Not exact matches
That is completely possible in 10 - 20 years, but not with outdated software and commercial interests not wanting to invest their funds
into a HAL 9000 out of 2001
Space Odyssey.
Rather, we are on a spaceship hurtling
into the unknown, just like the solitary passenger in Stanley Kubrick's 2001: A
Space Odyssey after he had tried to regain control by dismantling his spaceship's computer.
The scarps directly expose bright glimpses
into vast underground ice previously detected with spectrometers on NASA's Mars
Odyssey (MRO) orbiter, with ground - penetrating radar instruments on MRO and on the European
Space Agency's Mars Express orbiter, and with observations of fresh impact craters that uncover subsurface ice.
A few hours later, the Mars
Odyssey spacecraft recorded the same solar storm ripping loose parts of the thin Martian atmosphere and flinging them
into space.
Mars
Odyssey, an orbiting craft launched in 2001, and Mars Reconnaissance Orbiter (MRO), sent
into space four years later in 2005, paved the way for Phoenix by identifying a safe landing spot from orbit.
Notoriously baffling yet oddly compelling, 2001: A
Space Odyssey essentially follows two astronauts (Keir Dullea's Dave Bowman and Gary Lockwood's Frank Poole) as they embark on a quest
into the farthest reaches of the known galaxy.
I've got family coming
into town this afternoon, and since this week's poll had three runaway winners in «2001: A
Space Odyssey,» «The Godfather» and «Pulp Fiction,» and I doubt three more hours will close the gap on the stragglers (poor «Jurassic Park»), I think it's time for a new installment.
Nearly 40 years after the discovery, filmmaker Bill Morrison has spliced the «Dawson City Collection»
into a found - footage experience akin to a Ken Burns documentary beamed through the
Space Odyssey Star Gate.
In this way, it resembles Stanley Kubrick's 2001: A
Space Odyssey, although the scope isn't so much about the beauty of space beyond our atmosphere as it is the deadliness of space if it should encroach into our
Space Odyssey, although the scope isn't so much about the beauty of
space beyond our atmosphere as it is the deadliness of space if it should encroach into our
space beyond our atmosphere as it is the deadliness of
space if it should encroach into our
space if it should encroach
into our own.
This second goal is used as a springboard to leap
into some half - baked armchair philosophizing and allusions to 2001: A
Space Odyssey and The Tree of Life, but with a lot more guns.
But while the movie starts off that way, it eventually devolves
into a metaphysical mess that's equal parts «Tree of Life,» «Limitless» and «Transcendence,» with a not - so - subtle nod to «2001: A
Space Odyssey.»
One can read anything or nothing
into the wordless last half - hour of «
Space Odyssey.»
While Garland stealthily keeps the horror hovering off - screen, ready to return at the most unnerving, anxiety - causing moment in Lena's journey, Annihilation slips
into permanently ambiguous, terminally abstract over the last, 2001: A
Space Odyssey - inspired half - hour.
You can also add 2001: A
Space Odyssey to the list of influences, with the crew squabbles with the onboard AI, as well as the more surreal elements that come
into play late in the film.
The sunrise at the beginning of «Gravity»: The calm before the storm that sets Alfonso Cuarón's
space thriller into motion is a magnificent display of how far VFX have come since Stanley Kubrick's «2001: A Space Odyssey» wowed audiences in
space thriller
into motion is a magnificent display of how far VFX have come since Stanley Kubrick's «2001: A
Space Odyssey» wowed audiences in
Space Odyssey» wowed audiences in 1968.
To put that
into perspective, in the same year, 2001: A
Space Odyssey's budget was $ 10.5 M and Planet of the Apes spent just $ 5.8 M.
After that the story turns
into a sort of blend between 2001: A
Space Odyssey, Moon and The Matrix, with a little bit of GLaDOS from Portal thrown in.
When the end credits started rolling on Alex Garland's brain - twisting «Annihilation,» the first thought that popped
into my head was: If Stanley Kubrick tried to make «2001: A
Space Odyssey» today, would a risk - averse, marketing - dependent studio have backed him?
Though the second - row seats don't fold away
into the floor, the
Odyssey's strength, like the Toyota Sienna's, is
space and storage, combined with steering precision and a smooth, reliable drivetrain.
· A new edition of the first book in Evan Currie's popular military
space opera
Odyssey series will be published in March 2012, now entitled «
Into the Black:
Odyssey One.»
The other color options (like «Lunar White» and «Human Flesh» «Sand») make some of the tablet's details pop a little bit more, but if you're
into 2001: A
Space Odyssey - style monoliths, the Indigo Black is the way to go.
Arthur C. Clarke wrote 2001: A
Space Odyssey there, too, training his telescope not into space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more than lived up to its understated description of itself as a «rest stop for rare individuals&ra
Space Odyssey there, too, training his telescope not
into space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more than lived up to its understated description of itself as a «rest stop for rare individuals&ra
space but at the apartment windows opposite... From writers such as Mark Twain, Tennessee Williams and Eugene O'Neill, through the hippies and on to the nihilist punks of the 1970s and beyond, «the Chelsea» has more than lived up to its understated description of itself as a «rest stop for rare individuals».
Together, along with a psychopathic sadist called Albedo, these characters were drawn
into a wide - ranging intergalactic conspiracy that took inspiration from 2001: A
Space Odyssey, Neon Genesis Evangelion and the writings of Friedrich Nietzsche.
Into the Far Beyond was a dance play, developed out of the after school arts program, which showcased local youth in a
space odyssey that incorporated dance, text, and sets that evoked -LSB-...]
And he saw them not solely as an
odyssey, but as a different kind of journey altogether —
into the
space of memory.