In stark and effective contrast to the clean nature of the space itself, within this structure, much of the work has a decidedly peculiar spin, with many pieces touching on uncomfortable areas of the subconscious without falling
into kookiness for the sake of it.
Based on a best - selling if insanely racist novel, MASH collected a heap of nobodies (including Tom Skerrit, Donald Sutherland and Elliot Gould), threw them under the reign of film auteur Robert Altman, and took to tunneling under the rigid structure of the US Army, straight
into the freedom of open
kookiness.