The film leans
into modern comedy, but it also passes through moments of genuine longing and even existential crisis.
Not exact matches
Unlike you, though, we're really
into comedies (Parks and Rec, Arrested Development,
Modern Family), although I love shows like LOST and Firefly, too.
If you've seen trailers for upcoming
comedy Enchanted, in which fairy - tale characters plop down in
modern New York, ready to burst
into song, you get the picture.
The original, which featured Barbara Harris and a young Jodie Foster, has been tweaked
into a high - class
comedy of
modern manners.
Taking the 1983 Vacation and thrusting it
into the
modern age of high - octane raunch
comedy, Vacation (2015) is pretty much the result most would expect: Still filled with laughs, but ultimately a cheaper and more hollow echo of the original film, despite some inspired comedic performances from the cast.
This striking black
comedy from Chile delves
into the life of a 41 - year - old maid for a wealthy Chilean family, cleverly revealing both her own inner life and some home - truths from this
modern - day caste system.Raquel (Saavedra)...
Snow globes, dog - eared pop - up books, vintage advertising, silent cinema, Ealing
comedies and the Spirit of ’45 all feed
into the essence of the film, and King offers a dreamlike vision of London which mixes mid-century fervour with a
modern embrace of cultural diversity.
This week: While David Wain rips
into the conventions of the
modern romantic -
comedy with They Came Together, we recommend a few unlikely gems of the genre.
Just as other films of its ilk (The Phantom, The Shadow), the updating of the material involves keeping the core of what makes the Green Hornet the Green Hornet, while stuffing it
into a
modern - day action and
comedy style.
If you go
into Your Highness thinking of it as lesson in
modern - day cinema, you'll leave with these three conclusions: 1) Danny McBride is still not much of a screenwriter 2) David Gordon Green still hasn't found is stride directing «action
comedies» and 3) Justin Theroux is an incredibly underrated comedic actor.
Obvious Child is another charming and thoroughly enjoyable entry
into the ranks of
modern low key indie
comedies.
But there is much more on the films plate than simply laughing - to - prevent - from - crying at the current state of America, the film delves
into life philosophy, behavior etiquette in the
modern world and simple human dignity in ways that only a good
comedy can.
The Zellner brothers combined alternate between slapstick
comedy and poignant drama to send the genre
into a new, more
modern sunset.
Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine
Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The Art of Revival», Guildhall Art Gallery, London, England (2013); «Earth Matters: Land as Material and Metaphor in the Arts of Africa», Smithsonian Institute, National Museum of African Art, Washington DC, USA (2013); «The Desire for Freedom: Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of
Modern Art, Arnhem, Netherlands (2012); and «Migrations: Journeys
into British Art», Tate Britain, London, England (2012).