Madame Bovary have been scripted
into films on the big screen many times, starting with the 1932 Albert Ray's version, which was followed by 1949 Vincente Minneli's, 1969 Hans Schott Schobinger's, 1991 Claude Chabrol and the latest of 2014 Sophie Barthes».
Not exact matches
To achieve the high - definition needed for the
big screen, Domino takes images which have been shot
on movie
film and converts them
into a video format by breaking each of the 24 frames per second
into a mosaic of 3000 × 2000 picture points.
For Laure, this is a spiritual act (one of many baptisms in the
film), and for De Palma it's a correction: he flips Billy Wilder the bird by saddling his femme fatale with a crisis that matters, even if her personal pain is not readily apparent when she and a group of thugs break
into the Cannes Palais, hoping to swipe a fortune in diamonds from Regis Wargnier's whorish girlfriend Veronica (Rie Rasmussen), with whom Laure makes out in a bathroom stall while Wargnier's hideous East - West plays
on the
big screen.
What science fiction
films do best is warp our deepest concerns and immediate dangers, so that we can watch them bloom
into larger than life stories
on the
big screen.
«Good Luck Chuck» gives Dane Cook his second opportunity to team up with a hot chick (this time, it's Jessica Alba) who helps take the attention away from the fact that the
film isn't very funny, and as «The King of Queens» rides
into the sunset, Kevin James tries again to make it
on the
big screen in «I Now Pronounce You Chuck and Larry.»
Danner has easily translated her talents from the stage to the small
screen (her Emmy wins came care of her supporting work
on «Huff,» the Showtime series she won back - to - back awards for in 2005 and 2006) and
into feature
film offerings, but the vast majority of her
big screen roles have consisted of supporting turns that she elevated with her natural grace and unique sense of humor.
Mockingjay was the third volume in the Hunger Games literary trilogy but it's been turned
into two
films on the
big screen — the second of which will arrive in theaters late in 2015.
Yes, audiences should expect a dramatically different
big screen interpretation of the iconic Hasbro action figure when the
film goes
into production next month, mainly because it is set in the 1980s and Bumblebee will be the sole focus of the
film — meaning a lot less money will likely be spent
on visual effects.
And, from the
big end of town, there are also new sneak peeks of Freddie Mercury biopic Bohemian Rhapsody, with Rami Maleck stepping
into the music icon's shoes in an uncanny fashion; The Predator, the latest take
on the alien killers directed by The Nice Guys» Shane Black, who actually featured
on -
screen in the original
film; and Shock and Awe, a new Woody Harrelson and Tommy Lee Jones - starring newspaper flick about the US invasion of Iraq.
The 31 - year - old director opens up to ET about watching his latest Marvel
film on the
big screen for the first time, self - doubt and why Michael B. Jordan was able to transform
into the perfect villain.
In its Official Selection, Sitges 2013 will also be presenting eagerly - awaited
films like Machete Kills, the latest from Robert Rodriguez with a star studded cast (Danny Trejo, Sofia Vergara, Mel Gibson, Charlie Sheen, Antonio Banderas, Lady Gaga...), as well as the latest
big hit
on American
screens, Insidious Chapter 2, the most recent
film by king of horror James Wan, or Terry Gilliam's new incursion
into science fiction with The Zero Theorem.
Director Ryan Coogler's all - black cast far surpasses previous paltry offerings to the black and brown people whose dollars and pounds turn
films into blockbusters, yet who rarely see themselves represented with any depth or diversity
on the
big screen.
There were far too many good
films to fit
into even a week of articles, but I shall do my level best to shine a light (a Spotlight, perhaps)
on some of the great things that have happened
on silver
screens both
big and small throughout 2015.
I could actually dwell
into an infinite list of superlatives to describe how good the
film is and how it contains the most gorgeous shots that I've seen this year
on a
big screen.