We are delighted that this presentation of recent works by Lee provides the European public for the first time with insight
into her geometrical abstract drawings of mythical radiance.
Predominantly done in two contrasting colors the pieces are woven
into geometrical shapes that are not quite abstract or minimalist.
In addition, novel traveling wave modes emerge when casting their model
into the geometrical context, where the infection propagation recedes or even becomes frozen, apart from the traditional forward motion.
Whitehead argues: «This, however, is a mistake; the truth being that the «spaceness» of space does not enter
into our geometrical reasoning at all... [The] space - intuition which is so essential an aid to the study of geometry is logically irrelevant....
Such antagonistic and contradictory descriptions are merely clumsy translations
into geometrical and kinematic terms of the basic irreversibility of becoming which can not be meaningfully separated from the very nature of time.
Not exact matches
But such
geometrical symbolizations of time are the source of endless confusions and vicious distortions which from the time of Zeno of Elea have interfered with our true insight
into the nature of time.
Whitehead's trained mathematical intuition penetrates
into the nature of things to grasp the defining characteristics of a vast society, wider than the electromagnetic society, wider than the societies which define the
geometrical elements and the very concept of measurability itself.
As evidence he cites a few pages from Creative Evolution saying that «Bergson repudiates the notion of disorder, and divides order
into two kinds, vital and
geometrical.
So long as you think, as Bergson does, on the one hand, of an actual experience which is sheer qualitative flux and variety, and on the other of a
geometrical ready - made framework of sheer non-qualitative abidingness, there seems to be no possible answer to the question how such a «matter» comes to be forced
into the strait - waistcoat of so inappropriate a «form,» except to lay the blame on some willful culpa originis of the intellect.75
All that Bergson really says is that we can not know disorder without making it
into an order of some sort first, and points out that the relation between the «two directions of order» is really a continuum that we distinguish on the basis of its extremes (completely free activity and
geometrical mechanism, or integration and differentiation, to use the terms Gunter recommends) for the purposes of talking about this issue.
Ordinarily it is hard enough to fit one livable cabin
into a small cruising boat, but Hibberd and Luders, by using a shoehorn and some
geometrical hocus - pocus, were able to squeeze in two of them.
An approach to an understanding of the electronic structure,
geometrical preferences, and reactivity of these complexes may be made if the molecule is «decomposed» conceptually
into a metal fragment, MLn, and a ligand.
Nude this season, has taken on a very
geometrical feel to it with currents of Gothic architecture influencing the shapes and lines that cut the designs up
into layers of nude tones set upon each other in a patchwork way.
Forged composite, with its ability to be shaped
into complex
geometrical shapes, features in front and rear spoiler, engine bonnet, rear bumper and aerodynamic diffuser: functional elements components within Lamborghini's patented active aerodynamics system introduced on the Huracán Performante: Aerodinamica Lamborghini Attiva - ALA..
Euro NCAP's test procedure was developed to take
into account both the
geometrical aspects of the seat, the size and shape of the head restraint and its proximity to the occupant, and its dynamic performance during an actual crash test.
Nazca Lines & Colca Canyon Leaving Lima, we drive via Paracas to Nazca where we view the mysterious Nazca Lines - huge,
geometrical figures cut
into the stony desert floor (800 AD).
Using a sort of bullet - time slow motion feature, the video shows us that Raiden has the ability to take his time with precise slices, giving the player control over a
geometrical plane that shows the exact angle of the cut, and allowing them to execute slashes with extreme precision — cutting limbs of of enemies in mid air, and even slicing a melon
into increasingly smaller pieces.
In other paintings it is clear he is idealising her — turning her face
into a perfect
geometrical form like the egg that hangs by a thread in Piero della Francesca's Renaissance masterpiece The Brera Madonna.
The compositions — consisting of densely filled segments radiating from multiple points in iterative, hand - drawn patterns — are divided roughly
into halves or quadrants by thin,
geometrical lines.
By further endeavoring to compel the flexible texture of felt
into rigid,
geometrical forms, Morris reflects ironically upon the formal severity of the visual icons of abstract art or Cubism.
Abstract
geometrical forms seem to dissolve the historical references and translate them
into complex spacial concepts: wall drawings and architectural interventions are fragmented continuations of the paintings, sculptures and drawings in the exhibitions space.
