Sentences with phrase «into modes of perception»

The Metalli and Vetri are seminal works in Fabro's artistic research, marking the initiation and embodying the essence of his investigation into modes of perception.

Not exact matches

His introduction of causal efficacy as a mode of perception is designed to overcome this schism, what he refers to as the «bifurcation of nature» introduced into philosophy by the dualism of Descartes and Locke.

This conformal, non-orginative phase of experience, which «merely transforms the objective content into subjective feelings,» is said to be «common to all modes of perception» (PR 179, 250).

I have just sketched the outlines of an aesthetic cosmology indicating how each of us is tied into the cosmos through the mode of primary perception.

It is the function of religious symbols in particular to bring the inherent purposefulness of the universe out of the mistiness of primary perception and into a mode of representation that can be correlated with the world of sense perception.

Because each occasion actively appropriates its past (in a manner determined also by the way in which it receives novel possibilities into its experience) 1 it is, in a sense, self - caused, a causa sui.13 There is no absolute passivity in this fundamental mode of perception and causation.

Implanting particles of ideas into his audience's perception, Weiner triggers alternative modes of seeing and thinking through equally subliminal and witty lines such as BUILT TO MAIN THE INNER EDGE OF A CUL - DE-SAC or THE BOULDERS ON TOP RENT & SPLIof ideas into his audience's perception, Weiner triggers alternative modes of seeing and thinking through equally subliminal and witty lines such as BUILT TO MAIN THE INNER EDGE OF A CUL - DE-SAC or THE BOULDERS ON TOP RENT & SPLIof seeing and thinking through equally subliminal and witty lines such as BUILT TO MAIN THE INNER EDGE OF A CUL - DE-SAC or THE BOULDERS ON TOP RENT & SPLIOF A CUL - DE-SAC or THE BOULDERS ON TOP RENT & SPLIT.

Sturtevant focuses on the ubiquity of images which surround us day in, day out and affect our perception of reality, presents stereotypes, and takes a sharp and critical look at a lethargic society which is increasingly encompassed by a digitally shaped surface and moulded by the experience industry: «What is currently compelling is our pervasive cybernetic mode, which plunks copyright into mythology, makes origins a romantic notion, and pushes creativity outside the self.

Here, images from contemporary pop culture and of Hollywood stars are taken out their usual structures of representation and put into a new, perverse context intended to disturb customary modes of perception.