Sentences with phrase «into esthetic»
«an intense, overpoweringly completist view into the esthetic and philosophical fascinations of its maker.»
https://ago.ca/
Gunpowder, grass, jasmine, pine, pollution, and patchouli are some of the odors wafting around galleries, museums, and studios these days as artists incorporate scent into the esthetic experience.
The individuality of enjoyment in the momentarily dominant occasion is a shaping of the various activities of a mental environment into an esthetic pattern.
Not exact matches
In a tribute to Pacific Northwest environmental esthetics, the old department - store escalator has been turned into a wood - paneled tree trunk, with blue and green colour schemes overhead and earth tones down below.
By the purity of an esthetic object one could mean its ideality, in the sense that no alien elements intrude into it, or one could mean its sincerity, in the sense that it reveals but one purpose.
Esthetic unity is the organization of different parts into a single whole.
They can replicate and absorb into their own esthetic what he already brought into this world, but they can not foresee the new directions in which he would have taken his work with more time.
Even in the few months that I've had the pleasure of working with Kim her designs and esthetics are changing, and it's been so fun to watch her clothing evolve into what I consider more modern kid and less «ruffles».
We can modify both mechanical and esthetic aspects of your car to transform it into the unique right you've always wanted to own.
When a user's clients and affiliates visit the site, they will be impressed with the esthetic appeal and state of the art technology that has been invested into TurboDispute.
«Yet Krasner, through her studies with Hans Hofmann, her interest in Matisse and other modernists who could not be assimilated into the social art movement, and her acquaintance with Gorky and de Kooning, was already launched on a more independent artistic course, and it was largely through her that Pollock was first drawn into the orbit of the modernist esthetic.
Either way, he and Francis Alÿs turn relational esthetics into toy stores, ego trips, and «slacker art.»
Works like these, under the slippery label of relational esthetics, turn acts of generosity into a theme park, with the artist the main attraction.
Other work feels dragged into relational esthetics against its will, like text art by Lawrence Weiner.
There is the danger of any agglomeration of stuff tipping over into what Saltz called «clusterfuck esthetics» — «the practice of mounting sprawling, often infinitely organized, jam - packed carnivalesque installations,» which, he wrote in 2005, «is making more and more galleries and museums feel like department stores, junkyards, and disaster films.»
Although Greenberg did not wrestle into submission the elusive concept of taste — the word has too many contradictory meanings in his writings — he did not shy away from esthetic judgments, dismissing Pop art as «academic» and, in the 1950s, even claiming that Abstract Expressionism and Art Informel had «a chance of being the worst art ever beheld under the name of art.»
I went into my exploration of the community expecting to do a story on the «hickster» esthetic, a term of some currency based on the conjunction of hipsters and hicks.
Her work often combines in - depth scientific research with special esthetics and opens new layers for a viewer to reevaluate the mechanisms, which construct nations, modify memories and thus invisibly influence any of us, human beings.Since 2004 Mila has been engaged into long - term projects on the territories of former USSR, in particular, she dedicated last years working in the Caucasus and Caspian Sea region.
They express an emotive tonality, a setting of the background noise into which our eyes trace a liminal pathway of esthetic joy.
The predominant fear he pointed to is that «by dealing in meaning the work of art may immediately absorb itself into the world, losing its privileged (esthetic) shelter.»
Around 1947, when both Bissière and Jean Dubuffet were represented by Galerie Jeanne Bucher in Paris, Bissière's radical un-learning, a kind of Deconstruction before its time, and his recycling of found materials, attracted Dubuffet's attention to the point where he briefly attempted to lure Bissière into his anti-cultural esthetic.