Sentences with phrase «into giallo»
Oh, and they've refashioned the story into a giallo, with the maniac's identity concealed until a «Phantom» - style unmasking that does neither the curious protagonist nor us a lot of good, as this reveal must be closely accompanied by someone identifying the person to whom the face we just saw belongs.
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As you know, she's the offspring of giallo master Dario Argento and actress Daria Nicolodi, and this film seems to be a look into a world of fame and celebrity through a child's eyes, with Charlotte Gainsbourg and Gabriel Garko as the parental figures.
Now Arrow, a British label that recently launched an American line of Blu - ray and DVD releases (through distributor MVD), has injected new blood into the genre with some of the best editions of classic, notorious, and outrageous giallo titles in the past couple of years.
by Walter Chaw After years spent working alongside such luminaries as Joe D'Amato, Lucio Fulci, and Dario Argento, Michele Soavi made his directorial debut with 1987's StageFright (onscreen title: StageFright: Aquarius)-- not an update of Hitchcock's underestimated Jane Wyman vehicle, but a carrying of the giallo torch from one generation ostensibly into the next.
Dir Dario Argento (David Hemmings, Daria Nicolodi) Argento fans have a tendency to divide into two camps: those who prefer his relatively straightforward, plot - driven early giallo thrillers and those who revel in the surrealistic beauty of his post-Suspiria dream - movies.
If you're a giallo newbie and you're looking for a starting point into the world of wildly violent Italian horror films, seek out Dario Argento's disconcertingly beautiful Suspiria.
Giallo - like in its plot convolutions as well as its stark, shadowy visual style, this rare foray into strict horror by dark crime thriller master J. Lee Thompson is perhaps best known for its infamous shish - kebab murder scene, but the underappreciated slasher film has much more to offer, with a whole slew of show - stopping death set pieces and a stellar supporting cast, including Glenn Ford as Virginia's doctor.
It doesn't merely acknowledge the expressionist possibilities in a genre beloved horror fans but unknown to most people, it condenses it into a concentrated extract: a 90 - minute hit of the essence of giallo as a surreal subjective journey, part sexual awakening, part repressed fear, part rarified death dream.
A paranoid drama about an English sound editor and Foley artist out of his depth on an Italian horror production, this was at once a fractured narrative of mental breakdown, a treatise on screen sound's address to the psyche, an inquiry into extreme violence and its effects on the viewer / listener, and a fanboy tribute to the thematic and stylistic excess of the Seventies giallo school.
The second murder set - piece, taking place in a bathroom (Psycho), contains an especially brilliant bit involving condensation that initially comes off as one of those complex giallo knick - knack throwaways but plays directly into the leitmotif of uncovering things, unmasking others, and unearthing what was buried.
Borrowing formal and atmospheric motifs from 1970s giallo films by directors such as Mario Bava and Dario Argento, Walk - Through re-imagines CalArts as a site of potential intrigue, subtly calling into question the artistic and democratic tenets embedded in the school's founding ideology.