If you have your story written out, but are not confident in the quality of the content, you may want to look
into hiring an editor or even a ghostwriter to help enhance your story.
Even if we think we're reading every word, our mind is way ahead of us, that's why it's advisable to look
into hiring an editor.
Not exact matches
I remember being at a startup where I was
hired in as a writing
editor, then molded
into video
editor, and then even a partnerships lead.
Then in the mid-1990s, I
hired a couple of
editors who were different than our traditional readership — they were athletes, really
into fitness, and they found that natural parenting worked well with their lifestyle.
His
hiring of former News of the World
editor Andy Coulson as director of communications was also, in part, a strategic move to gain an inside track
into News Corporation's workings.
He first broke
into the industry when he charmed the legendary stylist Polly Mellen at Allure magazine
into hiring him as her assistant, after which he became the magazine's market
editor.
Seeking to secure her job, Mitchell talks her managing
editor (James Gleason)
into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to
hire someone to pose as John Doe: a ballplayer - turned - hobo (Gary Cooper), who'll do anything for three squares and a place to sleep.
Unless you are amazingly talented or have a collection of generous and gifted friends, you will find yourself
hiring freelancers to transform your manuscript
into a book, including
editors, designers, and formatters.
Indie authors have to, or should,
hire their own
editors, cover artists, do their own marketing, or
hire someone to do it for them... and that's if they have the means, and earning back what they put
into it is difficult.
The only costs associated with self publishing are for cover art (DO
hire a cover artist),
editors (if you aren't friends with other writers who do this well), and formatting (if you fall
into the realm of the apparently mostly middle aged men who won't read or ask for directions on how to do it yourself).
Technically, an indie can put a book out without spending a dime (though
hiring an
editor, at the least, is recommended), meaning that even 99 - cent ebooks can result in tidy profits, whereas traditional publishers must put a lot more money
into the process and can't afford price points like that, at least not in the long run.
My last publisher, Belfire Press,
hired a great
editor for my novel, «Off Track», commissioned a talented cover artist, and turned the book
into a wonderful publication, something I am very proud of.
You have never
hired a professional
editor and just want to dip your toe
into the waters and figure out if it's best for you.
Take your career
into your own hands, go directly to
editors with your work, and
hire an IP lawyer to help you with the contract.
Also,
hiring professionals, such as
editors and proofreaders, to assist in the self publishing process can be a significant investment, sometimes running
into the hundreds or thousands of dollars.
This means that the publishing company can
hire book
editors, book doctors and book designers to polish everything up and make it
into something that will sell.
In order to facilitate this he has
hired a «chief content curator» and dozens of
editors and long - form writers to help turn its site
into a digital magazine.
They run an independent marketplace for authors looking to
hire editor, copy
editor and cover illustrator to turn your draft
into a book.
«I actually started with a book review site called Red Adept Reviews, and eventually
hired editors and moved
into editing,» says Lynn McNamee, owner of Red Adept Publishing.
Christine, I suggest you go ahead and write your book, then
hire an
editor who will put the book
into the correct form.
In fact, I know a number of traditionally - published authors who have
hired freelance
editors to help get a manuscript
into great shape, so that it moves more speedily through the «in - house» editing process at their publishers.
Reach
into your network and
hire newbie
editors to copyedit at a low rate in exchange for the experience, a testimonial and a referral source.
They are the ones who
hire an independent
editor, who workshop their book with critique partners and friends, who do their absolute best to ensure that they are bringing a book that they are truly proud of
into the world.
I must admit I am very tempted to look
into hiring a structural
editor to see if I can bring my writing up to the next level.
Whether that means
hiring a professional
editor, sharing it with a friend, or ultimately publishing your story, you have to let others
into your writing journey.
Perhaps one of our industry organizations like the Book Industry Study Group (BISG) in New York could look
into surveying its publishing membership on freelance issues and developments so that the talent diaspora from publishing houses that now makes it possible for self - publishing authors to
hire artists and
editors formerly working in Big Five houses can be better understood.
One of the best ways to do this is to
hire a freelance
editor to help you clean up grammar mistakes, rewrite unwieldy sentences, and even whip your plot
into shape.
Hiring a professional
editor, getting a beautiful cover designed (because despite what we like to believe, we do judge a book by its cover) and even basic marketing expenses can run
into quite a bit.
I admire those who actually devote time polishing their manuscripts,
hire editors, and send forth
into cyberspace the best possible version of their story.
These authors face years of learning to craft their episodic writings
into narrative — or shelling out a ton of cash
hiring an
editor to do it for them.
Moving
into the skills section, this concise list defines important characteristics and skills a
hiring manager would want a copy
editor to have, including a strong writing background and research skills.