This has given the industry hope in adapting some console favorites
into hit films.
Levy is good at shaping high concepts
into hit films.
Not exact matches
From watching the
film, it's clear that Bucs right tackle Gosder Cherilus, himself a backup pressed
into action because of an injury, had no idea what was about to
hit him.
Next up was NASA's Dryden Center, where camera crews once
filmed a scene for the opening credits of the 1960s
hit sitcom I Dream of Jeannie, in which astronaut Tony Nelson (played by Larry Hagman) walks
into the center's main building.
The second direct - to - video sequel of the
hit teen cheerleading
film Bring It On, Bring It On: All or Nothing concerns one Britney Allen, who must make new friends when her rich family moves
into less desirable environs.
When the
film does
hit its climax, the fun comes back
into play, but it's been a long second act to get to it.
The
film's opening scenes establish that he's welshed on many debts and unlikely to
hit a big payday with any of the third - rate tin cans he puts
into the ring.
But while that
film hit every clichéd note you'd expect, despite its good intentions and great ensemble cast, «Other People» breathes new life
into the formulaic, dark comedy about death.
Doug, a groom - to - be, and his three groomsmen pile
into a car and head to Vegas for a night on the town before the big day, and the
film's slightly unexpected sense of detail emerges once they
hit the road.
Darling Lili sent Edwards career
into decline, although he came back with the 1979 comedy
hit 10 and the scabrous satirical
film S.O.B. (1981).
When I said that the
film hits particularly bland spells, I really did mean it, though I'd be lying if I said that the
film ever slips
into downright dullness, thanks to an adequate degree of colorful wit within Sherriff's, West's and Maschwitz's screenplay, which, at the very least, delivers on engaging characterization that is made all the more engaging by the portrayals of the characters.
For Disney to duplicate its 2013 success, it will need
films like Sleeping Beauty spin - off Maleficent, video game adaptation Need for Speed, and musical
Into the Woods to be major
hits, and that doesn't seem likely.
With this honor to his name, Biggs segued
into film a short time later, debuting in the 1997 Camp Stories.In 1999, the unequivocal
hit that was American Pie came along, and Biggs, portraying Jim, one of the more perpetually humiliated members of a group of four friends trying to lose their virginity by high - school graduation, made an undeniably distinct impression on critics and audiences alike.
As the
film goes, they
hit the nail right on the head, but when you have all these suspects, and so much back story, squeezed
into an hour and a half, it can become extremely confusing for audiences unfamiliar with the case.
Even if you don't buy
into the idea that Home Alone was an expression of libertarian, Republican values - in which poor, lazy criminals only got what they deserved - the comedy in this
film is
hit - and - miss precisely because we don't care enough about the fall guys.
The story of a young girl (voiced by The BFG's Ruby Barnhill) who discovers that she has been born
into a long traditional of witchcraft, the
film — adapted by Yonebayashi and Riko Sakaguchi, with an English - language script by David Freedman and Lynda Freedman — is predicated on a sense of wonder, but so much of its world feels familiar, if comfortably so, like a favorite band playing their old
hits.
There's a scene in Bryan Bertino's
film «The Strangers» that handily encapsulates the
film's nervy brand of terror, one so good and simple that it served as the
film's poster image when the 2008 feature first
hit theaters: it's Liv Tyler, standing alone in her kitchen, looking out
into what seems to be — what should be — an empty house.
But if there is a deeper meaning — of what it means to
hit the rails in the 21st century, to peer
into America's de-industrialized guts — it lies well beyond the scope of this
film.
In the conclusion Berg finally
hits that completely over-the-top bad taste bonanza that the
film has been working up to, where everyone — and I mean everyone — gets their cosmic justice and Berg finally let's his sniggering little digs at the handicapped kid blossoms
into a truly tasteless foray
into gimp humor.
The scene effectively conveys the king - of - the - world high of a solid drug rush, and the
film has just enough of an edge that I winced each time they
hit the glass, convinced that one of them would take that big fall
into the canyons of L.A. Elizabeth Hurley, meanwhile, is very pretty and sports a lovely English accent but seems to have been airlifted in from an entirely different movie.
The Summer Blockbuster
Hit, Disney • Pixar's «Finding Dory,» Swims Home on Digital HD on Oct. 25 and Blu - ray ™ on Nov. 15 Dive deep
into the kelp to find out more about the making of the
film with extensive extras featuring the creative talent of Pixar and the all - star cast!
Then, shortly after Batman Begins
hit theaters in 2005, Warner Bros. started looking
into ways to unite the character with other DC superheroes - and so began work on George Miller's unrealized team - up
film, Justice League: Mortal.
It sucks it's audience in with a rote psychological thriller and twists the knife midway to turn
into this pulp filled amazingly fun
film where it seems a twist is going to
hit us every half second.
