Sentences with phrase «into imaginary landscapes»

www.gardnermuseum.org Nari Ward Episodes: Bus Park & Forevermore October 16, 2002 — January 5, 2003 Artist Nari Ward uses commonplace objects to create evocative, materially dense environments in which everyday materials are transformed into imaginary landscapes, resonating with the themes of memory, faith, history and the collective experience.

My goal as an oil painter is to freely use color and shape to create abstract paintings that I transform into imaginary landscapes.

He turned female bodies into imaginary landscapes and made physical abstractions of the people and places he photographed.

Silver's goal as an oil painter is to freely use color and shape to create abstract paintings that he transforms into imaginary landscapes.

«By incorporating fantastic or mythical elements into an otherwise realistic scenario, Segundo Pérez transports the viewer into an imaginary landscape that seems playful and fun,» Miller notes.

I work to capture and transform this everyday scenery into an imaginary landscape experimenting with optical illusion.

Not exact matches

Chronos is a gorgeous third - person action game that fits well in the Rift, using VR to turn players» worlds into a series of tiny imaginary landscapes.

V - Wing 1997 V - Wing is one of the numerous AUTS and Turboraketti clones, a caveflier, which would have been forgotten long ago without its new features.The game follows the tradition of cavefliers: V - shaped ships drawn with two lines fly around in imaginary platform landscapes and try to shoot each other into pieces with...

Having mastered the pictograph format, Gottlieb sought new challenges, and in the 1950s, he «hit on dividing the canvas into two parts, which then became like an imaginary landscape.

Franklin Evans layers references to landscape, biography, and gesture into complex imaginary spaces that reference specific places (like Nevada, where he was born) and personal history and identity.

This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).

Mame Diarra Niang's «Metropolis Central» series of photographs flattens Johannesburg's urban landscape into arrangements of colored planes, refashioning it into an imaginary, mutable territory that stands in for the artist's peripatetic upbringing.

Featuring photographic images of indigenous masks, beach scenes, and tropical foliage arranged into complex geometric patterns alongside embedded tiles, the collages depict kaleidoscopic visions of imaginary landscapes.

For example, a wide light box depicting a mirror image of a rural landscape with a spider web - like vulva as its center seduces the viewer into penetrating an imaginary world.

In a 1989 statement, Ghirri said his images, «become our impossible landscape, without scale, without a geographic order to orient us; a tangle of monuments, lights, thoughts, objects, moments, analogies from our landscape of the mind, which we seek out, even unconsciously, every time we look out a window, into the openness of the outside world, as if they were the points of an imaginary compass that indicates a possible direction.»

We feel ourselves in the presence of imaginary landscapes — landscapes distilled into chromatic essence.»

While basing herself on the traditional genre divisions as have existed throughout centuries — landscape, still life, the human figure and the nude — Barkat shifts her subject matter into a subliminal world, imaginary spaces and resorts to abstraction.

During these early years (1820s), landscape painting was divided into two schools or styles: the Italianate Neoclassical school of Southern Europe which promoted idealized imaginary views often populated with mythological, or biblical figures; and a more realistic school derived from the Dutch Realist tradition - more popular in England and Northern Europe - which remained faithful to the real nature rather than the idyllic version.