Sentences with phrase «into film photography»
Brilliant 3 part look into film photography, how to load the camera, artists that have been and gone, and 10 tips on using film.
https://www.tes.com/ Not exact matches
Getting back into the consumer market, Kodak recently released the Ektra, a photography - first smartphone, and at CES this year announced the return of the Super 8 camera and film.
In addition to his photography Vivanco has branched out into film, shooting videos for Dolce & Gabbana, Cesare Paciotti and Pull & Bear.
About me: MY PHOTOGRAPHY i have been into photography since i was a small boy i remember running around with my little camera taking picks with a 110 roll of film that is almost obsolete lol i remember begging my mom in 5th grade for a polariod camera did nt get tillPHOTOGRAPHY i have been into photography since i was a small boy i remember running around with my little camera taking picks with a 110 roll of film that is almost obsolete lol i remember begging my mom in 5th grade for a polariod camera did nt get tillphotography since i was a small boy i remember running around with my little camera taking picks with a 110 roll of film that is almost obsolete lol i remember begging my mom in 5th grade for a polariod camera did nt get till the end of
I'm a New York native who loves art / photography, fashion, film (mainly global, not into Hollywood!)
I practice photography and I'm looking into film and writing.
Jon Amiel's film is beautifully constructed and flawlessly integrates other techniques (documentary footage, time lapse photography, CGI effects) into what feels like a traditional period piece.
As directed by Steven Bernstein, a veteran director of photography who makes his feature film debut here, «Decoding Annie Parker» frequently dangles on the precipice of falling into Lifetime Original Movie territory.
On the surface is a film that shimmers in sunshine and fun; the photography draws the spectator into the beauty and holiday tranquillity of Pantelleria, and the energy and quality of the performances, particularly Ralph Fiennes» hurricane of exuberance, provide a crowd to gather around the pool with and to be entertained by; a crowd who can seduce and disgust with equal measure.
The film's deliberately languorous pacing and stunning photography make for an intoxicating and detailed look into such broken and melancholic lives.
Drinking Buddies is somewhat of a crossover from micro-indie films into a larger budget film for Joe Swanberg; it contains a well - known cast (Olivia Wilde, Jake Johnson, Anna Kendrick) and much higher production values (having a dedicated director of photography, etc.) than his previous 14 films.
«Born Into Brothels,» the story of children in the red - light district of Calcutta, is probably the favorite, because of the emotional subject matter, although the filmmakers were handicapped by the impossibility of filming most of the people in the area, and ended up with a film about bright kids taking photography classes.
John Frankenheimer (who replaced the film's original helmer, Arthur Penn, at Lancaster's request) directs with a muscular style that puts the themes into action and the crisp black and white photography captures the busy industrial detail of the train yard and the gritty war - torn atmosphere of France in the final days of the German occupation.
Expansive, exhilarating photography by Roger Shearman incorporates the rugged terrain around El Paso into the story in the same manner Monument Valley played such an essential, inspiring part in John Ford films.
With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and more.
Readers can visit «Privé with The Black Rose» showcasing behind - the - scenes insights into her writing, novels, characters, photography, and films.
Thinking of getting into drone photography and film - making?
Join me, Alexa Meisler as I bring you episodes twice a week featuring interviews with inspiring world explorers like Adam Seper from BootsnAll, Michele Peterson, David Thompson from Dave's Travel Corner and many more travel bloggers, podcasters, industry experts and location independent entrepreneurs to discuss tips and advice to break into the world of travel writing, travel photography, travel film making and travel podcasting.
Known primarily as a painter, he created a life's work of sculpture and photography as well, transforming everyday objects into eternal forms and capturing his surroundings on film.
Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.
Mr. Liebling, who became known as a member of the Photo League, a group of socially minded photographers that disbanded in 1951, dug deeply into his subjects, using still photography almost like film, to explore a condition rather than an instant.
Indeed, both photography and film inform his methodology and Borremans has matured into a filmmaker producing moving and provocative images of hallucinatory beauty.
His use film selection, exposure and digital techniques make small incursions into perceptions of photography's assumed role as factual document.
The common elements that define Jordan's work include explorations into memory, photography, film, interactivity, and projections.
A new wing extending into part of the museum's garden, was openend in 2016 and offers space for film, photography and video art, as well as for a café with a lounge (complete with fireplace!)
