Sentences with phrase «into displays in my home»

I also love that they are a piece of history; an architectural salvage piece to incorporate into displays in my home.

Not exact matches

Southampton come into the game in decent form, sitting comfortably in the top half of the table and will want to put on a good display at home having played their last...

Fraizer Campbell, a player who has only featured in a handful of games for Sunderland this season, scored a brace against Barrow whilst playing the role of assistant in Sunderland's third, so perhaps his classy display will put him into Steve Bruce's starting equation ahead of their home fixture with Bolton in a game Sunderland have to win to banish their poor run of league form.

Saturday's home meeting with newly promoted Blackpool, who have so far refused to allow their bubble to be popped, has now become a must win affair for Birmingham, who find themselves tittering above the relegation zone and firmly in the knowledge that another toothless display would almost definitely see them drop into the bottom three for the first time in well over twelve months.

-- Beach comb for shells to turn into necklaces or display at home — Make pebble faces — Take a rake and make shapes in the sand — Build dens in the woods — Whittle a spoon

October 26: Get ready for Halloween with a bit of After - School Pumpkin Carving — take home a jack - o - lantern, enter it into the Pumpkins in the Park Contest, or display it on the pumpkin - lit Nocturnal Trail (Walpole)

In her letter the shadow home secretary highlighted some of the powers that could be used to stop a person coming into the country where they have displayed «unacceptable behaviour».

It's not something I would personally display in my home as I'm not into that sort of look and certainly not fake but I saw the potential and what it would become so I purchased a couple of really long vines of faux boxwood and silently felt very pleased with my find.

There are moments of personal magic (the boy «talks» with his sailor father as he passes their Cliffside home using signal lamps), natural magic (schools of fish become literal waves curling upon the shore in the search for the missing Ponyo) and imaginative magic (Ponyo turns a toy boat into a watercraft sized just right for a couple of kids), but the film's real magic is in the generosity and love on display from humans and spirits alike.

Brake pad wear sensors, Electric engine and trunk lid release, Multi function display, On board computer, Outside temperature gauge, Variable power assisted steering, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending rear spoiler, Body colour bumpers, Body colour door handles, Body colour electric / heated door mirrors, Coming home function, Electric heated rear glass window, Electric windows one touch open / close, Electrical soft - top actuation with comfort window lowering and closing of side windows, Front air dam with integrated air inlets, Front fog lights, Green tinted glass, Heated washer nozzles,Under - carriage cover, Water repellent side windows, Windscreen with grey top tint, Active carbon filter, Coat hook integrated into back seat, Continuously variable dimming interior light, Electrically adjustable backrest, Footwell illumination, Front centre console storage box, Front headrests, Front passenger seat isofix location point, Height / reach adjust steering wheel, Integrated double cupholders, Interior orientation lighting, Interior roof lining, Leather covered handbrake / gearlever / door pulls, Lockable glovebox, Luggage compartment lid front and rear in aluminium, Rear centre console + storage compartment, Sports pedals, Storage compartments in doors, Sunvisors with illuminated vanity mirrors, 3 point automatic seatbelts,Anti - lock Brake System + ABD,Anti - slip regulation, Driver and passenger airbags, Front seatbelt pretensioners + load limiters, Head airbags, Motor Slip Regulation - Engine Drag Torque Control, Passenger airbag deactivate switch, Side (thorax) airbags, Alarm, Locking wheel bolts, Remote control central locking, Transponder engine immobiliser, Porsche stability management (PSM), Tyre repair kit; including sealant foam

