Their dubious discovery is only one of the ingredients folded
into this classic horror genre recipe.
It's the team's first deviation from Jane Austen - inspired adaptations and
into classic horror with Mary Shelley's Frankenstein, and so far it's pretty solid.
Not exact matches
NEW YORK (AP)-- George Romero, whose
classic «Night of the Living Dead» and other
horror films turned zombie movies
into social commentaries and who saw his flesh - devouring undead spawn countless imitators, remakes and homages, has died.
, an app that turns your daily jog
into an adrenaline - charged escape from the undead (even though all real
horror buffs know
classic zombies are shamblers; you could outrun them with some vigorous Prancercise).
«Django Unchained» blends Western,
horror, comedy and even some
classic «blaxploitation» elements
into a B - movie «Grindhouse» formula that the director clearly enjoys.
Carrie is a film adaptation of Stephen King's work, which got turned
into a cult
horror classic in 1976 and was directed by Brain De Palma.
The title, Penny Dreadful, is a reference to stories from 19th century Britain that targeted young readers who were
into all sorts of creepy shit — making the perfect title for a show set in Victorian London featuring
horror's most
classic monsters.
Starring C. Thomas Howell (Red Dawn, E.T.) and Judd Nelson (The Breakfast Club), this
horror / thriller version of the
classic Bigfoot tale «follows a group of teens that are thrust
into a nightmare beyond their wildest imaginations when the creatures begin to try and mate with the girls and kill off the guys — and no one believes them, except for Zeke Jesterson (Howell) and Sheriff Jim Taylor (Holt Boggs, Hostage), whose daughter has been kidnapped by the savage beasts.
«Get Out» injects social satire
into the slasher - flick genre; Peter Travers on why Jordan Peele's race - relations
horror film is an instant
classic.
Presented by top British music video director and
horror fan Corin Hardy (director of videos for among others, appropriately, The
Horrors and The Prodigy), we dig deep
into the vaults to bring out the
classics and unleash the newest creepy - creations.
Shutter Island, the director's first foray
into a full - on
horror flick, is an entertaining, stylish genre pastiche, soaked in
classic B - movie elements.
But when the theater suddenly catches fire and Max cuts through the projector screen in order to escape, the group is mysteriously sucked
into the cult
horror classic where they must team up with the movie's fictional characters in order to battle its machete - wielding killer.
Deahl found a way to breathe new life
into Stephen King's
classic character and the result is nothing short of
horror gold.
Last, this was a film I have been waiting for since it was announced last year and met my expectations not just for the camera work and the mansion that had an unhinged life of it's own, but for bringing
classic horror and mystery elements
into the film industry that is slowly dissipating.
Actor Bruce Campbell is reprising his role in
classic horror film franchise The Evil Dead with a new Tv series.Campbell will step back
into his role...
Unfortunately, the project landed
into the hands of Neil LaBute who — after his highly unsuccessful «rethinking» of
horror classic The Wicker Man — has helped to shape the project
into a largely entertaining B movie.
Directed by Jeff Wadlow, whose previous movies include Never Back Down, Kick - Ass 2 and the lacklustre
horror Cry Wolf, the film reinvents the
classic children's game of Truth or Dare
into an It Follows - style menace.
Middleditch will play a film geek for whom landing in a
classic horror flick is a dream come true, until it turns
into a nightmare.
As the title suggests, the action -
horror - romance - comedy mashup drops the characters from Jane Austen's
classic novel
into a world menaced by the walking dead.
Horror is hot on television right now, with networks like A&E and NBC taking
classic scary - cinema offerings like Psycho and Silence of the Lambs and converting them
into successful series.
Oscar Wilde's
classic novel is turned
into a schlock
horror movie, totally engulfed by gloomy atmosphere and over-the-top filmmaking.
While it may not quite make it
into the Gremlins strata of holiday
horror classics, its liberal use of real performers in special make - up and costumes, as well as practical effects did warm my cold heart and gave me a bit of a nostalgic glow for those films with which I grew up.
From blockbusters like Gremlins and The Terminator to grind house
classics such as Truck Turner and Little Shop of
Horrors, Dick Miller has been in everything, but that wasn't what he envisioned when he broke
into the business back in 1955.
Fear Fest 2016 kicks off on Thursday, October 13 and continues through Halloween night and on
into Tuesday morning, November 1 with a truly killer gathering of
classic horror franchises.
Whedon thinks the casting is a look
into the type of film they plan to make, «They're the first proof that though «The Cabin in the Woods» is a
classic horror film, it isn't one you've seen before.»
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action /
horror cult
classic They Live, going
into detail about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Matthew's print encapsulates both the old - school movie poster feel of
classic horror film art, while bringing some modern printing magic
into the mix.
From there, Kinski moved on to «Cat People,» Paul Schrader's 1982 remake of the 1942 Val Lewton
horror classic that, even more than 30 years after its release, remains such a singular work that it boggles the mind that a major studio would have dared to put it
into production.
Feeling at times like a faithful pastiche of
horror classics past, almost an extended episode of Dyson's former League cohorts» TV masterpiece Inside No. 9, Ghost Stories wears its inspiration on its sleeve while twisting the tried and true
into something a bit fresher and horribly fun / unpleasant to watch.
