Sentences with phrase «into great writers»

Having editors is what turns writers into great writers.

Not exact matches

This is the writer who famously called Goldman Sachs «a great vampire squid, wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money.»
Kuyper absorbs the cross into a preconceived theory of beauty, and in this he follows a long tradition where Christian writers who adopt and adapt the «Great Theory» that dominated Western aesthetics from the Greeks.
There are certainly some great insights into what it means to be Christian given to us by other New Testament writers and by ancient teachers.
I spoke at the anniversary celebration of another church my great - grandfather had founded in Osaka and delved deeper into his work as a writer and theologian at Meiji Gakuin University.
Interesting discussion — Totally agree about the «punching above their weight» problem with the current spate of «popular» atheists and junk writers, as well as the «Hollywood» treatment of Pullman, but you don't need to wade through Pullman's trilogy to get a useful insight into institutionalism vs genuine spirituality — just pick up the excellent «The Dragon in the Sea» by Dune author Frank Herbert or «The Moon is a Harsh Mistress» by Robert Heinlien — great works from the Golden Age of Science Fiction literature.
Interpreting the symbolism, it indicates the writer's expectation that in the great moment, when final victory was to come supernaturally to «the saints of the Most High,» the three empires, Babylon, Media, and Persia, would continue, right into the new age, changed only in that their imperial rule was taken from them.
In a story headlined MOHAMED BRINGS A MOLEHILL TO THE DERBY, one newspaper writer suggested that if Great Redeemer did anything to compromise Spectacular Bid's chances for victory — such as accidentally swerving into him out of the gate — «then Dr. J.A. Mohamed ought to be horsewhipped.»
The writers, Lynda Madaras and Area Madaras, go into great detail on a number of subjects including puberty changes, how to buy a bra, hygiene, periods, falling in love and more.
We've heard back from a ton of different bloggers, writers, and website owners who gave us some great insight into how they got started, what keeps them going, and how someone new might break into the niche.
Amy Scott, a mother, writer and sociologist who has observed extensively on the GFI Internet message boards in order to gain greater insight into how and why parents are using Ezzo's programs, says that it is clear that the «Babywise» approach is indeed popular with busy modern parents who wish to train babies to conveniently adapt to their lives rather than vice versa.
Great writers are meant to have a privileged insight into the societies and issues they analyze, but Rushdie was alone in focusing on the religious element of the controversy that overtook him.
Robert Lee Hotz, a science writer for the The Wall Street Journal said MacKinnon's story «lights up with the joy of great reporting and ambitious enterprise: Who else would put the world's most adventurous free climber into a brain scanner to probe the neural circuits that make most of us shudder, squirm and squeal with panic?»
What was great about that is it turned me into writer because we just write hundreds of sketches, and you perform so much, and including with celebrities.
Ottawa, Canada About Blog Focusing on the little details of life after metastatic breast cancer, Laurie Kingston's charming blog is a great glimpse into her life as a mother and writer in Canada.
I've been described as a handsome Woody Allen, have a great sense of humor, very much into the arts as a writer and singer.
Writer Rupa Dev preferred websites which emphasized authenticity and screened people before entering their names into their databases, making it a safer environment overall, so that site users can have greater trust that it is safe to date others on the site.
didn't really where they'd take the story, the first season set a high standard in execution and this carries forward into this season, everything you expect from the first is in this second with the dial turned up, with the characters developed from the first season this season just allows the writers to build up on that, the story is well crafted, less of Rinoa Rhyer's over the top screaming which did amazing things for my ears and sanity, great story progression, although slow at the start it ended with a bang.
Synopsis: This chronicle of one of the twentieth century's greatest writers, J.D. Salinger, begins as he embarks on his writing career and enters into a tumultuous relationship with young starlet Oona O'Neill.
Some great TV has come from writers backing themselves into a corner, then maneuvering themselves out.
This is turning into quite a month, with the emergence of two young female writer / directors — Margaret Betts («Novitiate») is the other — who might very well do great work for decades.
Director Jonathan Teplitzky (Getting» Square), writer Frank Cottrell Boyce (Tristram Shandy: A Cock and Bull Story) and producer turned co-scribe Andy Patterson (Burning Man) adapt Eric Lomax's autobiography of the same name into a consideration of closure and catharsis, as focused on the juxtaposition of the young Lomax's (Jeremy Irvine, Great Expectations) experiences in a Japanese prisoner - of - war camp, working on the Thai - Burma Railway in cruel conditions, and the elder Lomax's (Colin Firth, Tinker Tailor Soldier Spy) troubles when attempting to cope, particularly on the occasion of his marriage to the sympathetic Patti (Nicole Kidman, Stoker) decades later.
A fifteen - minute featurette intercuts interviews with Argento, writer Dardano Sacchetti, and Morricone, each of them contributing fascinating anecdotes concerning the production of Argento's «animal trilogy» and doling out a great deal of technical and artistic insight into the development of the director's visual style.
