Sentences with phrase «into contemporary fiction»

Produced between 2001 and 2005, the digital photomontages of Re-take of Amrita combine images that encompass three generations and incorporate not only Sundaram's family but also the paintings, mirrors and household interiors of the period, collapsing both time and space into contemporary fictions.»

Not exact matches

From the Studio: Rooted in the classic graphic novel series, Valerian and Laureline - visionary writer / director Luc Besson advances this iconic source material into a contemporary, unique and epic science fiction saga.

Based on the best - selling French comic series «Valérian and Laureline» by Pierre Christin and Jean - Claude Mézières, published by Dargaud — visionary writer / director Luc Besson (The Fifth Element, Lucy) advances this iconic source material into a contemporary, unique and epic science fiction saga produced by Virginie Besson - Silla.

Erik is looking for the following: literary / upmarket fiction with an emphasis on plot (as in, nothing too slow / quiet / static); popular and academic / trade science nonfiction, especially evolutionary biology; narrative history and biography; contemporary culture criticism (think Klosterman); sports books, if it's got a scope that extends past just games and players and into culture / larger issues.

This group is dedicated to an appreciation of important works of literature, both classic and contemporary... that happen to fall into the category of Dark Fiction.

If your book falls into one of the larger categories like crime fiction or contemporary romance, for example, you're looking at many hundreds of dollars.

Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

A wide - ranging survey exhibition, it brings together contemporary artists from across the Americas who have tapped into science fiction's capacity to imagine new realities, both utopian and dystopian.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

The project, presenting hundreds of books that have never been borrowed from the Center for Fiction's library, calls into question what subjects in any contemporary moment have «currency» or desirability, and brings attention to topics and stories that have been temporarily overlooked but that could have their relevance restored in the future.

«Her critical insights into contemporary culture, examining histories of science fiction, feminism, and the global socio - political condition, feel more urgent now than ever.»

Aggressively absurd, trashing contemporary artistic niceties but resonant with intense symbolism, THE BEARD PICTURES turn history into a mad parade, their mood shape - shifting between that of science fiction, lucid dreaming and Victorian caricature.

Selected recent solo exhibitions include: Para / Fictions, Witte de With Center for Contemporary Art, Rotterdam NL (upcoming 2017); AND SHE WILL SAY: HI HER, AILLEURS, TO HIGHER GROUNDS..., Kunstmuseum Luzern CH; GDM - Grandad Visitor Center, Pirelli Hangar Bicocca, Milan IT; ALL BEHIND, WE»LL GO DEEPER, DEEP DOWN AND SHE WILL SAY:, MMK, Frankfurt DE; DROPPED HERE AND THEN, TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013).

Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).

The Contemporary Art Gallery presents Medium - Based Time by Berlin - based Canadian artist Jeremy Shaw, featuring a black and white 16 mm film of transgender voguer Leiomy Maldonado, an HD video installation that reworks archival ethnographic film into a dystopian science fiction narrative,

Group exhbition «Ficções» [«Fictions»] dives into the narrative universe of some of the most remarkable contemporary artists in Brazil, using as starting point the book of the same name Argentinian writer Jorge Luis Borges.

In his recent book - length essay The Great Derangement, the Indian novelist Amitav Ghosh wonders why global warming and natural disaster haven't become major subjects of contemporary fiction — why we don't seem able to imagine climate catastrophe, and why we haven't yet had a spate of novels in the genre he basically imagines into half - existence and names «the environmental uncanny.»