Electric engine and trunk lid release, Multi function display, On board computer, Variable PAS, 4 speakers, Porsche CDR - 24 CD / radio, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending split rear spoiler, Body colour bumpers, Body colour electric / heated door mirrors, Chrome plated stainless steel tailpipes, Coming home function, Door entry guards in stainless steel, Dual tailpipe, Electric windows one touch open / close, Front fog light / position light, Green tinted heat insulating glass, Heated washer nozzles, High level LED brake light, Solid paint, Windscreen with grey top tint, Alcantara handbrake / gearshift, Alcantara roof lining, Alcantara steering wheel rim, gear lever and handbrake grip, Coat hook integrated into back seat, Continuously variable dimming interior light, Cup holders, Door entry guards with Cayman S logo, Electrically adjustable backrest, Floor mats in interior colour, Footwell illumination, Front door storage bins, Height / reach adjust steering wheel, Integrated head restraints, Interior orientation lighting, ISOFIX child seat preparation + airbag deactivation, Leather finish on door handles, Leather interior in standard colour, Lockable glovebox, Luggage retainer on engine cover, Porsche crest embossed in headrests, Sports look pedals with rubber insert / stainless steel frame, Storage compartments in front section of centre console, Storage pockets in backrests of front seats, Sunvisors with illuminated vanity mirrors, Interior design package (in matching exterior paint colour)- Cayman, 3 point automatic seatbelts, ABS+ABD, ASR, Driver / Front Passenger airbags, Motor Slip Regulation - Engine Drag Torque Control, Passive occupant restraint system, POSIP for driver and passenger, Red painted brake calipers, Seatbelt pretensioners with load limiters, Side (thorax) airbags, Alarm system with interior protection, Remote control central locking, Transponder engine immobiliser, Porsche Active Suspension Management, Porsche stability management (PSM), Black instrument dials, Numbered plaque on glovebox lid, Rear centre console painted black, 19» Turbo alloy wheels, Sealing compound and compressor kit

Radio: AM / FM / CD Lexus Display Audio - inc: 8 speakers, Bluetooth audio streaming from compatible devices and hands free, full digital power amplifier (class D), integrated SiriusXM Satellite Radio receiver (90 - day All - Access trial subscription included), USB / iPod control, home screen can be divided into 1 - 3 sections (customizable - HVAC, audio, navigation), 7» screen, 3D maps, 3D buildings, my traffic routes, speed limit display on road travelled, ETA calculation improved, traffic detour preview, predictive traffic, MID data sharing, voice recognition, one - shot address entry, steering wheel control of onboard / offboard voice recognition, voice recognition guidance level, hint screens, Cache Radio w / ability to pause live AM / FM / HD Radio, hybrid data service, traffic and weather data provided via HD Radio (free while in HD Radio range), basic traffic maps, weather forecast and Siri Eyes Free mode (iPhone 4S, iPhone 5 / 5Display Audio - inc: 8 speakers, Bluetooth audio streaming from compatible devices and hands free, full digital power amplifier (class D), integrated SiriusXM Satellite Radio receiver (90 - day All - Access trial subscription included), USB / iPod control, home screen can be divided into 1 - 3 sections (customizable - HVAC, audio, navigation), 7» screen, 3D maps, 3D buildings, my traffic routes, speed limit display on road travelled, ETA calculation improved, traffic detour preview, predictive traffic, MID data sharing, voice recognition, one - shot address entry, steering wheel control of onboard / offboard voice recognition, voice recognition guidance level, hint screens, Cache Radio w / ability to pause live AM / FM / HD Radio, hybrid data service, traffic and weather data provided via HD Radio (free while in HD Radio range), basic traffic maps, weather forecast and Siri Eyes Free mode (iPhone 4S, iPhone 5 / 5display on road travelled, ETA calculation improved, traffic detour preview, predictive traffic, MID data sharing, voice recognition, one - shot address entry, steering wheel control of onboard / offboard voice recognition, voice recognition guidance level, hint screens, Cache Radio w / ability to pause live AM / FM / HD Radio, hybrid data service, traffic and weather data provided via HD Radio (free while in HD Radio range), basic traffic maps, weather forecast and Siri Eyes Free mode (iPhone 4S, iPhone 5 / 5C / 5S)

It's broken up into four quadrants, each of which can be drilled - down for further information or to change settings, but it's very easy to back out and the screen on its home page displays all the information you're likely to need at any given time, other than trip computer data, which appears in a display located between the major dials in the instrument binnacle.

