Sentences with phrase «into major exhibitions»

Working with individual practitioners, groups or organisations, many projects are long - term: developing over years with smaller events building into major exhibitions over time.

Get free or discounted entry to these properties with a National Art Pass, which also gets you into major exhibitions for 50 % off entry price.

Mark Bradford's path proceeds from a beauty salon in Los Angeles into the major exhibition venues of the United States.

Not exact matches

Now a major event on Moscow's business calendar, the forum and exhibition is an attempt to force into being what has failed to emerge organically in Russia: A Silicon Valley, right here in the Russian capital.

Mrs. Afeku noted that government's objective is to transform the country into a major Meeting, Incentive Conference and Exhibition Center (MICE) by aggressively developing the tourist sites.

He stated that, government's objective is to transform the country into a major meeting, incentive, conference and exhibition centre, adding that to facilitate this plan, «government will aggressively develop Ghana's tourist sites to promote and market tourism.»

The books, art catalogues for major exhibitions at the museum, pop out into a clean, fast virtual book reader.

The Kuntshalle houses exhibitions of all major periods from Renaissance to contemporary art.Wandering around each of the grand buildings that are linked by an underground passage, you are able to delve into the range of works displayed.

World Travel Market Exhibition Director Simon Press said: «This Meridian Club Think Tank has given a fascinating insight into the business behind hosting such a major event as the Olympics.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.

This is a major exhibition of works by a New York artist who died in 1978 at the age of 35; and, literally, made a mark on NYC in the 70s by cutting into — and at times removing — large chunks of buildings.

Past exhibitions highlighted in the new show fall into three categories: historical, thematic, and major modern and contemporary artists.

Organized into five sections — Family, The Land, Last Measure, Abide with Me, and What Remains — and including many works not previously published or publicly shown, the exhibition is the first major survey of the artist's work to travel internationally.

In October 2012, to coincide with the opening of Marlborough Contemporary, a major exhibition of work by Frank Auerbach, Next Door, featured for the first time more than forty preparatory drawings to accompany the new paintings, offering a unique insight into the artist's working methods.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

The exhibition includes several of Andrade's major Op art paintings, which combine hard - edged geometric forms and lines into illusory, and sometimes hallucinatory, compositions.

Delve deeper into our major new co-commission and solo exhibition from award - winning artist Louis Henderson, who has produced a series of works based around a collaboration in the Haitian city of Port - au - Prince.

A late discovery as an artist her work, which falls into no defined artistic classification, has been the subject of major exhibitions and retrospectives throughout the world over the last 25 years.

Less than one year later, Skou has transformed Overgaden into an installation of collages and sculptures that articulated repressed architectural spaces to create crossing points into possible futures, in Staggering Territory, his first major solo exhibition.

But aside from James Turrell's popular maximalist light show at New York's Guggenheim Museum in 2013, wherein the artist transformed the museum's famous rotunda into a giant light installation, Light and Space, as a whole, hasn't been explored in a major exhibition.

Three major paintings in which Schapiro took her first steps towards putting into effect what she had been teaching and lecturing about that first year at CalArts — «Eurydice,» «Flying Carpet» (both 1972), and «Voyage» (1973)-- are the highlight of the exhibition at Firestone, and important new exemplars of her work.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.

Also, previously, the major retrospectives at the Whitney had showcased only recent developments in abstraction; in the case of the New Image show, figurative art made its way into the exhibition.

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

It looks like a major exhibition in a massive commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.

The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status as an important and innovative force within international abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the more spatially complex paintings of the early 1980s.

Major works of public art will be integrated into many of the new Elizabeth line stations to create a line - wide exhibition that reflects the ambition of London's newest railway and the communities it serves.

The exhibition includes a number of commissioned works, including a major new braided sculpture by Diamond Stingily that snakes through gallery floors, trailing from the Fourth Floor all the way down to the Museum's Lobby, and alludes to the racial dimensions of beauty conventions as well as to Medusa, the mythological snake - haired woman whose gaze could turn men into stone.

