Enemies, aliens, pedestrians: all of them simulations to be suplexed onto the concrete by one of your ludicrous melee moves and left to fade back
into imaginary numbers.
Not exact matches
Imaginary numbers were, well, imagined
into existence to fit the bill.
The former — an abstract collection of images created by inputting a series of
numbers corresponding to frequencies, amplitudes, and color values
into a custom - designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a
imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.
Céline Condorelli is an artist who works with architecture, combining a
number of approaches from developing structures for «supporting» (the work of others, forms of political
imaginary, existing and fictional realities) to broader enquiries
into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.
Celine Condorelli works with art and architecture, combining a
number of approaches from developing structures for «supporting» (the work of others, forms of political
imaginary, existing and fictional realities) to broader enquiries
into forms of commonality and discursive sites, resulting in projects merging exhibitions, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.
Instead we have followed many enjoyable detours
into attempts to undermine any of a
number of fundamental physics laws in an attempt to defend «the
imaginary second law of thermodynamics».