The thing is, because of writer / director Guillermo Del Toro's love of the characters, and his amazing visual sense, all of these genres fuse into a whole that is ever - so - slightly greater than the sum of its parts.
Inspired by writer / director John Carney's (ONCE, BEGIN AGAIN) life and love for music, SING STREET shows us a world where music has the power to take us away from the turmoil of everyday life and transform us into something greater.
Polley adapts her movie from «The Bear Came Over the Mountain,» a 1999 short story by the great Canadian writer Alice Munro, and Polley clearly gets inside that story, burrowing into Munro's touchingly brutal world.
Writer - director Richard Tanne, in his first turn behind the camera, takes a popular anecdote about how the president wooed his first lady and turns it into a sweetly speculative Richard Linklater imitation, following his two before - they - were - great icons on a walk and talk excursion across Chicago, as they chat about their lives, their ambitions, and their responsibility to the city.
Hey, you know who's a great writer, whose books and screenplays have been made into Oscar nominated films?
But over the summer, the personal life of «The Birth of a Nation» «s star, writer, director and producer, Nate Parker («Non-Stop», «The Great Debaters») was brought into the limelight.
Release date: TBD Cast: Colin Woodell, Rebecca Rittenhouse, Betty Gabriel Director: Stephen Susco Why it's great: The writer of the American version of The Grudge moves into the director's chair with this unrelated sequel to one of Blumhouse's unexpected hits from 2015.
This setting allows Bay and writer Ehren Kruger (who wrote two good movies over a decade ago — Arlington Road and The Ring — before descending into Hollywood hackdom) the films only flourish of ironic «wit» — the crotchety old gent theatre owner (great character actor Richard Riehle, wasted here) complains that all they make sequels and remakes nowadays.
Christopher and His Kind (BritBox Premiere) Based on the writer Christopher Isherwood's critically acclaimed memoir, «Christopher And His Kind,» this landmark BBC adaptation stars Matt Smith (Doctor Who) and Douglas Booth (Great Expectations) and gives a fascinating glimpse into the decadent and politically unstable world of 1930s Berlin.
Let's take the leap: He's developing into one of the great American writers of our time.
Last year's War and Peace was a ratings triumph for the BBC, Dickensian found a new way of tapping into the world of one of our greatest ever story - tellers (he would surely have started, like Dickensian writer Tony Jordan did, on the staff at Eastenders had he emerged today) whilst the one - off «old - school» Sherlock episode The Abominable Bride was one of the most acclaimed shows over Christmas.
Presented by Diane Louise Jordan, «Shakespeare 400» will be watched by thousands of schools around the world and provide a compelling insight into the life and legacy of the greatest writer in the English language.
In this industry, one of the greatest ironies is that after a week spent evaluating some of the finest vehicles on the planet, your average auto writer then clambers into a scabrous, twenty - something pile, and then prays to the automotive gods that it actually starts.
In this industry, one of the greatest ironies is that after a week spent evaluating some of the finest vehicles on the planet, your average auto writer then clambers into a...
I think it's great these professional organizations are allowing indie authors into their groups, though I suspect over time they too will come to recognize how commercial results alone are an inadequate measure of professionalism because ultimately they'll shut out professional authors — wonderful writers — who write about unpopular or arcane topics.
Of course the great literary legend is no longer with us (he died in November 2007), but his house has been transformed into The Norman Mailer Writers Colony.
Authors don't do everything on their own; instead, they rely on editors and other writers to turn their good content into something great.
In my opinion, publishing has split into two paths, but this is great news for writers, because in the 20 years that I've been publishing, I've never seen so many opportunities for writers to get their books to the reading public, even those books that might not fit the hot trend of the moment.
Every year, agents, Studio Executives and Producers receive hundreds of scripts, books and query letters from writers wanting to submit their work, so they have to filter those down into only pursuing the projects that they think would make great films.
Most submissions are great stories that deserve to see print, but new writers can not seem to break into the print markets.
In today's episode, we go where no other writer has gone before: into the great unknown of artificial intelligence.
Her mission there was working with artists and writers to shepherd their vision into great comics.
Most of the great (as well as not so great) 19th century novelists needed that money in order to survive, and in fact that was part of the appeal of the serial format: it gave writers an additional income stream, before their full books went into print.
You won't find a simpler explanation of the writer's toolbox than Stephen King's On Writing, not to mention it's a great peek into the writing process of one of the most successful authors of our times.
Ted Peters has done a great job with his first novel, having been a prolific writer on religion and science and now venturing into fiction.
Their Annual Conference is a great opportunity to learn more about turning your writing into a business and to network with other writers.
It's a great opportunity that can help many first time writers break into the publishing world.
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