Ridley Scott's much anticipated prequel / sequel to his
hit film Alien and the polarizing Prometheus will be moved from it's October release
into the summer in August while «The Predator» will come out in March 2018 with the director of The Monster Squad and Shane Black returning to pare up for the sequel to the 1987 classic.
There have been far more misses than
hits from the Netflix production line since it rumbled
into life in 2015, and the shelf - life for
films seems to be shortening as more and more projects vie for space.
In the
film, a mysterious virus
hits a small Illinois town, affecting only the prepubescent population, transforming them
into violent, feral little monsters.
«Moonrise» became Anderson's biggest
hit in a decade, and then «Budapest» turned
into his most commercially successful
film, grossing $ 175 million worldwide.
The
film is set to
hit theaters in September of this year and be sure to keep an eye out for this one because it looks to be an unforgettable journey
into the sci - fi genre.
The
film opens on a
hit - and - run, unseen by us but signaled by the screech of brakes intruding
into the hush of night on a winding country road.
The
film hits theaters in a matter of weeks, and with early buzz building for the movie, 20th Century Fox is kicking its marketing
into high gear.
As daffy father Clark, Chase turned the
film into a huge
hit, harnessing a likable befuddlement that kept the series going even as the sequels were increasingly less well received and tiresomely slapstick.Chase's other big
hit came in 1985, when he starred as the title character in Fletch, the
film widely considered the actor's best and most complimentary of his sharp talent for wordplay.
He has taken over the animation world with his shows «Family Guy» and «American Dad» and recently crossed over
into film with the huge summer
hit «Ted».
There's a long tradition in
film of comedic actors transitioning
into dramatic roles with indies that gravitate towards a grey area in between the two genres, particularly in movies that make sure to
hit the Sundance
Film Festival before their wide release.
So if they want to
hit the previously announced November 2018 and 2020 release dates, everyone involved will pretty much have to jump right back
into the next
film once the previous is released.
He stars in the upcoming «12 Years A Slave,» and we'd guess that after he wraps on «Slow West,» he'll get start getting
into stealth mode to
film «Assassin's Creed,» which is due to
hit theatres in 2015.
«Brendon Walsh Suffers for His Art» (1:31) preserves multiple takes of a bit part actor
hitting his head
into a parking meter for one of the
film's first laughs.
The Hunger Games: Mockingjay Part I (Lionsgate, Blu - ray, DVD, VOD), the number one box office
hit of 2015, follows the lead of the Harry Potter and Twilight series by splitting the final book
into two
film installments, making this the third of four
films.
Spielberg's journalistic thriller takes a screenplay written by Liz Hannah and Josh Singer and manages to turn it
into a hard -
hitting film that ought to make people think twice about what's going on in America.
Formalist technics can be worked seamlessly
into modern
films, like the comic book qualities of Edgar Wright's Scott Pilgrim Vs. The World, or they can be sloppy, like every time a current Top 40
hit makes its way
into the soundtrack of a period piece.
The dark humor Miike injects
into his
film hits even harder because Lesson of Evil is actually a tasteless exploitation of American headlines, but one that manages to brutally entertaining and clever.
Indeed, the
film is yet another box office win for 38 - year - old DiCaprio, who helped turn Quentin Tarantino's «Django Unchained»
into a
hit last winter.
Based just on the previous Teaser that
hit the web for Scott Cooper's upcoming gangster
film Black Mass, some have moved Johnny Depp
into...
Zoolander and the gang have mostly ossified
into pullstring See»n Says, though to encore the greatest
hits of a fifteen - year - old movie whose footprint on popular culture has long since dissipated is to masturbate, really, and the celebrity cameos — about the same number as the previous
film's, but much more elaborately integrated this time around — feel no less onanistic.
The Lyric reopened in 2015 with a
hit production of «Bugsy Malone» and later produced «Ghost Stories» ahead of its West End run and adaptation
into a
film starring Martin Freeman.
Featuring all sorts of titles ranging from the greatest
hits of Sundance, highly - anticipated studio
films, art - house darlings, foreign imports, special screenings of classic
films, and much more, it's slowly turning
into a juggernaut that can rival the likes of Tribeca and SXSW.
Meantime, three twenty - something filmmakers from the East Coast, Harry (Pico Alexander), George (Jon Rudnitsky) and Teddy (Nat Wolff), have moved to LA in hopes of parlaying positive buzz from their
hit short
film into a studio deal.
Translating a
hit YA book series
into a
hit YA
film series is trickier than you might think.
Both
films are critical
hits so why isn't it translating
into year - end awards?
The
film looks at the famed tennis academy that Bollettieri built and dives
into its circus - like atmosphere as he grew it
into a
hit factory that produced tennis greats.
Set in Los Angeles in the summer of 1969, the movie focuses on a former male TV actor who's had one
hit series and is looking for a way to get
into the
film business.