Sentences with phrase «into abstract language»

Mike Yaniro's (* 1980) Expanded PVC text panels encode information from Material Safety Data Sheets, primarily physical data relating to the material itself, into abstract language.

Not exact matches

When one consciously uses concrete language to make the abstract visible or to interpret one concrete reality into another, then one is purposefully using metaphorical language.

Garland's screenplay is equally impressive, weaving references to mythology, history, physics, and visual art into casual conversations, in ways that demonstrate that Garland understands what he's talking about while simultaneously going to the trouble to explain more abstract concepts in plain language, to entice rather than alienate casual filmgoers.

Professional development should outline strategies for integrating sophisticated, abstract vocabulary and language instruction into formal daily lessons, but also present ways to build language during informal interactions and thereby elevate overall language use in the classroom.

Great curriculum for SLIFEs explicitly teaches language, deconstructs abstract concepts into the tangible, and activates prior knowledge while being age - appropriate.

These models help translate the rubric's abstract language into more specific, concrete, and understandable terms.

Other language specific tasks are writing reviews, translating book abstracts from Russian into English, and monitoring the Russian language literary press.

An integral part of her practice translates abstract concepts into form through text, where language is woven into the work.

This overview of his life and work will be from a uniquely Lancaster perspective and explore the deeply inherent connection of his love of the land in the county and how he developed that into his own abstract language that he used for the balance of his career.

Impure, imperfect and incomplete, the version of abstraction that emerges from this global journey — from Hong Kong and Islamic regions to Canada, Australia, Europe and the United States — shows how the formal ingenuity of abstract art has been cross-fertilised, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue.

In her first solo exhibition at the gallery, Commito will show paintings that, while abstract, also look beyond their own geometric formal language to the world outside them — conveying the artist's interest in architectural space, the materiality of our everyday surroundings, and the productive process by which impressions and recollections are converted into images.

Perhaps it's something like Pensato's paintings — animal and «human» personages anthropomorphized into the barest semblances of themselves, erased (to use Pensato's own language), and re-represented, brutally, in the grammar of «high» art, with the painterly strokes and complex surfaces of abstract expressionism.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

This exhibition traces his evolution in the 1950s and 60s as he transformed the rigid language of geometric abstraction into a living language of minimal abstract form.

In Pritchard's works another intimacy of scale takes place, bending the language of abstract painting into a most personal and singular expression.

Using the language of abstract painting and the modernist grid, the pieces reflect into an illusionistic space without fully relinquishing their sense of physicality.

Combining painting, sculpture, and found objects alongside her projected images, Prouvost lures the viewer - turned - participant into an abstracted, preverbal state of consciousness from which to rediscover the joy of learning language, words, and meanings.

In his works, Lan successfully transmits traditional Chinese calligraphy's freehand strokes into the structure and expression of modern painting, resulting in an abstract language that marries the traditional and contemporary, simultaneously capturing the Chinese mind but appealing to the Western thought as well.

In a new series of abstract paintings, Schoultz distills some of his familiar stylistic elements into a more formal language with subtler allusions.

During the 1980s and 1990s, his interest in typographic forms and the rhythm of language fed into works featuring colourful abstract forms, akin to a personal alphabet.

The exhibition also presents artistic works that allow visitors to create abstract forms and structures using Apps, thereby experiencing the transformations of their own real language into a digital one.

Visual elements from the landscape, such as a branch, house, or road, are transformed into a more abstract visual language that vacillates between the recognizable, suggestive, determined and more poetic.

Andrea Rosen reintroduced Stan VanDerBeek's 1960s forays into abstract film and language.

The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate abstract forms that could still be relatable to a larger universal language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's further progression into purely abstract imagery using an evocative and highly developed lexicon.

They cut into the shape structure more to become shapes in their own right, For me they are an affirmation of non objective colour painting that looks toward a new pictorial language and one which connects abstract painting to it's history.

The lineage leads to Holly Hendry, a young artist whose unique sculptural language abstracts the body into layers of organs and dermis, akin to the sedimentary buildup of soil.

In them, the language of geometric abstract painting is re-imagined into monumental installations that tell stories about the painful realities of African American history through innovative spatial structures.

Her tangled calligraphy leaps and coils across the paper like vines, folding in associations with visual language; the disparate sensations of walking through dense vegetation and reading a scrawled manuscript are flattened into one experience, such that the idea that the two were ever separate seems like an abstract theory.

Good paintings, abstract or representational, transmute content, enfolding whatever subject at hand into its language — the more specific the painting language the more interesting the painting.

Karla Black's artistic practice is primarily driven by an exploration into the abstract qualities of materials and form, which she prioritises over language as a way of understanding our place in the world.

In many of Pendleton's related works he renders language — from «Black Lives Matter» to «victims of American democracy,» Malcolm X's oft - repeated descriptor for black people — abstract, Xeroxing and collaging them into new forms.

The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.

Roberts» works translate found, quotidian language into abstract, patterned structures, which she refers to as «illuminated manuscripts of the everyday.»

The artists in the exhibition are fluent in the language and forms of abstract expressionism, minimalism, and primitivism, and they incorporate sincerity, irony, focus, humor, skepticism, diligence and detachment into their work without considering those elements to be contradictory.

In recognition of this, Freeman, Epston and Lobovits add techniques of art and play therapy that translate the abstract ideas of narrative therapy into children's «language,»