Sentences with phrase «into choreography»

Seattle, WA About Blog Dance Beat is deeply and imaginatively into choreography and dancing, attempting to capture in words the essence of a particular work.
She sought to blur the lines between performers and non-performers, and incorporated gestures and pedestrian movements, as well as classical dance steps and theatricality into her choreography.
The exhibition consists of three works including «Playtime» (2014) functioning as the major axis to the constellation paired to «Kapital» (2013) and finally «The Leopard» (2007) that renders historic traumas into a choreography playing on the border of life and death.
Sriwhana Spong translates a diary text by ballet dancer Vaslav Nijinsky into choreography, while Nathan Gray transforms the composer Cornelius Cardew's epic graphic score Treatise into sculpture.
Sometimes I find myself gravitating too much toward existing works because I can feed them into a choreography a little more, but --
Using data captured from twitter feeds (# Egypt, #Yesallwomen & #BlackLivesMatter) during the social uprising, Chicago - based artist Erica Mott translates the rate, rhythm, emotional affect and spacialization of this feed through algorithmic analysis into choreography for 4 dancers (2 from Egypt, 2 from the US).
In this conversation with Mirjam Baitsch (Fondation Beyeler), Rebecca Davis provides us with an insight into the choreography work for performance artworks.
«Steel Fury: The Fights of 47 Ronin» looks into the choreography and action sequences.
Then we go back into the choreography we've been practicing that ends in that monster clothesline.

