Not exact matches
The moment where Sergio Leone, anonymous
costume drama hack turned
into Sergio Leone, keen stylist and poet of cruelty.
He jokingly terms his first journey
into this world «the Trainspotting version of the English
costume drama»; in which case this could be his Sunshine - more ambitious, more complex but perhaps a little muddied.
And sure enough, what begins as a clarion call settles
into a somewhat familiar period
costume drama spiced up now and again with racy sequences nonetheless sobered by the memory of the delirious hedonism of that opening, wherein we get Dracula's backstory as a hero of a holy war, repulsing Muslim invaders in Romania, turning to blasphemy when the vengeful Turks fool his wife Elisabeta (Winona Ryder)
into believing that her beloved has died on the battlefield, and gleefully chewing artificial scenery with toothy relish.
Upon entering I thought that I could very well be walking
into yet another
costume drama that takes no time whatsoever to work on an able story (i.e. Valmont), but instead I was treated to a beautifully layered film that is probably the second best I've seen so far this year.
Matthias Schoenaerts has not been unduly stretched since his previous detached lead role in Alan Rickman's recent
costume drama, A Little Chaos, and again appears reluctant to navigate his character beyond specific emotional boundaries, but does inject just enough pathos
into Gabriel Oak to consider him a plausible suitor for the headstrong but fragile Bathsheba.
A
costume drama starring Song Kang - ho from The Attorney as the face reader himself, its protagonist's fate and that of everyone around him is sealed when he gets drawn
into the intrigues of the Joseon Dynasty court.
It transforms stuffy
costume drama into strange situationist comedy while delicately knocking an icon of history from his vaunted pedestal.
Vampire movies can sink
into self - serious moochiness — or, worse, stilted
costume drama.
«Turns the heartbreak and bloodshed of Indian partition in 1947
into a lush
costume drama full of political intrigue and melodramatic romance in this not - entirely successful mix of Bollywood and Merchant - Ivory conventions» — KT
Aufort, whose credits include the richly emotional
costume drama «A Royal Affair» (alongside Gabriel Yared) and the murderously sensual genetic creation of «Splice» is clearly someone who can get
into a womens» emotional skin, especially when given a journey of personal discovery.
While Russell largely fails to make dramatic connections and bring us
into the inner world of his characters» conflicted desires, he succeeds mightily in making a film of often breathtaking beauty that balances the conventions of the British
costume drama with his experimental proclivities.
Recommended if you enjoy moody or Gothic
costume dramas; but be warned, this one includes horror movie elements and delves
into sinister places.
I'm sure there's a small cadre of super-hardcore math majors
into intricate medieval
costume drama and puzzling out the mysteries of Generation of Chaos, but I'm not one of them.Rating: 0.5 out of 10