Electric engine and trunk lid release, Multi function display, On board computer, Variable PAS, 4 speakers, Porsche CDR - 24 CD / radio, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending split rear spoiler, Body colour bumpers, Body colour electric / heated door mirrors, Coming home function, Dual tailpipe, Electric windows one touch open / close, Front fog light / position light, Green tinted heat insulating glass, Heated washer nozzles, High level LED brake light, Windscreen with grey top tint, Coat hook integrated into back seat, Continuously variable dimming interior light, Cup holders, Door entry guards with Cayman S logo, Electrically adjustable backrest, Footwell illumination, Front door storage bins, Height / reach adjust steering wheel, Integrated head restraints, Interior orientation lighting, ISOFIX child seat preparation + airbag deactivation, Leather finish on door handles, Lockable glovebox, Luggage retainer on engine cover, Sports look pedals with rubber insert / stainless steel frame, Storage compartments in front section of centre console, Storage pockets in backrests of front seats, Sunvisors with illuminated vanity mirrors, 3 point automatic seatbelts, ABS+ABD, ASR, Driver / Front Passenger airbags, Motor Slip Regulation - Engine Drag Torque Control, Passive occupant restraint system, POSIP for driver and passenger, Red painted brake calipers, Seatbelt pretensioners with load limiters, Side (thorax) airbags, Alarm system with interior protection, Remote control central locking, Transponder engine immobiliser, Porsche stability management (PSM), Sealing compound and compressor kit

Multimedia entertainment in the all - new Genesis has been improved with a high definition LCD display in a vehicle --- bringing home - style image quality into the car.

When you pop the kickstand out, you'll be prompted to choose between the regular home screen displayed in landscape mode and a «widget clock» interface that turns the phone into a combination desk clock and weather station.

For instance, long - pressing on a title on the Home screen displays a thumbnail of the cover and a menu of options, including sorting that book into a collection, jumping to a specific spot in the book, reading a book description, and viewing notes.

The Galaxy Tab 3 10.1 clearly wants you to use it in landscape mode; its speakers are embedded into the side edges; the Samsung logo and front - facing camera are centered above the display; and a slightly raised home button is flanked by two soft navigation buttons, centered beneath the display.

In fact, I can think of worse things than recommending one of these products to a family that enjoys browsing the store's live animal displays, but is dead - set against bringing a furry addition into their home.

You will not, and will not allow or authorize others to, use the Services, the Sites or any Materials therein to take any actions that: (i) infringe on PetSmart Charities» or any third party's copyright, patent, trademark, trade secret or other intellectual or proprietary rights, or rights of publicity or privacy; (ii) violate any applicable law, statute, ordinance or regulation (including those regarding export control); (iii) are defamatory, trade libelous, threatening, harassing, invasive of privacy, stalking, harassment, abusive, tortuous, hateful, constitute discrimination based on race, religion, ethnicity, gender, sex, disability or other protected grounds, or are pornographic or obscene; (iv) interfere with or disrupt any services or equipment with the intent of causing an excessive or disproportionate load on PetSmart Charities or its licensors or suppliers» infrastructure; (v) involve knowingly distributing viruses, Trojan horses, worms, or other similar harmful or deleterious programming routines; (vi) involve the preparation and / or distribution of «junk mail», «spam», «chain letters», «pyramid schemes» or other deceptive online marketing practices, or any unsolicited bulk email or unsolicited commercial email or otherwise in a manner that violate any applicable «anti-spam» legislation, including that commonly referred to as «CASL»; (vii) would be or encourage conduct that could constitute a criminal offense, give rise to civil liability or otherwise violate any applicable local, state, national or international laws or regulations; (viii) involve the unauthorized entry to any machine accessible via the Services or interference with the Sites or any servers or networks connected to the Sites or disobey any requirements, procedures, policies or regulations of networks connected to the Sites, or attempt to breach the security of or disrupt Internet communications on the Sites (including without limitation accessing data to which you are not the intended recipient or logging into a server or account for which you are not expressly authorized); (ix) impersonate any person or entity, including, without limitation, one of PetSmart Charities» or another party's officers or employees, or falsely state or otherwise misrepresent your affiliation with a person or entity; (x) forge headers or otherwise manipulate identifiers in order to disguise the origin of any information transmitted through the Sites; (xi) collect or store personal data about other account users or attempt to gain access to other account users» accounts or otherwise mine information about other account users or the Sites, or interfere with any other user's ability to access or use the Sites; (xii) execute any form of network monitoring or run a network analyzer or packet sniffer or other technology to intercept, decode, mine or display any packets used to communicate between the Sites» servers or any data not intended for you; (xiii) attempt to circumvent authentication or security of any content, host, network or account («cracking») on or from the Sites; or (xiv) in PetSmart Charities» sole discretion, are contrary to PetSmart Charities» public image, goodwill, reputation or mission, or otherwise not in furtherance of our Vision of a lifelong, loving home for every pet.

