programming,» said Ellen Salpeter, ICA Miami's Director.

Artist Theater Program will be performed in ICA Miami's main second floor gallery, with Ebner's A Public Character simultaneously on view, transforming the exhibition into the performance's set.

The ICA is a unique resource for the MECA community, offering insight into the practices of the professional field and first - hand experiences with both renowned visiting artists from afield and nearby.

«It is a pleasure to welcome such talented colleagues into newly created roles here at ICA Miami.

Next year, the ICA will also stage the first British solo exhibition by Israeli artist Dor Guez, new pictures by fashion and contemporary photographer Viviane Sassen and a project by Chinese artist Zhang Ding, which will transform the ICA theatre into an installation, recreating rock concerts that had historical significance.

The exhibition will fill the ICA and reach into the city.

John Stezaker remembered having been to the exhibition, though he could recall no specific details other than a fire; when Sandy Nairne worked on it, as director of exhibitions at the ICA in the early»80s, he had to negotiate Mona Hatoum's plan to have a video camera in the lavatories live - feeding into the gallery; Pablo Bronstein spoke about it in venomous terms, having applied on every possible occasion but having never been selected.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

A much smaller show but of great interest is the archival display contextualising the seminal exhibition «Art into Society — Society into Art» at the ICA (19 January — 6 March 2016).

His one - off club night at the ICA with a DJ set by Jeffrey Hinton and the posters from BUMP club night that he organized during the RA Schools Graduate Show in June 2013 recall memories from his interventions at Southard Reid gallery, which was transformed into a Soho club for a night in the same year.

Having recently seen Nelson's labyrinths of interconnecting, squalid rooms at Matt's Gallery in London, in Venice and at London's ICA, I find that excitement dulls into boredom.

This intensive, archive - based, curatorial experiment called for artists, curators, writers, and performers to create fifty new projects and publications based on ICA's history, bringing the museum's past into an unfolding present.

Selected group shows include Lyon Biennale 2015; After Babel, Moderna Museet, Stockholm (2015); Europe, Europe, Astrup Fearnley Museet, Oslo (2014); Art Post-Internet, Ullens Center for Contemporary Art, Beijing (2014); Speculations on Anonymous Materials, Fridericianum, Kassel (2013); Image into Sculpture, Centre Pompidou, Paris (2013); and Remote Control, ICA, London (2012).

Photographs from The Buhl Collection, Solomon R. Guggenheim Museum Bilbao, Spain, Solomon R. Guggenheim Museum New York, USA, Museum Folkwang, Essen, Germany Celebrity Portraits, Robert Mapplethorpe / Andy Warhol, Sean Kelly Gallery, New York, USA Thank you for the Music, Galerie Sprüth Magers London, Simon Lee, London, England Jan Fabre, beaumontpublic + königbloc, Luxemburg Singular, Galleri S.E., Bergen, Norway La vision impura, Reina Sofía, Madrid, Spain Peter Halley / Robert Mapplethorpe, Baldwin Gallery, Aspen, USA Die verliehene Zeit, Neues Museum Weserburg, Bremen, Germany In Sight, MoCP — MoCP — Museum of Contemporary Photography, Chicago, USA Into me / Out of me, P.S. 1 MoMA — P.S. 1 Contemporary Art Center — MoMA, Long Island, USA Flutter, The Approach, London, England Corpus Christi, Kunsthalle Krems, Austria Surprise, Surprise, ICA — Institute of Contemporary Arts, London, England

Walking into Nari Ward's retrospective Sun Splashed at the ICA Boston, you are greeted with calypso music piping out of a bright yellow bodega awning that reads HAPPY SMILERS in kitschy font.

[1] He gave them coverage in Architectural Design magazine (where he was an editor from 1953 — 62), brought them to the attention of the Institute of Contemporary Arts (ICA) in London, where, in 1963, they mounted an exhibition called Living Cities, [2] and in 1964 brought them into the Taylor Woodrow Design Group, which he headed, to take on experimental projects.

2011 Becoming, Artsdepot, London Family Matters: The Family in British Art, Norwich Castle Summer Exhibition 2011, Royal Academy of Arts, London Why I Never Became a Dancer, Sammlung Goetz Collection, Haus der Kunst, Munich True Stories, Locks Gallery, Philadelphia Light Fantastic, Broadfield House Glass Museum, Dudley Dance / Draw, ICA, Boston Family Matter, Norwich Castle Museum and Art Gallery, (touring), Norwich The Art of Chess, University of the Queensland Art Museum, Brisbane Crossing Centuries: Works by Women Artists 1830 to 2000, ASC Gallery, London Naked, Jensen Gallery, Sydney Donne, Donne, Donne, Fondazione Pier Luigie Natalina Remotti, Camogli, Move: Choreographing You, K20, Dusseldorf Images From a Floating World, Fredericks & Freiser Gallery, New York Readykeulous, Invisible Exports Gallery, New York Newspeak, The Gallery of South Australia, Adelaide Royal Academicians, I - MYU Projects, Sungnam Art Centre, Seoul Text / Video / Female: Art after 60's, PKM Trinity Gallery, Seoul Watercolour, Tate Britain, London The Shape We're In (Camden), 176 Zabludowicz, London Moving Portraits, De La Warr Pavillon, Bexhill - on - Sea LUMIERE, Durham Sex Drive, Atlanta Contemporary Art Center, Pennsylvania House of the Nobleman, Zabludowicz Collection, London He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois, Frans Hals Museum │ De Hallen Haarlem Sometimes, Ciragan Palace Kempinsky Gallery, Istanbul Fertility, Akim Monet, Berlin At Work, The Government Art Collection, Whitechapel Art Gallery, London Peeping Tom, Kunsthal in Amersfort, Netherlands Paint Me A Drink, 20 Hoxton Square Projects, London Contemporary Art, Fredericks & Freiser, New York

Fiber Sculpture 1960 — present at the ICA in Boston was at first sight a perplexing hypothesis for a show but ended as a terrific counter narrative to familiar historical canons, weaving marginalized practices of «fibre art» into the context in which they were made.

A 1994 show at the ICA put her work into conversation with that of Virginia Nimarkoh and Royal Academician Tacita Dean.

Zhang Ding transforms the ICA theatre into a «mutating sound sculpture» referencing Bruce Lee's seminal film Enter the Dragon (1973).

Mergel has organized numerous exhibitions and artist projects at the ICA, including: Acting Out: Social Experiments in Video (2009), an examination of the complex dynamics of social relationships featuring works by Yael Bartana, Phil Collins, and Javier Téllez; Tara Donovan (2008 — 2009), the sculptor's first museum survey, for which Mergel served as co-curator with Nicholas Baume and coordinated the national tour; and Accumulations (2007 — 2008), an ICA Collection exhibition that considered how artists assemble discrete elements into more than the sum of their parts, with works by Paul Chan, Josiah McElheny, and Cornelia Parker, among others.

ICA Philadelphia associate curator Anthony Elms discusses texts that deal with clothing, fashion, and how we project ideas about ourselves into the world.

To watch Bock's own short movies, shown down in the ICA's concourse, entails further indignities: a climb to the top of yet another ladder, jamming your head into something that resembles a dog kennel, or sitting in an empty bathtub.

For «Enter the Dragon,» Ding transformed the ICA Theatre into a «mutating sound sculpture», covering the room with reflective surfaces, suspended sound panels and a series of rotating mirrored sculptures situated next to two music stages.