Sentences with phrase «into international art world»

Although they dominated the various national schools as the century began, as modernism triumphed, traditionalists retreated, frequently spouting reactionary rhetoric, into international art world corners.

Theaster Gates catapulted into international art world success for his South Side redevelopment projects; meanwhile, the community's response seemed more hesitant.

He then quickly broke through into the international art world.

Not exact matches

Residents and visitors will flood into Elmhurst's Wilder Park on Monday to see «We Art the World,» a two - week (through March 9) international festival featuring exhibits and performances of art forms from around the worArt the World,» a two - week (through March 9) international festival featuring exhibits and performances of art forms from around the wWorld,» a two - week (through March 9) international festival featuring exhibits and performances of art forms from around the worart forms from around the worldworld.

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I break it down into the following six reasons: art, sport, economy / money, international relations, people / population of Francophone world, career opportunity.

Embellishing high - line vehicles from General Motors, Ford, Chrysler, Lexus, and Toyota, as well as building custom creations like the World record holding Venom GT, HPE has evolved into a state - of - the - art facility that includes the world's first state accredited Tuner school, a 40,000 - square foot workshop and showroom, and the Lonestar Motorsports Park with an International Hot Rod Association (IHRA) sanctioned quarter - mile dragstrip on 143 - acres near Houston, TWorld record holding Venom GT, HPE has evolved into a state - of - the - art facility that includes the world's first state accredited Tuner school, a 40,000 - square foot workshop and showroom, and the Lonestar Motorsports Park with an International Hot Rod Association (IHRA) sanctioned quarter - mile dragstrip on 143 - acres near Houston, Tworld's first state accredited Tuner school, a 40,000 - square foot workshop and showroom, and the Lonestar Motorsports Park with an International Hot Rod Association (IHRA) sanctioned quarter - mile dragstrip on 143 - acres near Houston, Texas.

The museum describes Edwards thus: «A truly international artist well before the advent of today's global art world, Edwards has brought his experiences of other cultures and languages, particularly those of Africa, into his work, to explore the varied ways that art can forge bonds of connection and kinship.»

With the Creative Package, you'll be kept up - to - date with current trends as they develop across the international art world, and will gain insights into the work of leading practitioners shaping contemporary visual culture.

Although I have been painting using a wide variety of traditional media for over 50 years, I decided this year (2017) to take my art out into the world via this web site and enter national and international exhibitions that accepted digital art.

2006 Renegades: 25 Years of Performance Art at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOVE!

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

In New York, Bauermeister entered the art world swiftly, moving into a studio at the National Arts Club in Gramercy Park in early 1963 and participating in the International Artists» Summer Seminar at Fairleigh Dickinson University in Madison, NJ later that year.

African art has blazed onto the cover of magazines and into the world's glossiest galleries and apartments after decades of international irrelevance.

This year, Anatsui was awarded the prestigious Praemium Imperiale Award for Sculpture; in 2016 he was awarded an Honorary Doctorate from the University of Cape Town; in 2015 he received the Golden Lion for Lifetime Achievement Award at the 56th International Art Exhibition of the Biennale di Venezia — All the World's Futures; in 2014, he was made an Honorary Royal Academician and elected into the American Academy of Arts and Sciences; and, in 2009, Anatsui received the Prince Claus Award.

Abstract Expressionism was a movement in art in the post — World War II years that turned New York into the center of the art world and American artists into international iWorld War II years that turned New York into the center of the art world and American artists into international iworld and American artists into international icons.

Brick to Canvas - A Survey of International Street Art is a multidimensional look into the world of contemporary street art, urban contemporary or new contemporaArt is a multidimensional look into the world of contemporary street art, urban contemporary or new contemporaart, urban contemporary or new contemporary.

His handling of fragmented material, specifically demonstrated in the now historical Plate Paintings, propelled him into the center of the international art world.

Photography has in recent times insinuated itself seamlessly into the larger international art world.

Paris is transformed once again into the world capital of contemporary art with the FIAC, the International Contemporary Art Faart with the FIAC, the International Contemporary Art FaArt Fair.

, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, Decemart community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, Decemart», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, DecemArt Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December

These works have been informed by the development of the contemporary art world over recent decades, as a previously more insular, scholarly culture has transformed into a more market - driven scene appealing to a new class of international plutocrats.

Already possessing of world - class galleries in kurimanzutto, OMR, Proyectos Monclova, and LABOR, an international art fair that grows in importance each year (Zona Maco), and such cultural institutions showcasing the city's rich heritage as the National Museum of Anthropology and Casa Barragon, the opening of the Museo Jumex further vaults the city into position as a relevant contemporary - art center.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaart exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaart, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy PaisaArt Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townseart, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownseArt Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Thrust into this heady milieu — New York was rapidly being acclaimed the new center of the international art world — the precocious Frankenthaler responded by producing a series of audacious paintings, among them Mountains and Sea, which she completed in October 1952, shortly before her twenty - fourth birthday.

In 2017, he was the winner of the 91st International Print Center Award and he had a solo exhibition at the Everson Museum of Art titled «I Was Born to Bring You into This World», curated by DJ Hellerman.