Understanding the garment pattern as the closest
geometrical abstraction of human bodies, Narielwalla builds on the legacy of Cubism to introduce a fourth dimension of time and movement
into his exploration of the body — compressing the sensation of a moment in time
into one single image, as experienced in the silent drama of the artwork Pilgrim.
Franklin's current body of work uses
geometrical enclosures and limited color palettes to isolate her objects
into self - contained worlds.
In her more recent work, the very
geometrical constructions have evolved
into more fluid and swaying arabesques defining larger and uneven planes of softer colours, reaching another level of complexity.
He stretched and distorted elastic cloth on moveable wooden frames in
geometrical shapes, in order to arrive at unexpected shapes, thus introducing randomness, instability and change
into his art.
By arranging the photographs
into large grids, Joyce constructs unique narratives that combine multiple, independent moments
into rhythmic
geometrical compositions.
Translating the architectural lines
into wall reliefs consisting of various - coloured elements, he produced
geometrical works that make a powerful artistic statement to keep alive the memory of historic buildings destroyed in war.
When exhibited, the works are always nailed directly onto the wall, along their top edges; while stored or traveling, the un-stretched canvases are folded
into precise sections, creating
geometrical creases that evolve over time, enriching the overall composition as the texture of canvas engages with color and line.
The title «Signs of Men» stems from a story of Greek philosopher Aristippus, shipwrecked on the shore of Rhodes when he noticed
geometrical figures scratched
into the sand, described as «triangles, or circles, or lines suspended signs of men.»
Her first solo exhibition in a public gallery, sublimely titled «The
Geometrical Determination of the Sunrise», is an exploration
into the future using a medium focussed on the past.
Mathematically, they play with the artist's familiarity of the space, being a whole divided
into a half and then a quarter, becoming a
geometrical way of viewing spatial form.
His installations, wood and paper collages and photographs take the visitor on a journey
into a constructed universe where the intersection between the real and the conceptual is anchored in a
geometrical style based on reversed perspectives.
Moving back and forth between abstraction and figuration, he has depicted
geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges
into each other while preserving a descriptive quality.
Building upon an established canon of
geometrical abstraction, which began with Wassily Kandinsky's gestural works and Malevich's 1915 compositions, Scully's oeuvre gradually reinstates poetry
into the modern practice of painting.
For some of the exhibiting artists, mapping is a tool to create interactive visuals with the help of sophisticated tools for image manipulation that arrange numbers
into intricate
geometrical forms.
During the years 1933 - 7 he turned to a new form of non-objective art - abstract relief sculpture - which he refined
into his signature style of
geometrical «white reliefs» in painted wood, using only circles and straight lines.
The rendering of the pieces fluctuates between expressive mark making and a critical layering of gold leaf
into flat
geometrical compositions.
For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to form simple
geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional shapes folding
into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers
into revealed spaces existing parallel to the structural planes of the
This is further reinforced by the references to vector graphics and
geometrical primitives in Ashcroft's work, graphics based on mathematical expressions which are used to communicate non-subjective, procedural routes
into abstraction at odds with the historical overtly - subjective precedents of Abstract Expressionism.»
He then happened to notice some
geometrical figures scratched
into the sand — triangles, perhaps, or circles, or lines suspended from points.
He returned to Amsterdam, incorporated land - art based theories
into his work and began to use photography as a «dialogue between nature and cool
geometrical design by rotating the camera on its axis» with his «perspective corrections».
Elsewhere Costa has deployed coloured polythene bags (rubbish and recycling sacks from different London boroughs) to create
geometrical wall pieces akin to Constructivist paintings; while in a series of small - scale paintings, he combines the methods and motifs of embroidery, collage and cartoons Quoting artistic precursors in seemingly degraded materials or formats, Costa playfully interrogates the «real value» of works of art, addressing the question of how unspectacular or even desultory materials might transmute
into an art object and vice versa.
Franklin's current body of work uses
geometrical enclosures and limited color palettes to isolate her objects
into self - contained worlds.
As he continued to make such sculptures, however, they developed
into more abstract,
geometrical versions of
The yearly differences in growth will be temperature related, and if there is an actual temperature trend it will be subsumed
into the overall growth trend, but IMHO, most of the ringwidth trend will be biological and
geometrical.