Zana Briski is an Academy Award - winning director and artist who transports her viewer into unseen worlds through photography, film and design.
Then, in 1968, he embarked on an eight - year period in which he expanded writing into street works, & interventions relayed via hand written text, photography, sound, film & video.
Jean Marie Casbarian is an interdisciplinary artist who incorporates photography, film and video projections, sound, sculpture and performance into her artworks.
The most original was Michael Snow, who began his career as a painter but soon moved into a wide range of media — sculpture, photography and film.
Galerie Lelong is pleased to present Interventions in the Landscape, a group exhibition of photography and film that explores how artists have inserted themselves and their subjects into the landscape and engaged, manipulated, transformed, or been transformed by their surroundings.
Following a private viewing of Richardson's latest 3D video installation, «Rehearsal», on January 8, the artist - run gallery, headed by its founder and director Joe Madeira, will be showing an exhibition of the artist's new works, marked by his ventures into multiple mediums, including photography, sound, digital film, 3D animation and, of course, installation.
The film is divided into three panels and is a juxtaposition of movement and photography.
Captured in film and photography, his Lost Boys elevate the kinds of improvised traffic - cone escapades indulged in on the way back from the pub into metaphysical ideas.
Known for his interdisciplinary and inquisitive approach to art making, Graham delves into modes of critical thinking and human existence through photography, film, and performance — often times blurring the distinctions between these mediums.
By the use of digital photography and animation, he collects a documentary material of hundreds of photos and film clips that he dissects and reconstruct into large still - or moving images that can be placed between document and fiction.
«Widely recognised as a modern day Renaissance man, incorporating painting, architecture, sculpture, film and photography into his oeuvre, Schnabel has gained a cult following amongst a generation of young artists and filmmakers alike,» offered the founders.
Her work is focused on documentary research, which she incorporates into films, photography and video installations.
He moved from sculpture into film and now works in moving image, photography and installation, with his latest installation currently showing at Bloomberg Space and a selection of his films screening at Raven Row.
Since then, he has moved into creating works that are a unique mixture of photography, film and painting.
This book introduces some of Sherman's most important works, from her seminal 1970s series Untitled Film Stills, which references film noir movies by such directors as Alfred Hitchcock and Jacques Tourneur, to her progression into colour photography in the 1980s series Centerfolds.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chriphotography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, ChriPhotography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chriphotography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Opening: «Berlin Metropolis: 1918 - 1933» at Neue Galerie Museum for German and Austrian Art This broad - ranging show focuses exclusively on Weimar - era Berlin, featuring 300 works of painting, drawing, sculpture, collage, photography, architecture, film, and fashion, organized into one of five themes: The Birth of the Republic, A New Utopia, The «Neue Frau,» or New Woman, The Crisis of Modernity, and Into the Abinto one of five themes: The Birth of the Republic, A New Utopia, The «Neue Frau,» or New Woman, The Crisis of Modernity, and Into the AbInto the Abyss.
Mr. Lassry, who is perhaps best known for spare, deadpan and subtly surreal photographs that he encloses in colorful frames (though he has also branched out into films and sculptural works), was included in the 2010 «New Photography» at the Museum of Modern Art and the 2011 Venice Biennale.
Utilizing their combined tools of photography, film - making, anthropology, and material art, their work represents glimpses into the richness and diversity of Iranian people and their environment.
I stage situations using various direct and indirect, formal and informal processes — documentary photography, audio and video recording, collaging and manipulating archives, staging performative actions and situations — that are translated into my exhibitions, installations, publications, films and other projects.
Together with the gallery that, as its publisher, shared offices with it until 1998, the magazine established a significant dialogue with the international art scene, thanks to a focus expanded from photography into other artistic practices, including film and video.
Widely recognised as a modern day Renaissance man, incorporating painting, architecture, sculpture, film and photography into his oeuvre, Schnabel has gained a cult following amongst a generation of young artists and filmmakers alike»
The exhibition also includes Pindell's exploration into photography, film, and performance, including her 1981 work Free, White, and 21, which depicts the artist cover her face by wrapping white paper around her head.
Working through a variety of media including film, sculpture, installation, photography and wall painting, Faldbakken deliberately transforms acts of destruction into -LSB-.....]
This exhibition shows how he developed his interests out of sculpture into photography and film.