Sentences with phrase «into creative dialogue»

Not exact matches

The Pentecostal teachings have been more easily translated into other contexts, as the rise of the charismatic movement indicates, and the most creative Pentecostal theology is taking place in that dialogue.

Maybe we who want to embody agape as «creative goodwill» are being called back into action, not this time to man the barricades or even to carry picket signs, but rather to initiate fresh forms of dialogue in parent - teacher - student organizations and town councils.

Without a creative dialogue between the three components of any constructive theology, it is easy to fall into bondage to contemporary needs and concerns.

«The Influentials» is both an investigation into the creative lineage between contemporary artists and a dialogue between mentors and mentees that crosses generations, gender and media.

Impure, imperfect and incomplete, the version of abstraction that emerges from this global journey — from Hong Kong and Islamic regions to Canada, Australia, Europe and the United States — shows how the formal ingenuity of abstract art has been cross-fertilised, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue.

Each program - talks, screenings, workshops, performances, outdoor projections, and more - stimulates the community with new ideas, fosters dialogue, provides a window into artists» creative processes, and connects audiences with the highest caliber contemporary art.

Night was an artistic frontier and the making of images at night implied a certain creative seriousness that helped bring photographers into dialogue with the larger art world during these decades.

Mutually inspired by one another, these unique works will be shown in dialogue, playing upon and delving deeper into the creative realms of each others artwork.

This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).

Creative Time seeks to convert the power of artists» ideas into works that inspire social change and stimulate public dialogue on timely issues, while initiating a dynamic conversation among artists, sites, and audiences.

Known for her elegant filmic investigations into visual gestalts, voyeurism, and perceptual memory, as well as her creative engagement with cinematic history, Rosalind Nashashibi presents several of her experimental 16 - mm productions from the past four years, including Bachelor Machines Part 2 (2007), which borrows footage and dialogue from Alexander Kluge's 1968 film Artists Under the Big Top: Perplexed; and The Prisoner (2008), a nod to Chantal Akerman's 2000 film La Captive.

Individually, these candid, informal talks offer insight into the careers and creative processes of some of the most pioneering artists of our time, and collectively, they form a continuous dialogue on art over the last five decades.

This two - day short, rural and urban expedition around Swansea brought emerging art and design students into dialogue with scientists and leading scientific research in order to stimulate a creative response.

In present - day culture, where it no longer makes sense to seek inspiration in nature from a distance, Naturalment reveals itself as a thesis on creative awareness of the natural environment, an experiment that, like an expression of street art, takes meaning from, enters into dialogue with and interacts with an urban environment.