Art Fair Premiers On Miami Beach «[ArtObserved] «From Bargains to Billionaires» [WSJ] «A-Rod, Harvard Kid's Beefcake Send Miami Into Overdrive» [Bloomberg] «At Art Basel Miami Beach, the stars line up to be seen — and be shocked» [Guardian] «An Art World Gathering, Divided by Money» [NYTimes] «Art Basel Miami Beach: The Art Party in Full Swing» [NYTimes] «Collins Calling» [Artforum] «Diddy buys Murray at Art Basel Miami Beach» [Mail and Guardian] «The Art Market: Spats and Gators — Art Basel» [FT.Com] «Large Works and Big Changes at ArtBasel» [NYTimes] «A Big Art Lover, and Moneyman, Is Missing at the Fair» [NYTimes] «New Times Guide to Art Basel 2012 ″ [Miami New Times] «Art Basel Miami Beach: The China Factor» [International Herald Tribune] «Dispatches From Miami Beach: Art Basel Day 1 ″ [Forbes] «Art Basel Miami Beach 2012: The Ten Biggest Art Trends Of The ABMB Fairs» [Huffington Post] «Move Over Old Masters» [The Art Newspaper] «At Art Basel Miami Beach, Around - the - Clock Offerings» [NYTimes] «A Peek at Art Basel Miami Beach» [Washington Post] «Vanity, vanity... or the ultimate commission?»

Exhibition: SELECTED EXHIBITIONS 2015 Kuopio Art Museum, Kuopio, Finland, Carried by Light (solo retrospective) En Écho, Beauvais, France, Les Photaumnales 2015 C. Grimaldis Gallery, Baltimore, USA, Within / Without Photo London / Lens Culture, London, UK The Finnish Museum of Photography, Helsinki, Finland, Darkroom Museum Centre Vapriikki, Tampere, Finland, Six Artists on Tammerkoski Villa Roosa, Orimattila, Finland, Real / Unreal 2014 Galería Juan Pardo Heeren ICPNA, Lima, Peru, Bodies, Borders, Crossings Zebrastraat, Genth, Belgium, Rediscovered Photography, curator Stefaan De Wolf Maryland Art Place / Baltimore Washington International Airport, USA, Light touch, curator Liz Wells 2013 Preus Museum, Horten, Norway, Bodies, Borders, Crossings Pori Art Museum, Finland, Bodies, Borders, Crossings The Finnish Museum of Photography, Helsinki, Finland, Photography into Art: Hannula & Hinkka Collection 2012 CRIO II Creativity World Biennale, curator Liana Brazil, Pier Mauá, Rio de Janeiro, Brazil, Redesign and Urban Transformation Museum of Estonian Architecture, Tallin, Estonia, Mazzano!

Jean - Michel Basquiat's rapid rise in the art world is astounding given the young age alone at which he was taken into the fold of both the established New York and the international art scene.

Focusing on those major group exhibitions and events which jettisoned Russian artists to international attention, or introduced Russian publics to Western art stars, the book provides readers with a unique perspective into the dawning of the global art world.

The son of famous American painter, Julian Schnabel, is well - connected in the international art world / scene and should / is expected to bring / blow fresh wind into the Swiss art scene.

If you are ready to move into the international market, and exhibit your work in one of the most important centers of the art world, this may be the next natural stage for your career as an artist.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

There's an added factor, Westreich says, that with market recognition and the imprimatur of the Whitney show, «as it becomes more and more present in the international art world, people can accept it into collections that don't necessarily accommodate it, visually,» Westreich says.

«The Moscow International Biennale for Young Art is internationally renowned for its ability to bring fresh and challenging perspectives into the art world, and I hope I will be up to the taArt is internationally renowned for its ability to bring fresh and challenging perspectives into the art world, and I hope I will be up to the taart world, and I hope I will be up to the task.

Despite the regular discussion of the new, global art world, you may be surprised at how little work by international artists makes it into American - based art publications.

Rather than play into the curatorial hype in portraying the emerging generation of Chinese artists — a exhibitions trend in the international art world — Catch the Moon in the Water reverses these roles to illustrate how this young cohort's imagining of America has influenced their work.

This book sends art lovers of all ages on a fantastic journey into the world of Yves Klein, following his development from a daydreamer to an artist who invented his own color, which soon became famous: International Klein Blue.

Guided by this new curatorial initiative, the gallery surveyed a rich pool of talent emerging from an ever - vital Los Angeles art world, leading to five group exhibitions (2001, 2003, 2007, 2009 and 2013), later expanding into international solo artist projects.

The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia Society, New York (2013); Spectacular of the Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of Iranian Artists, House of World Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual American Exhibition, Art Institute of Chicago, IL (1982); Biennial of American Art; Whitney Museum of American Art, New York (1981); 39th Venice Biennale, American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.

Now British artists are major players on the international stage, London is a global art marketplace second only to New York and the Tate has evolved into a four - headed, world - renowned institution attracting well over seven million visitors a year.