Since joining the Addison in 1986, Faxon has overseen tremendous growth of the museum's renowned American art holdings and has organized major exhibitions that have traveled around the country and the world, introducing new scholarship and insights into the history of American art.

This exhibition, accompanied by a scholarly catalogue with essays by experts in the field, represents a major step in bringing Lewis's work into the art historical conversation alongside his peers, for example well - known abstract painters Willem de Kooning and Ad Reinhardt.

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

The first major exhibition in Australia of work by acclaimed Italian contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of major international visual arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.

The exhibition includes: a trio of Marina Abramović films, Freeing the Mind, Freeing the Body and Freeing the Voice; Wael Shawky's final act in his epic, cinematic trilogy of child - acted Egyptian fables, Al Araba Al Madfuna III; and Shirazeh Houshiary reinterpreting the songs of the four major religions into an immersive temple to openness for the installation known as Breath.

The exhibition at Kunsthaus Bregenz, Austria, is a major solo show that presents four key bodies of work: Body and Fruit, Critial Mass, Allotment II and Clearing V. «Embedded in the context of Peter Zumthor's architecture, they challenge the fine line in the human psyche that marks the mental balance between asserting oneself as an individual and blending into the masses.»

The exhibition will provide a look into Flavin's varied configurations of paired contrasting colors, centering on a major «corridor» piece of pink and yellow -LSB-...]

Stepping aside from performance as a medium and the performative act of production, best characterised by Mota's studio - based compositions, her recent exhibition at the gallery, marks a major shift in the practice of the artist, materialising a new form of sculptural animism and a new agency, while shifting the instrumentalization of the performative into a series of coincidental and strictly conceptual acts.

The exhibition features nearly every major name in art of at the end of the 20th century — a fitting exit as the museum transitions into its new space for the 21st.

Her NYU bio details her accomplishments at the Studio Museum: «Under her leadership the museum was transformed from a rented loft into the country's first accredited Black fine arts museum with a permanent collection, major publications, exhibition and artists - in - residence programs.

By opening with a display cabinet containing a number of summary sketches from an album Twombly created in 1951, this focus on working practice is emphasized curatorially; a major component of the exhibition's strength is the insight it offers into Twombly's artistic process.

There he showed first museum exhibitions by young artists such as OlafurEliasson, Michel Majerus or Pawel Althamer, pushed forward the restoration of the historical building and reorganised the local annual exhibition into a format called «Regionale» that still presents an important, major exhibition located between Mulhouse, Freibug and Basel.

Under her leadership the [Studio Museum] was transformed from a rented loft into the country's first accredited Black fine arts museum with a permanent collection, major publications, exhibition and artists - in - residence programs.

Words and names erupt from nowhere like a William Burroughs cut - up, clouds collide and paper seems to mutate into abstract sculpture before your very eyes in this major exhibition of the American artist's drawings

Known for discovering artists, representing masters, and placing important collections and archives into major public institutions, Pace / MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography.

In his first major solo exhibition, Asbjørn Skou transforms Overgaden into a total installation of collages and sculptures that articulates repressed architectural spaces as crossing points to possible futures.

Vasconcelos» major new commission comprises brightly coloured organic forms that will cascade down the gallery's stairs from the main exhibition galleries and spill over the balconies into the atrium.

Ranging from her earliest explorations in painting to new works made in the past few years, this survey — the artist's first major exhibition in New York in fifteen years — celebrates a career of exceptional duration and distinction, tracing the development of Kusama into one of the most respected and influential artists of her time.

On view through February 24, 2013, at the Museum of Arts and Design, the exhibition examines major stylistic developments in the evolution and design of fragrance, and provides unprecedented insight into the creative visions and intricate processes of the artists responsible for crafting the featured works.

Dreams into Glass accompanies the first major museum exhibition of African - American photographer Alvin Baltrop (1948 — 2004), whose career unfolded in the late 1960s amid a period of turbulent social and political upheaval.