The aptly named Revenge is a brutally rewarding experience, bringing
classic horror and exploitation tropes kicking and screaming
into the 21st century.
After a series of
horror shorts, director Fede Alvarez was finally given his big break
into feature length filmmaking by being tasked with reworking the cult
classic horror Evil Dead.
It's a
classic horror story told by a master filmmaker who weaves a slow burning tale deep
into the skin of its audience.
What begins as a
classic horror film, complete with teenagers who do all the dumb, reckless, aggressive things seemingly designed just to get them stuck in the water, transforms
into an insidious character piece that strips away all pretense of humanity and lays bare the envy, resentment, spite and animosity they've been burying all this time under snarky remarks and dirty looks.
Also, they plan on turning the 1977
horror classic into a TV...
George Romero, whose
classic «Night of the Living Dead» and other
horror films turned zombie movies
into social commentaries and who saw his flesh - devouring undead spawn
George Romero, whose
classic «Night of the Living Dead» and other
horror films turned zombie movies
into social commentaries and who saw his flesh - devouring undead spawn countless imitators, remakes and homages, dies Sunday, July 16, 2017.
After forays
into auteur cinema like the magnificent TOKYO SONATA (Un certain regard Jury Prize at Cannes 2008), J -
horror pioneer Kiyoshi Kurosawa, whose
classics CURE and SÉANCE were adored at Fantasia in their day, makes a triumphant return to the
horror thriller genre with the Berlin Film Festival selected Hitchcockian
horror thriller CREEPY, which will be screened in Canadian Premiere.
Resident Evil 6 was admittedly awful and hit quite the snag when it attempted to meld
classic survival
horror and shooter mechanics
into one, and ended up panned by both the media and fans alike.
Along with Freddy Kruger and Creep Show, Fright Night was one of my first forays
into the
horror genre back in the day —
Classic 80's
horror at it's best — Love to add it to my collection.
After all that it was back
into the freezing cold, where we noble warriors of New York's critical army, charged once more by star power, steeled ourselves for another year of festival scheduling nightmares, summer superhero blight, sequels, prequels, inelegant issue - oriented documentaries and cheapo
horror pics, knowing that it was our solemn obligation to sift through this morass, uncover and celebrate the great performances and future
classic films.
Over three seasons, Farmiga has portrayed Norma's emotional unraveling as her serial - killer son Norman Bates (Freddie Highmore) slowly evolves
into the character so familiar to fans of Alfred Hitchcock «s 1960
horror classic «Psycho.»
Retaining the charm of a
classic horror game with focus on survival and exploration, White Day attempts to bring Asian
horror elements
into the mix and presents an interesting story premise that urges you to uncover its mysteries.
Extras: Making Life Difficult — The Intense and Physically Exhausting Creation of the Film, Being Mia — The Physical and Psychological Transformation
into «Evil Mia», Directing The Dead — Director Fede Alvarez re-imagines a cult
horror classic, Commentary featuring Jane Levy, Lou Taylor Pucci, Jessica Lucas, Director Fede Alvarez and Writer Rodo Sayagues, Featurette - Unleashing The Evil Force — Exploring the origins and design of the new «Book of the Dead», Featurette — Evil Dead the Reboot — Cast Rehearsals, Bruce Campbell, Deadites and more...
It is an impressive feat, as Spring often seems on the brink of flinging itself
into orbit at any minute, but the soulful and engaging turns from leads Lou Taylor Pucci and Nadia Hilker, and beautiful Italian vistas (fully taken advantage of through some gorgeous top down helicopter establishing shots) and some real confidence from Benson and Moorhead to stick to their guns makes Spring a unique and satisfying twist on both
classic romance and old school body
horror.
Mitchell effortlessly combines the slick, mounting dread of
classic John Carpenter (the score is
classic Carpenter synths updated for a chiptune generation) with the modern sensibility of character driven independent cinema to breathe new life
into stalker
horror.
One that reinvents the genre, or crosses
into the realm of «true drama,» or demands categorization as a «
horror classic.»
Arguably the biggest breakout star of the bunch in 2017, Daniel Kaluuya rose to prominence thanks to his featured role in Jordan Peele's
horror film, Get Out, which saw
classic genre tropes removed and more relevant issues like racism infused
into the unique plot line.
They take «Get Out» seriously, because Peele, having laid the groundwork for the movie in multiple sketches on Comedy Central's «Key & Peele» that pulled humor out of racism, leaned
into the
horror classics that brought Grand Guignol wit to their dark themes: «Rosemary's Baby,» «The Stepford Wives,» and «Scream.»
Peele's love for
classic horror comes through, repurposing beloved riffs and tropes
into something new and bloody terrifying.
The Woman in Black by Susan Hill (RH / Vintage; Blackstone Audio) is a
classic ghost story about a lawyer who travels to remote English village and finds the ghost of a scorned woman terrorizing the locals — and ties in
into the gothic
horror movie remake, starring Daniel Radcliffe and Janet McTeer, which opens February 3.