Not exact matches

The preparation for her role as «Wonder Woman» got her into boxing and mixed martial arts; she was working out six hours per day doing fighting choreography, horseback riding, cardio interval training, and strength training.
«To provide a continuous internet service you're talking about a complex choreography where thousands of balloons are steered and programmed in an automated fashion,» said Cassidy, adding that the system makes sure another balloon comes into range as soon as another has left.
After several years of performance, choreography and teaching dance to kids, she decided to take her love of teaching a step further and dive into the world of Pure Barre.
They have a very clever idea, they make amazing costumes, they come up with perfect choreography, and then... when they actually dance, they don't put their heart into it.
People can inspire musicians to write new songs, painters and photographers to create beautiful images, dancers to combine movements into intricate choreographies, etc..
«Using the 5D colorimetric technique, these huge datasets are transformed into a series of color - coded dynamic patterns that actually reveal the neural choreography completely,» said Kelso.
«ENCODE has revealed that most of the human genome is involved in the complex molecular choreography required for converting genetic information into living cells and organisms.»
But the best part is the crazy choreography, which features dancers hanging from the ceiling and falling into water — and an entire routine performed on exercise balls.
After we mastered the Beyoncé strut, we got right into learning the choreography to «Run the World (Girls).»
Step Moves has some really exciting choreography that mixes fun footwork, dancier moves, and intensity all packed into one.
In the final act, viewers combine what they have just learned into an authentic belly dance choreography which concludes with a freestyle belly dance.
Little work has been put into the Acapella performances in terms of singing and choreography.
And Okoye (Danai Gurira), the most awesomely badass of them all, who uses her wig as a weapon before launching into the one brief flurry of fight choreography so clean it could almost sneak into «Crouching Tiger, Hidden Dragon.»
Still, if you're expecting Black Widow - style fight choreography for Johansson, think again: After a few early gun battles and mano - à - mano moments, she pretty much Obi - Wans her enemies into submission.
I love and respect that art, as far as the action choreography and cinematic violence and practical makeup effects, so I knew this could certainly dip into horror territory.
Former special - effects supervisor Gracey directs The Greatest Showman like an extended music video, combining American Idol — style songs with brass arrangements and choreography that imitate Michael Jackson videos, all mashed into the nonsense extravagance of Baz Luhrmann's Moulin Rouge.
Stopped watching this film after 30 minutes, the fight scene was the worst choreography I've seen in a boxing film so far, Jake may have gotten into shape but he definitely didn't learn to box.
Despite having a lot of extras riding on horses and crashing into each other, (and rich cinematography) these big battles are bland with unsurprising choreography and lack of interal tension.
About the only verifiable fact in the film is the wonderfully fascinating first act which takes place at the premier of The Rite of Spring in Paris where the audience actually did go into a riot over the music and choreography.
Smartly, the filmmakers — who include screenwriters Jenny Bicks and Bill Condon (the latter directed the live - action Beauty and the Beast and Dreamgirls and wrote the film version of Chicago)-- also know how to keep a four - quadrant family musical from sinking into Chitty territory by employing devices that also will please the Broadway crowd, particularly the Bob Fosse - like opening number as well as sensational choreography throughout.
His bum's rush into the underbelly of elite corruption gives way to an abrasive working - out of pulp conventions, but while Ramsay's choreographies are brutal, the film only indulges in these punishments to match its antihero's queasy, spectral place in the waking world.
It's suffocating (I'd never considered how liberating edits were from a complete immersion into a film) and at times unbearably tense — and though some will point to the airlessness of Hitch's Rope or the fluid choreography of Alexander Sokurov's Russian Ark, The Silent House is a different beast altogether.
«Fire, Fights, Stunts» (20 mins., HD) meanwhile delves into the hows and wherefores of aerial shots and fight choreography.
The movie I, Tonya brought her back into the limelight, and Dancing with the Stars has proven that she can still handle choreography.
Actor Beau Sia didn't spare anyone in his take - down of the hard work that Asian creators put into fight choreography.
* The Cinefamily Q&A with Gareth Evans, Iko Uwais & Joe Trapanese (44 mins)-- A detailed discussion session that goes into a lot of detail of how «The Raid 2» came to be (English subtitles are also included) * Violent Ballet: Behind the Choreography (19 mins)-- A detailed featurette looking into the film's fight choreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The RaChoreography (19 mins)-- A detailed featurette looking into the film's fight choreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The Rachoreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The Raid 2».
Alas, all seemed hopeless until Rob Marshall, who had previously done choreography for The Wonderful World of Disney's productions of Rodgers & Hammerstein's Cinderella and Annie (which he also directed), came into the picture.
The Raid 2 is a recent example of the incredible stunt choreography that can make a mediocre plotline that much more amazing to sit through, and it's a shame that The Protector 2 falls back into such familiar «new school» action territory.
«I also play old and newer music videos in class to show my students how choreography has changed throughout the years, and where some styles were adapted then changed into more modern forms, like tap and break dancing.
«I'm going to be speaking to you about choreography,» he continues, before launching into his story.
Lying at the tip of Africa on a peninsula divided into valleys and bays by sheer mountain folds cascading into turquoise seas and crowned by the iconic table mountain, Cape Town's topography spreads its population across a diverse choreography of slopes and valleys, offering a wide range of holiday accommodation unique to each area.
during a song to hop right into an improved rehearsal mode and perfect your dance moves alongside a real - time dance mirror of yourself to make sure you're nailing even the trickiest choreography.
We thought it'd be a great way to incorporate our intentions for a story mode and to teach people real famous choreography by creating a time travel story mode - we can get a bit more into that later.
This conversation explores how voice, gesture, and choreography figure into these three artists» practices via a diverse range of media including video, collage, sculpture and photography.
Transcend and Transform Unconditional Love IF YOU DO N'T SCREAM, IT»S BECAUSE YOU»RE DEAD VOICE = SURVIVAL EXPANDED Towards an AIDS Archive Vignettes and Monotony Tongues Untied Archival Pleasures Almost Beautiful Enough Sorrow's Swing: Learning the Choreography of AIDS Sampling the Self Radiant Presence: Self - Portraits from the Registry RADIANT PRESENCE Viral Images David Meet David and other friends The Circle Won't Be Broken 1989 — What We Lost Secretly, Frequently (Cowboy Drag) Eyes, Lilacs & Spunk: Queer Aesthetic from Suggestion into Abstraction Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR IT FEELS LIKE LOVE BUT IT»S THE DRUGS American Noir: Into a Dark Past < body > and the notes Longing for Time No Wasted Words, No Illusions If You Didn't Laugh, You'd Cry Ciao For Peter Hujar Personal, Jesus Why Do You Insist on Flauntinto Abstraction Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR IT FEELS LIKE LOVE BUT IT»S THE DRUGS American Noir: Into a Dark Past < body > and the notes Longing for Time No Wasted Words, No Illusions If You Didn't Laugh, You'd Cry Ciao For Peter Hujar Personal, Jesus Why Do You Insist on FlauntInto a Dark Past < body > and the notes Longing for Time No Wasted Words, No Illusions If You Didn't Laugh, You'd Cry Ciao For Peter Hujar Personal, Jesus Why Do You Insist on Flaunting?
Assistant directed by Haruko Tanaka and featuring a score by Devin McNulty and Max Markowitz, choreography by Prumsodun Ok and Carol McDowell, and sculptural costumes by Curt LeMieux, the performance moves between abstract theater, comedy, and relational components that allow audiences to enter into dialogue drawn from the piece's mix of ragged humor, violence, and sexuality.
The 8 - track sound installation Voices from 1974, which can be heard for the first time as a digitally synchronized version, consists of a complex choreography of several voices and soundtracks emanating into the empty space from eight loudspeakers.
Research into Crimean Tatar choreography through an engagement with indigenous choreographers in Lviv, Ukraine expands the repertoire of this American - Ukrainian dance ensemble.
Specifically inspired by the choreography found in the historical Korean dance «Chunaengmu,» which was performed for royalty and adhered to strict codes of court etiquette, Kang explores how a space can be divided into grids defined by power and cultural customs.
Also examined is the reach of Minimalism and Conceptualism beyond the visual arts into film, choreography, music, design, and architecture.
1 PHILIPPE PARRENO (TATE MODERN, LONDON; CURATED BY ANDREA LISSONI WITH VASSILIS OIKONOMOPOULOS) Parreno has turned the Turbine Hall into a mesmerizing machine producing light, sound, cinematic effects, and choreography: Inflated fish float in the air, huge planes reminiscent of Russian Constructivism ascend and descend inscrutably in the semidarkness, and a flickering apparatus seems to send out signals that trigger reactions throughout the entire museum.
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