If you are looking to meet rescue animals from all over the Bay Area and maybe bring a new pet into your home, check out the Bay Area Pet Fair at the Alameda County Fair Grounds in Pleasanton on Saturday and Sunday, from 10 a.m. to 5 p.m. Cat Town will have a special display featuring a miniature version of our innovative, free - roaming adoption space.

We have also learned that many of the behavioral cases we take on simply do not display the worrisome behaviors they were exhibiting in a shelter environment once they get settled into a foster home — sometimes it only takes a matter of hours.

- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

In April, the Modern Institute (themoderninstitute.com) moved into a new home on Osborne Street and is pursuing a programme of challenging shows — currently on display is the fruit of a collaboration between sculptors Urs Fischer and Georg Herold, clay figures shown alongside the life models they depict.

In contrast to the world of the emperor on display in this fall's Forbidden City: Imperial Treasures from the Palace Museum, Beijing, this hands - on exhibition will provide a glimpse into the home of a merchant - class family who lived in the 18th centurIn contrast to the world of the emperor on display in this fall's Forbidden City: Imperial Treasures from the Palace Museum, Beijing, this hands - on exhibition will provide a glimpse into the home of a merchant - class family who lived in the 18th centurin this fall's Forbidden City: Imperial Treasures from the Palace Museum, Beijing, this hands - on exhibition will provide a glimpse into the home of a merchant - class family who lived in the 18th centurin the 18th century.

In the first of what is likely to be many more settlements because New York State is engaged in a long - term investigation into what appears to be the abuse of resale certificates for art that is held or displayed in a collector / dealer's homIn the first of what is likely to be many more settlements because New York State is engaged in a long - term investigation into what appears to be the abuse of resale certificates for art that is held or displayed in a collector / dealer's homin a long - term investigation into what appears to be the abuse of resale certificates for art that is held or displayed in a collector / dealer's homin a collector / dealer's home.

In home console play, the Switch's 6.3 - inch display slides into the included dock, taking up a sliver of space on your entertainment center.

The phone is rumored to ditch its iconic home button in favor of a nearly edgeless display that would integrate Touch ID right into the screen.

A teaser image which Samsung has added into their email invites for the press conference displays the outline of a device and by the looks of it the image is depicting a view of it from the top edge looking down to the bottom edge, as there appears to be a home button worked in.

There is no physical home button on the new devices, with built - in pressure sensitive controls placed into the lower section of the curved displays instead, while the fingerprint sensor has moved to the rear of the devices on the right of the camera lens.

