Sentences with phrase «into individual installations»

Not exact matches

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Suh's works take items such as uniforms and army dogtags that identify individuals as part of a specific group, and while challenging the authorities that confine individuals within particular frameworks, develops these items into installations that are metaphors for the enormous power generated when the small, individual power of nameless people is combined.

On the edge of Culver City's industrial area sits Scion Installation L.A. Space, currently hosting a group exhibition of artists whose mission was to transform the gallery into eight individual rooms.

Combining multiple individual scenes into one cinematic space, from a suburban bedroom to crashing waves to an infinitely reflecting country restaurant, her installations have a hue and tenor that summon a conflicting range of feelings.

The focus of this publication is Franz West's (1947 — 2012) Kombi - Werke installations, in which greatly differing individual pieces are brought together and then recomposed into new works.

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

For this show the gallery has been divided into six individual rooms, each space transformed by the artist using installation, performance, sculpture, or drawing.

The centerpiece of Harrod's solo show at NURTUREart (a selection from our 2015 open calls) is her large - scale installation, The Ranger Series, consisting of individual welded and powder - coated frames with netted parachute cord (aka paracord) assembled together into a large - scale modular installation to create a wall of leaning «bodies.»

For Clerkenwell London I will be creating a Swimming Pool installation that will recreate those beautiful Margate memories, retelling those narratives of individuals visually in a thought - provoking way that gives the audience an insight into something special that has forever shaped my life, journey and the lives of so many others.

Individual works are integrated into an installation context, analogous to scenes in a movie, an approach reflecting Haberny's background in acting and filmmaking.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

His conceptually - charged investigations into how individuals and communities imagine the future generates a multiplicity of objects, images, installations, situations and texts.

Thus, instead of focusing on individual creative disciplines (such as painting, printmaking, sculpture, photography), and attaching overriding importance to individual works of art, Fluxus artists worked together in order to blend different artistic genres (visual, literary and musical) into a number of «events», involving installation art, conceptualism, happenings and photography as well as various types of performance art.

Photographer Mauro Altamura's work represented in the exhibit is mostly black and white, with individual photos grouped into wall installations.

Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.