Sentences with phrase «into contemporary conversation»

An immersive walk through Tate Britain's museum lifts itself into the contemporary conversation with a new video in experiential, CG renderings.

It is evident in my sustained engagement with the creative work of Gertrude Stein; and it is the motivation behind my archival investigations that bring historically marginalized forms of practice into contemporary conversation.»

Not exact matches

Recasting the virtues to take into account contemporary understanding of psychological development, she enters into conversation with feminists, narrative ethicists like MacIntyre and Hauerwas, and epistemologists like Wittgenstein and Anscombe.

[25] This does not mean that such conversations and attempts are oriented merely towards the relational praxis of the churches in the contemporary context, without taking into consideration the history of the churches, and their Biblical and Patristic heritage.

Join contemporary Belgian artist Michaël Borremans in conversation with Dr. Jeffrey Grove, curator of the exhibition Michaël Borremans: As sweet as it gets, for insights into Borremans» life and work.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

In an excerpt from Phaidon's Contemporary Artist series book Hans Haacke, we revisit a 2004 conversation between the godfather of institutional critique and Molly Nesbit for insight into how artists dealt with federal de-funding of the arts during the last Republican administration, the politicizing effects of corporate sponsorship in museums, and how art can become both a tool or weapon.

In other words, Sikander's visual vocabulary seeks to put the traditions of the East into conversation with a Western - dominated contemporary art world.

This publication, produced on the occasion of Cavepainting, an artist - directed project at the Santa Monica Museum of Art, reproduces an email conversation among three painters with strong overlapping interests - Peter Doig, Chris Ofili and Laura Owens - whose voices evolve into a freewheeling yet cogent exegesis on the state of contemporary painting.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Leading art collectors who have played a key role in the history of contemporary art in Miami will share their experiences and insight into building a personal collection in a series of conversations with MOCA Executive Director and Chief Curator Bonnie Clearwater.

These eight week residencies emphasize cross-cultural exchange and authentic dialogue and conversation surrounding international contemporary art practices, which stimulate Chicago's own cultural community by infusing a range of artists and cultural producers into the city.

Contemporary art connects people to the great conversations of the day; it turns museums into «engines of thinking», developing the innovative and creative thinkers for which the UK is so admired.

Fully integrated into the Stedelijk's program at large, the Public Program presents a broad spectrum of performance, exhibition, film, music, dance, and discursive events that invite the museum's publics to join the conversation about the latest developments in contemporary art and design.

The exhibition is constructed in such a way as to conjure into Raven Row's gallery spaces, a contemporary conversation on making and thinking between then and now.

«Contemporary artists increasingly draw upon digital technologies to make their work, and it is important for us as a teaching museum to weave these works into our ongoing conversation about contemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang TeacContemporary artists increasingly draw upon digital technologies to make their work, and it is important for us as a teaching museum to weave these works into our ongoing conversation about contemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang Teaccontemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang Teaching Museum.

A conversation with the artists Angela Bulloch and Maria Zerres allows us a look into the contemporary art world taking the stage in the exciting Emirates.

Today, the museum continues this rich history with new acquisitions, special exhibitions and permanent collection installations that offer dynamic new approaches to presentation and interpretation by placing these artists into conversation with some of the most iconic and established voices in modern and contemporary art.

Dedicated to providing readers with an informed and expert view of New York's contemporary arts, our lively conversations and reporting highlight current perspectives on contemporary art and provide an insight into what artists, curators and galleries are creating and thinking about.

«EyeMinded: Living and Writing Contemporary Art» by Jones, «offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in conteContemporary Art» by Jones, «offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in contemporarycontemporary art.

Not surprisingly, most of the artists who have joined are not part of a studio complex such as the Atlanta Contemporary Art Center or the Goat Farm, where artists are likely to run into one another and strike up conversations.

It also takes into consideration the inclusion of artists from islands on the fringes of the region, or that may often be left out of the larger conversations which usually take place in relation to Caribbean contemporary art.

At least in the world of contemporary art, where Hans Ulrich Obrist or Doug Aitken turn their conversations into films or books.

fig - futures was initiated by Outset Contemporary Art Fund to develop a new collecting scheme for the acquisition of artworks into public collections and the concept formalised through conversations between Outset, Art Fund and fig - 2.

I want it for focused museums from the Amon Carter Museum of American Art to the Meadows Museum, and I want it for contemporary kunsthalles large and small, where gallery hosts would probably never run out of opportunities to turn «I don't get it» into a conversation starter, not a stopper.

JoAnne Northrup is dedicated to bringing artists who use pioneering techniques and inventive materials into the mainstream conversation about contemporary art.

By positioning a woman - of - color as primary picture - maker in whose hands the figurative tradition is refashioned, I knit my contemporary concerns, personal and painterly, into the centuries old conversation of representation.

Mr. Crosby calls the artist's inspiration an «idealized quest that feels so compromised today» at the beginning of the printed conversation, but by the end finds resolution of sorts in works by contemporary artists such as Howardena Pindell and Kerry James Marshall who echo Pippin's «desire to insert our most resolute democratic values into a conversation that only art can have.»

Being the editor of Phaidon's prestigious Contemporary Artists Series gives Michele Robecchi rare insights into the minds of those pushing the art conversation into new terrain, working with the day's major figures to create the definitive statements of their artistic careers.

Lowery Stokes Sims — co-curator of a Colescott exhibition scheduled to open at the Contemporary Arts Center in Cincinnati next year — writes in the catalogue for the Seattle exhibit that Colescott uses «satire and parody of art - historical masterpieces with the idea of interjecting black people into art history and tricking us into a conversation about what constitutes the art - historical canon.»

Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).

It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better point of entry, where one gets to know, first hand, what the work is really all about.

As always our exhibition programme will be accompanied by a rich and varied programme of live performance, events, talks, and learning programmes which will provide audiences of all ages exciting opportunities to enjoy our programme, opening up conversations and bringing the audience deeper into the thinking and making of contemporary art.

Bonnie Clearwater, chief curator and director of the Museum of Contemporary Art in North Miami, credits Kelley, in articles and conversations with other artists in Los Angeles in the early 1980s, with introducing humor into contemporary art as an aspect of Contemporary Art in North Miami, credits Kelley, in articles and conversations with other artists in Los Angeles in the early 1980s, with introducing humor into contemporary art as an aspect of contemporary art as an aspect of the sublime.

These conversations with Alonzo turned into Kindred Spirits, a series that made its debut in Varejão's solo show at Dallas Contemporary in September of 2015.