Other bells and whistles thrown into this 2 - in - 1 include a microphone / headphone combo jack, two USB 3.0 ports, one USB 3.0 Type - C port, one micro-HDMI port for outputting the Windows 10 Home desktop to an external display, one SD card reader, two 1.6 - watt speakers, digital array microphones, and a 1.2 MP HD webcam.

Focalcrest, a Chinese company focusing on intelligent hardware solutions, today debuted a new HomeKit hub that promises to bring HomeKit connectivity to various connected home products that would not otherwise be able to interface with Apple's smart home platform.The Mixtile Hub, which is MFi certified by Apple, is designed to connect to ZigBee and Z - Wave products and interface with HomeKit, allowing them to be controlled in via Siri and with Apple's Home app.The hub plugs into a television set, which is used as a display to allow users to discover smart devices located in the hhome products that would not otherwise be able to interface with Apple's smart home platform.The Mixtile Hub, which is MFi certified by Apple, is designed to connect to ZigBee and Z - Wave products and interface with HomeKit, allowing them to be controlled in via Siri and with Apple's Home app.The hub plugs into a television set, which is used as a display to allow users to discover smart devices located in the hhome platform.The Mixtile Hub, which is MFi certified by Apple, is designed to connect to ZigBee and Z - Wave products and interface with HomeKit, allowing them to be controlled in via Siri and with Apple's Home app.The hub plugs into a television set, which is used as a display to allow users to discover smart devices located in the hHome app.The hub plugs into a television set, which is used as a display to allow users to discover smart devices located in the homehome.

The button serves only a few different functions which is to either bring up the display or put it to into theater mode, or to kick you back to the home screen if you're in an app, and you can also press and hold down on it to open up your list of installed apps.

Hardware navigation keys and home button / fingerprint scanner are nowhere in sight, further appearing to confirm the smartphone will feature on - screen «3D Touch - like» buttons and a fingerprint scanner that will be embedded directly into the curved Super AMOLED display.

In fact, the source also notes that the curved edge - to - edge display unit could be another option added to the standard iPhone 8, but both handsets should come with the Home button some integrated into the display.

It features a 4.5 - inch 720p display compared to the Galaxy S5's 5.1 - inch 1080p display and also includes some of its best features like a built - in heart rate sensor below its 8 - megapixel rear camera and a fingerprint scanner that has been embedded into its home button to allow users to unlock the smartphone and authorize PayPal purchases.

The handset will also ditch the physical home button in favor of a virtual one, with the fingerprint sensor potentially baked into the display.

The report does not mention anything about the iPhone 8's rumored features that we keep seeing in reports — glass design, wireless charging, and home button functions (including Touch ID sensor) that are incorporated into the display.

Fingerprint sensors are pretty common in phones these days, whether they be inserted into a front - facing home button below the display or on the back of the device, both of which are pretty common locations for them to be.

In homes without children, many factors will be taken into account, including who will stay in the animal's current residence, who purchased the animal, who pays for most of its needs and, most importantly, who displays the greatest emotional attachment to the animaIn homes without children, many factors will be taken into account, including who will stay in the animal's current residence, who purchased the animal, who pays for most of its needs and, most importantly, who displays the greatest emotional attachment to the animain the animal's current residence, who purchased the animal, who pays for most of its needs and, most importantly, who displays the greatest emotional attachment to the animal.

For example, flexible displays built into kitchen appliances will be able to tell home owners the proper temperature to cook an item at or even whether something has spoiled in the refrigerator.

- I loved it and wanted to do it in my dining room (I'm remodeling my kitchen and extending my kitchen into the dining room - but I wanted to keep it polished / dressy looking), home depot's display room was perfect, but my husband immediately nixed the idea saying the stone would be «too exspensive».

It's not something I would personally display in my home as I'm not into that sort of look and certainly not fake but I saw the potential and what it would become so I purchased a couple of really long vines of faux boxwood and silently felt very pleased with my find.

I have taken some rally nice pictures last fall that I wanted to display in my home to bring fall into the house.